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I love doing a lot of things I'm told I can't do. I think that's what drives me and keeps me awake every day.
It still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.
Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
I think space will be conquered through the mind rather than the clumsy medium of space travel.
I wasn't ready to manage straight away. You have a few players who stopped and managed a first team straight away and were successful, and then there are the other ones who take different pathways. And I think what was important for me was to understand what I really wanted to do.
So, deadpan I think just means not acknowledging for one second that you think that this is funny and clever.
And that's what happened to that show. It started ordinary, it started really rather bad. As I said, there was a review that said, really, we think the commercials are better than the show. And then it gradually developed.
These things don't just come, arrive and settle like a bird picking up a few bits of crumbs. They develop. I think the best word for these things is develop. They develop because of the human beings who just happen to be there at the time.
No one really sees pro athletes behind the scenes. They don't know how hard they work. They don't see how you work on the basics. They couldn't possibly know. You wouldn't think that someone who hits like Alex Rodriguez needs to use a tee every day. But that's how he stayed on top of it.
It's not like I mean to throw no-look passes. I think it kind of happens out of instinct. As I do it, I'm like, 'Dang, I didn't even mean to do that.'
I think, as quarterback and as a football player, you always want to get better.
I'm a happily married man and I think to get married you have to be optimistic.
I'm a Golden Globe nominee, yes. It's very nice. It's a very nice thing, but I kind of think of all the awards I wasn't ever nominated for, for years and things.
I like them all - I don't always approve. I see myself as a sort of benevolent uncle to these characters, and I can see why they do what they do; sometimes they make some mistakes, but at heart I think they're decent.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
I think I write serious comedies. I would love to be able to write for pure pleasure, but the undertow is always loneliness.
I think we need to start with Philadelphia and make sure that we actually get some election reform in Philadelphia. Actually, a recent election was thrown out by a federal judge because of corruption with the voting process in Philadelphia.
I think I became a writer because I didn't know of anything else to do. Maybe some incident from my childhood influenced me.
A lot of folks look at the political calculation and then determine the policy. I think that's backward.
If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.
In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.
A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.
Happiness is precious, and so I prefer to keep mine private. In a world where everyone shares everything, I can think of a lot of happy moments, but they're mine.
I think the reason teenage fiction is so popular with adults is that adults hunger for narrative just as badly as teenagers do.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
I don't purposely push the boundaries... I think if you pay attention to a story, it will have exactly as much 'difficult material' as it needs, and nobody will complain about it because you've earnt it.
I have a severe Google Reader habit. I think people will use blog forms and Twitter to contrive fiction.
People think, 'Well, because you're at Google, you can work from anywhere.' Yes, you can work from anywhere, but many just commute to offices... Working from the office is really important.
If you think of what you do on your mobile and what you do on your PC, they're typically very different, and because they're different, they bring you additional value and additional opportunities.
I just love shows that don't hand everything to you, that ask you to be smarter. I think that's something really important that HBO has done to change the landscape of TV.
I don't think people can die on 'Suits.' It's still, at its heart, an aspirational show, and it would be so hard to watch these people wrestle with that.
I do think we have a responsibility to be aware of the stories we're telling and how those stories will be interpreted and what sorts of value systems we're celebrating.
I think the big thing is you really have one chance to do this... to play hockey for a living, you have one chance at your career, and you have to take full advantage of it.
I love the game of hockey. I love being part of it. I think I know a lot about the game.
I think you grow up every year, every day. You learn something new and try to really worry about what's important in life.
When you're 18, 19, you think you know everything, but you have no clue about anything.
It's kind of crazy to think I'm still 22 and going into my fifth season. Time has been flying by. I think it's about that time I really take the next step to the elite level.
Benjamin Franklin once said, 'A people who would trade liberty for security deserve neither.' I think we can have both. We can keep our liberties. We can have our security.
I've been in a room in Silicon Valley where on the wall they have 160 industries they think blockchain can disrupt. We picked six of them to focus on.
I think the best post-breakup album is The Strokes' first album. It's just fun.
Injuries are a huge thing for skating. I think skating is a very unnatural sport for the body, very tough on the joints.
I get mad at my mom. I really wish she'd put me into hockey. I'm not gifted with height, but look at Martin St-Louis. He's unbelievable. He's small, but he's so fast, so skilful. I think I could have been pretty good.
I don't think any media has to feel obliged to show the cover of 'Charlie Hebdo.'
Square is turning informal, cash transactions, like you would do with a taco truck, into card swipes. Stripe is more for the Internet, it's focused on the kinds of transactions that weren't possible years ago. We think about how you would buy things from a mobile phone, crowd-funding, how should that work.
I think a house should reflect the interests and personality of the occupant, but it takes time to gather together the objects one likes around oneself.
I have a pop sensibility, which I think comes from all those weekends spent in nightclubs.
I think TV is much more the writer's medium and film is about the director and their vision and how you can collaborate with them and see that through to the end. They are so different.
