Want Quotes
Most Famous Want Quotes of All Time!
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I want to make people have fun again and show people that people can just rap and snap.
I want to be an inspiration, but I would like there to be a day when it is not 'Simone the black swimmer.'
I never should have done 'Celebrity Apprentice.' I didn't want to do it because I didn't want Donald Trump to say, 'You're fired.'
I was taught Shakespeare brilliantly by an eccentric genius at Harrow named Jeremy Lemmon who made me want to be a writer.
Whether individuals or organisations, we follow those who lead not because we have to, but because we want to. We follow those who lead not for them, but for ourselves.
The lives we live are a bit of a straight-hair vs. curly-hair thing. We often want what we don't have. In reality, it's not about better or worse; it's just perception.
I'm incredibly articulate, thoughtful and moral, and I think about what I do. I want to be known for doing something good.
S Club 7, in some ways, was a continuation of some of the things I'd have liked to have done with the Spice Girls. It was also a shift in tone. S Club was this equality of boys and girls, very positive, very uplifting, didn't have the edge of the Spice Girls. I didn't want to repeat it.
A social contract is the way out of this dilemma for corporations that want to lead in the 21st century by showing consumers how seriously they take customer loyalty and goodwill.
In times of trial, for inspiration, people want to look to real people rather than to fiction.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
If you've been nominated for an Oscar, it would be ridiculous to say you didn't want to win. It would be lovely to have one of those statues.
I just want to creatively grow and be inspired. I don't want to do anything generic or dumb.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
Most people do not really want freedom, because freedom involves responsibility, and most people are frightened of responsibility.
Obviously, I don't want to be in the box for over a hundred minutes during the season, but at the same time I have to try to play with an edge and battle out there.
In my situation there are often things I need to do for the team, so when I get the chance to relax it's all I want to do.
I want the audience to be transported to a different world once they enter the auditorium.
I want to do a good, high-tech-commercial-action film. Something along the lines of Bollywood's 'Dhoom.'
These new-age directors like Karthik Subbaraj are bringing about a change that I want to be a part of.
Be it television, theatre, or radio, I can work in any medium. I don't want to limit myself to just movies.
I don't want to be stuck in the same spot, just dropping mixtapes for no reason.
When we first moved to Scarborough, there was one Sri Lankan grocery store - now there's a take-out on every corner, each with some specialty or another. You can get what you want the way you want it, and that's very different from the way it used to be.
I don't really know if things go from one life to another. I don't know if there's another life after this. I don't want to know.
Many of us stay in situations that don't serve us because we don't want to confront the fact that we've failed.
I'd love more production houses to encourage artists to create what they want and not just churn things out.
I want to be known as a desirable actress who can perform - that's something I strive to be.
I can communicate what I want to in Tamil, but I can't express myself in the language very well.
I want to be part of projects where I can showcase my growth as an actor.
I want to do exciting work. For the same reason, I was fine working in Marathi, Hindi or French films for that matter.
I've learnt so much since I joined cinema. I just want to take it as a positive experience.
I didn't want to live in an Islamic society because I knew I wasn't going to be a first-class citizen, and I knew I was not going to be able to keep doing what I was doing as an actress.
I do pick my projects very meticulously. I want my projects to be meaningful.
I can't get booked on the Fourth of July, or it'll be, 'Do you want to open for the opener for Toby Keith?' Hell, no.
I want women to be liberated and still be able to have a nice ass and shake it.
The Senkaku islands are inherently Japanese territory. I want to show my strong determination to prevent this from changing.
You want success, and then when you do get it, you don't want it because of the attention.
Women have learned to flex their political muscles. You got to flex that muscle to get what you want.
I don't even want to be on Twitter. I think it's abhorrent, people sending messages to say they're doing the washing-up or whatever.
I do not read newspapers. I do not take any information which I don't want to take. I make sure I keep my composure.
Patients' lives are more important than embryos. I do want to avoid the use of embryos if possible.
I want to tell any young girl out there who's a geek, I was a really serious geek in high school. It works out. Study harder.
What I really want to do is be in the forefront of game development once again myself.
Desserts are all about form and function, about warm and hot and cold. I want every component to hit your palate on different levels at different times.
In California, you're on a first-name basis with fruit. You take a beautiful Blenheim, you don't want to mess with it.
I don't think I could ever do a network sitcom because the humor is often based on some trite circumstance. I don't want to be a part of a show where it's mostly about coming up with the jokes.
I had the feeling I was going to be successful, and I didn't want to be another disappointing Indian.
I think a lot of Indians want Indian artists to be cultural cheerleaders rather than cultural investigators.
I don't pay any attention to records. I don't want pressure. I just want to get to that line.
Hard work is something that comes without saying for us to achieve the things we want.
I just want to execute a good 200 m. and see what is the best I can do.
I'm not a machine. I get really motivated, then I fall off the wagon and want to eat Chinese food and sit on my couch and gain five or 10 pounds!
When I think about how I want to reach an audience, I just wanted to make pieces that were inspired by something that gave me so much pleasure.
People want to be entertained when they watch dramas. 'Mistresses' has a mixture of escapism and reality.
We condemn all shades and hues of terrorism and militancy and want to cooperate with India to fight this menace.
I don't think about the reader when I'm writing, but I do when I'm editing, of course. For instance, I self-consciously didn't want to do anything to increase the divide between mothers and nonmothers - I think that divide is so horrible and destructive and unnecessary.
If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.
I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper.
Because I've been around the MMA block a little bit, I'm at a point now where I just want bodies to beat up. I'm past the point in my career where I'm picking and choosing.
I want to win Nobel Peace Prizes, as many Grammys as I can, Emmys, Golden Globes, VMAs, everything.
I kind of want 'Mudboy' to just be only Sheck Wes, and 'Mudboy' is going to talk about how I became a Mudboy.
When companies try to guess what consumers want, they essentially make the choice for consumers.
Knowledge should be a public good, and I want my ideas to have as much exposure as possible.
When you get into recovery, you have to relearn a lot of perceptions, attitudes, and self-awareness if you want to stay clean. You really do change.
I have a lot of expectations and a lot of goals I want to fulfill, but the biggest dream is still to make the Olympic team for London.
Why hire these geniuses if they're forced to stick with the script? You want to empower your actors as collaborators.
I want people of my generation who've never seen 'Endeavour' before to enjoy this series.
I think, as a fan, when you are sitting there in the stadium you want to be on the edge of your seat.
We all want to be happy. We need to expand the notion of what that means, to make it bigger and wiser.
If you act like you know what you're going, you can do anything you want - except neurosurgery.
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