You Quotes
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I was lucky to come from a difficult area. It teaches you not just about football but also life.
It doesn't matter how many times you win an award, it is always very special.
If you are different, or you have minimum possibilities, you can still succeed. I am living proof of that.
If you are too nice, you will just get eaten alive. The football world is not always a nice place.
Some coaches prefer players who will just do whatever he tells them to. It's like, if you're at school with a load of 10-year-old boys and you tell them to jump, everyone will start to jump. But the intelligent boy will ask, 'Why should I jump? Why?' That can be difficult for a lot of coaches, and I understand that.
I wish anyone in this world could go to his fridge and pick whatever he wants. Because the day you open your fridge and there is nothing in it, it is difficult.
If you're going to fight Tom Cruise, you really don't want to make that man bleed.
It's not until after you've been hit by a car and landed all right that the fear kicks in.
When I'm a stunt woman on a movie, I'm strictly a 'Yes sir,' girl... But acting puts more in your hands, and producing gives you more control still.
I have come a long way from a girl with pigtails and acne showing up and going, 'Hey guys, I'm here! Where do you want me to fall over?'
When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.
You've just got to know yourself, and know what you're worth, and know where you're going, and know that you can always, always learn more.
One of the things I really like about TV is the family, the maintaining of the family camaraderie. Film has it, too, especially when you're on location. It's like summer camp. You'll get really close, really fast. But, then you'll have to say goodbye.
I think I'm one of those actors who has come around the backside of something, you know? I came in the backdoor without even realizing that that's what I was doing.
If you give anything less than 120% as an actor then you end up looking uncomfortable.
Suning Appliance has no problem of financial risk. Do you think I'm risky? I'm definitely not risky.
China - if you think about what is the character of China, it's enormous scale. It's bigness.
From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.
Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. 'In the Mood for Love,' though, reached all the way to my belly.
When two people first meet, they can only have a very ordinary kind of friendship. But when you begin to understand each other, when you get close to them, you discover that you're suddenly eager to know him or her even better.
I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.
I think it's important not to get carried away when you are successful - and not to let yourself feel gloomy when times are bad.
In China, we think that if you want something to happen, you don't talk about it. So I will keep who I want to work with as my secret.
I realise that in an electoral campaign, you don't want to antagonise large groups which are highly motivated.
You know who's messianic? Netanyahu, because he talks that way. And that's a very risky position.
Most of us yearn for really intimate, healthy, in-person relationships. People have a deep desire to be understood, to be told that it's OK, that you're not isolated and broken, that this is part of the human challenge, and that there is hope. The capacity for online interactions to do that is powerful.
I think this is one of the greatest gifts of this era: Because of the Internet, we can start to type a question into Google and watch the question auto-fill. In that moment, we know someone else has asked that same question. The gift of realizing you're not alone is incredibly powerful.
I studied neuroscience at the cellular level, so I was looking at learning and memory in the visual cortex of rats. Neuroscience mainly exposed me to a way of thinking - about experimentation, about what you believe to be true and how you could prove it - and how to approach things in a methodical manner.
On street corners everywhere, people are looking at their cell phones, and it's easy to dismiss this as some sort of bad trend in human culture. But the truth is life is being lived there. When they smile - right, you've seen people stop - all of a sudden, life is being lived there, somewhere up in that weird, dense network.
Anything that makes you feel the most alone also has the greatest power to connect you.
You have already disarmed my men without my knowledge, are their arms to be returned or not?
Should I be the happy mortal destined to turn the scale of war, will you not rejoice, O my father?
Owing to the difficulty of obtaining horses, Mr. Henry returns from this place. In descending the Mississippi I will request him to pay his respects to you.
Music is its own language - if you don't speak it, it's hard to say what you're trying to do.
I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years.
I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
If you're convinced as an artist of what you're doing, the only move is to, no matter what people say or what management says or your best friends say or people on Facebook, do what you do, and people will find their way to it.
I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
Although my music is electronic, it has a lot of influences from my past, which is all sorts of genres; I've been in a rock-metal band for a long time, and I still feel like, personally, I have a lot of influence from that. My classical influence, you can find spots here and there.
We grew up founding our dreams on the infinite promise of American advertising. I still believe that one can learn to play the piano by mail and that mud will give you a perfect complexion.
Social media is really not for conversations. There are people that you can meet and talk to on it, but it was not created for that. People wanted things that were soap boxes, where they could say what they wanted, and they don't have to respond to anyone else.
I think a lot of people are worried about being alone. I completely understand that. I really do. Being alone is terrifying, especially when you've lost people.
Every teenager, I think, thinks it's the end of the world whenever anything happens, and it's not. You'll get through it. Life will be much more interesting and will certainly be broader when you're older.
When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
The stuff that I find really intriguing is always how do ordinary people behave in extraordinary circumstances. And that's why we have a lot of cop shows and lawyer shows and medical shows is that you're looking for situations that just always heighten the stakes.
What I always loved about theater is that that's an experience that a company of actors just sinks itself into for weeks, and you really get to work on the material, and by the time you're in front of an audience, you really own it.
In television, you are of necessity working in bits and pieces and scenes, and things are out of order, and you never can have the same sense of how will this look when it's all put together, what will the effect be.
Twenty years of votes can tell you much more about a man than twenty weeks of campaign rhetoric. Campaign talk tells people who you want them to think you are. How you vote tells people who you really are deep inside.