I love having a big family. I think it's easier, oddly, in some ways, having three children as opposed to one.
I think dreams can come true, but not necessarily like fairy-tales. It's not always so perfect like that.
Certain writers look down their noses at plot, and I think I might have been one of them until I tried it.
I wrote for so many years in a bubble, the way everyone does, and there were large swaths of time where you think you're doing this for nothing. An audience is crucial, a back and forth with the invisible readers.
I am increasingly unimpressed by works of art that require a college degree to understand. I think that art should be for everyone. And people should be moved by it.
I personally never thought that 'Dallas' would resurrect itself because I didn't think anybody knew how to do it. And it was proven to me on the few attempts that were made. The movie that was going to be done, I read that script, it was atrocious. It was just awful. And I just didn't think anybody understood it anymore.
Too much negotiating and not enough work on the court - that's what happened to me during the lockout. Too much talking and not enough training. I couldn't put in my usual offseason work routine. I think that all caught up to me, with my Achilles problems.
I've been to the Hall of Fame many times, in grade school and high school. I had field trips to the Hall of Fame and taking tours of it. I just never thought about that one day I possibly might be in it. I think it'd be great.
I think people live in the past and tend to look that way, because they drop off when they're happiest and most successful.
Until we learn to honor and respect what other people believe, I think we are doomed.
Now, I've got to tell you: 'In Our Mothers House,' I don't think is for a kindergartner.
Sometimes when I visit schools, kids will interview me for the school newspaper. They ask me questions and my answers tend to go on and on, and they try to write down everything I'm saying as quickly as they can. And one day, a kid holds up her hand and said, 'Do you think you could just answer 'yes' or 'no?' Aren't kids wonderful?
People who meet me think of Jill and transfer her strong qualities to me.
I'd like us to deliver a little message to all the men still out there who think it's the '50s, and coming home simply means watching television with a beer.
I don't understand that, because I think that what people like most about the show is that they recognize themselves in the characters and their problems, so the more believable the family is, the more we can draw the audience in.
I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
I do find that it's easier to get Latino-themed movies... but I don't think there's that stigma anymore. I think that what's harder is to be a woman, not to be a Latina.
I think the three Mexican directors - Alejandro Inarritu, Alfonso Cuaron, Guillermo del Toro - gave all of us foreign, and particularly Latino, directors a big break.
In my head, if I don't get a shot at Chelsea, personally, I think I will have failed.
Football is generally a working-class sport, and because of the fact I went to private school and was brought up slightly differently, people think that makes me a different person.
When I go on loan, I don't really think about Chelsea. I just concentrate on the team I'm at and try to help them, same as when I was at MK Dons, Derby, and Middlesbrough.
I want to play for Chelsea. I hope I do get that chance, and I think I can compete.
We have to try to be positive now and look to the future and think positive things: then positive things will happen.
Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.
Don't get me wrong - I love books! I just think a video has a bigger bang when it comes to a good, old-fashioned adrenaline rush.
I'm a visual thinker, thrill seeker, and I'm easily distracted. I see everything I'm writing, and I think it naturally affects the pace of things.
I think he was absolutely right not to go to UN last week... First things first - that is, values and people here in their local communities, and remembering all politics is local, and trusting people more.
You don't repair that relationship by sitting down and talking about trust or making promises. Actually, what rebuilds it is living it and doing things differently - and I think that is what is going to make the difference.
Well I think all I would say on that is, when we were in opposition in Britain and Hawke and then Keating were in power here, Labor was in power here, we learnt a huge amount from the ALP's experience here.
I think J.D. Salinger is correct in granting no interviews, and in making no speeches.
I've talked to law enforcement officials at the state and local level who say that violence against women is going up. In any case, we think that it's an important issue whether it's going up or not. And we are determined to stop it.
They plan to ride into the White House on the Sweet Talk Express. Well, think again. Bush and Cheney are not compassionate conservatives. They are ruthless reactionaries.
I don't think you lead by pessimism and cynicism. I think you lead by optimism and enthusiasm and energy.
I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
I can always tell when I'm about to start writing. I go through cycles in reading. When I'm beginning to start to write something, I start reading what I think of as good literature. I read things with wonderful language.
My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
I think young adults get a bad rap for being self-absorbed and self-centered. My experience going around the United States and speaking in schools is that teenagers here are very interested in the fate of their peers around the world.
I do try very hard to develop themes that are easily understood and that, hopefully, will paint vivid images of the legal principles and implications of the ruling that will stick in the Justices' heads and will help influence how they think about the case.
I think the French teams sometimes doubt themselves. They play some beautiful games but, when it comes down to it, do not go through.
We all go through life living in little bubbles, which we share with people who think pretty much the same as us.
I don't think I would have had much of a career if I didn't have my son.
I didn't think of myself as beautiful, but, in retrospect, I guess I was.
I found I loved musicals as much or more than the pure dance world. I also think I became tired of dancing for other dancers.
I'll read a script maybe twice, but I'll think about the role more than I'll rehearse lines.
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