X Out has helped me keep up my confidence, and I know it can help anyone who would rather have fun than worry about blemishes. If you want clear, seriously good-looking skin, X Out is for you.
So paid media is when you buy an ad - typically in a presidential campaign that will be in Iowa, New Hampshire, the early states. It costs some money to make the ad, but the greatest cost is in actually placing the ad on TV.
You build massive databases, you learn everything you can about the people in those databases, you figure out exactly how they can be useful to your campaign, and you ask them to donate money, door-knock, the virtual equivalent of being a sort of army of stamp lickers.
A lot of organizations have pointed out that under public financing systems, you see a lot more candidates of color and a lot more women. But you also see the power base behind these candidates is more representative and far less exclusively wealthy.
Talking to Republicans who aren't leaders - that's not very difficult both on anti-trust and on campaign finance reform. I think it's a lot more complicated when you talk to highly funded leaders - that's the innate, deeply problematic part of our politics.
I see the job of attorney general as the single most important legal office in the country when you can’t trust the federal government.
I mean this is a revolution in how campaigns work - more money was spent by super PACs than by either myself or John Faso. So what that means is that if you’re a voter in this district you are more likely to have heard from a super PAC than from me or my opponent.
I’m an FDR Democrat, and I really believe that the most important thing is the institutions of political parties, and engaging in those institutions, and, where you disagree with them, speaking up and sharing your disagreement.
Every district is going to be different, but if you wanted me to give advice to those candidates: Run your own campaign, the DCCC does not run your campaign. Figure out ways to raise money from small-dollar donors, and put some real energy into that because that will give you freedom to say no to big donors.
I learned that the first technology appeared in the form of stone tools, 2.6 million years ago. First entertainment comes evidence from flutes that are 35,000 years old. And evidence for first design comes 75,000 years old - beads. And you can do the same with your genes and track them back in time.
At age three, if you have a still-growing brain, it's a human behavior. In chimps, by age three, the brain is formed over 90 percent. That's why they can cope with their environment very easily after birth - faster than us, anyway. But in humans, we continue to grow our brains. That's why we need care from our parents.
I was going to France to do my masters and my Ph.D., but I didn't know how to say, 'bonjour.' You really feel like a baby, starting everything from scratch.
Because I am interested in the growth and development of early hominids, I play with my kids, you know, looking at their teeth or measuring their heads, which they like also, because it's kind of fun.
I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
When I was little, I had concerts on the subway, and old ladies came up to me like, 'You are so good!'
I think my thing is that... I don't know. And that's why I don't wanna sing about 'This is me, this is who I am' because, like, even the question, 'Tell me about yourself' - what are you supposed to say? 'Ooh, I'm a happy girl, but I'm sad, too'? People are so complex.
Literally, when I go to the vocal coach, I'm like, 'You are teaching me nothing.' You know?
People say, 'Oh you're so good, and you're so young!' It's like, 'No. I'm good. Period!'
In our sport you're very lucky to find a horse of a lifetime and I found mine relatively early. He's done everything for me and I owe him the world.
Unfortunately in sport it's either good or bad. You've got to take the highs and the lows.
The horses are all characters, all personalities. Some you get along with, some you don't, some might take a bit longer.
Virtually everything that gets printed about me is wrong anyway, so it doesn't really matter what you say.
I don't think I'll still be riding at 40. There are a couple of people who are still riding after having kids, like Mary King, but people say that you lose your nerve after you have kids. It's the risk.
Sometimes people will come up in the street and say: 'My daughter loves you, will you sign an autograph for her?' And some people send me stuff. I don't mind it at all: as a sportswoman, you owe them because they support you.
I was always told from the hat-makers that you should have your hair up because it shows the hat more. It feels more 'done' when your hair is up.
I love hats; I love putting hats on. They are artwork. You can always go out and find a dress to wear for some occasion, but there are not that many occasions you can wear a hat.
I would still like to own and run a restaurant serving Indian food with a good dollop of Parsi cooking - which you can't seem to get anywhere.
I had a meeting a while back with a big group of women - actors and producers and writers - who are all ethnic minorities and we just aired what we thought was happening and why, and someone said that, as a black or mixed race actress, you feel like you're renting space instead of carving out a career. But I'm just going to get on with it.
I hate talking about class, but the truth is as an actor you're only going to be doing some really great work if you can afford to be out of work and take the good stuff. If you can't, you're going to be treading quite a different path.
I think anyone who has been bullied finds it life-affirming if you live to tell the tale. I just wish someone told me at school that there's this weird average whereby if you're not popular at school you will become popular later.
The chasm between independent film and commercial film is now so wide. You either have to be super-famous and get a first-time director or writer's indie script off the ground, or you're a newcomer and go and put a cape on for four years.
If you meet a girl, you meet a girl. It's normal, so if you exchange numbers, whatevs, it's cool.
It's pretty strange because you have images of people in your head when you left, then you just think they're going to be the same when you come back, like time freezes. I have sisters and from the ages of 11 to 13 - it's a big change for girls.
I'm always drawing, so Draw Something is a cool game to play against your friends when you're bored and sat chilling out and relaxing.
I believe that your religion should be between you and whoever your belief is in.
You can say whatever you want about me, I'm not really bothered. But when it starts to upset people I care about or I hear about it from my mum, then that's a problem.
What I crave, and what I want to see on television, is when you see a minority character, not to have it being about them being black or Asian or Latino. If you watch 'Friends,' for example, it's not about a group of people being white. It's about a group of people being friends, you know? You should just let the characters exist.
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