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One night stands are not for me. I think it's gross when you just give it up.
I always knew I had a voice and I've always known I could sing, but I was too shy to let it come out. I think it's the hardest thing to do, to sing in front of people. When I finally let go and did it, I realized it's what I'm most talented at and what I love to do the most.
A ton of kids at school have made fun of me; if I had to give advice to other girls, I would say, 'Hang loose and ignore them. They shouldn't faze you no matter how popular they think they are.'
I know my dad always wanted to heal the world, and so I think it would be great to follow in his footsteps.
The whole freedom-of-speech thing is great. But I don't think that our Founding Fathers predicted social media when they created all of these amendments and stuff.
I don't think it's good to interact with people with a certain agenda in mind.
I think I know the feeling of 'liking' someone, but I don't know what it means to 'love.'
Personally, I think getting obsessed with yourself is the most dangerous thing.
Whenever people say nice things to me, I think they're just saying them because I'm standing right in front of them. Even when I read articles that say good things about me, I forget about them right away. When I read about people pointing out my flaws, however, I think about them a lot.
Lots of people think the violence in the films I make is overwhelming, but they think they're seeing something that they aren't seeing.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
I don't think I've ever tried to make something happen that I've absolutely had to force. You know how they say: if you can't avoid it, enjoy it. For me, it's the other way around: if I can't enjoy it, I avoid it.
I cannot believe that violence depicted onscreen actually causes people to act out violently. That's oversimplifying the issue. If somebody commits a violent act after seeing violence in a movie, I think the question that needs to be asked is: would that person still have committed the act if he had not seen a violent film?
I have been a fan of Yoo Ah In's for a long time. Every time I watched one of his films, I would think to myself, 'How does he act like that?' and greatly admired his acting abilities. I felt that I would be able to learn and improve a lot as an actor, just by observing.
I think the presence of caste in India, how the villages are geographically structured on caste lines, is very different from China. The presence of an egalitarian culture is striking in a Chinese village.
I think there is no reason for us to bring to Islamism or political Islam the fear and ignorance of Western commentators and their hysterical vocabulary.
I think subsuming political and economic conflicts into some grand 'clash of civilisations' theory or 'the West versus the rest' binary is a particularly insidious form of ideological deception.
If you think of India in the 1980s, there weren't many writers in English around. The ones that were there, Amitav Ghosh or Vikram Seth, were living abroad or publishing from abroad.
Tenured professors are more prone than the rest of us to think that the university is the universe.
During an economic slowdown, one needs to be cautious, but I think it's equally important to not get sucked into the vortex of defensive thinking.
I'm too neurotic to ever feel good. If I ever felt good, I think something horrible would happen.
Well, I think if you're telling a story, a three act structure will just naturally emerge out of it. But I also love it when a film doesn't feel like it's anchored too rigidly to that structure and you feel like anything could happen.
Well, I think it's important to have some kind of a narrative engine that pushes the audience through the landscape. But I love films like 'Apocalypse Now,' which is a very mood driven film. It's a magnetic force that's pulling them through.
Well I don't think of myself as like a horror or science fiction filmmaker. I just think of myself as a filmmaker.
I think what I was unconsciously expressing in 'Black Rainbow' was a very abstract and metaphorical grief, in the way I had suppressed my grief about my mother dying. In retrospect I realise I started writing 'Mandy' as a sort of antidote to that, to sort of express those emotions, to purge that grief.
I think making a film is as much knowing what you don't like as what you do like, and avoiding the things that you don't like like the plague and making sure that they never appear onscreen in any shape or form.
I try to look at the films as I make them from a distance, in a way. I think of them as kind of pop culture artefacts. I'll often make posters and tag lines as I'm working on them, and not just conceive of them as a story I'm going to tell, but as a whole, a piece - a whole object that exists in the pop culture realm.
I think that, when I think about the future that 'The Water Knife' represents, it's one where there's a lack of oversight, planning and organization.
A wise human would have an understanding of the supply chain and how the pieces fit together. But it's against our nature to think about it.
I think the fact that we, as writers, don't engage with resource-level questions is a symptom of our society where we just don't know where our stuff comes from.
I think there are narratives going on all the time that we think of as tangential - up until they turn out to be deciding factors in our lives.
I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity.
My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
I didn't think of myself as writing 'cli-fi,' but I'll take the label. I'll take any label that makes someone think they might be interested in my stories.
I know that many in Germany think we have a merry financial policy over here.
I think Milan lack a bit of renovation and planning for the future. Too often, they focused only on the present, particularly after the 2007 Champions League triumph.
I like to indulge all the facets of my personality. There's none that I don't think, in a way, I would want to take away from.
The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
I don't think I have a demographic. I was at Comic-Con in San Diego recently, and I was doing a signing, and my line was all military guys, young girls, housewives and guys in wheelchairs. There was just everybody all over the place.
I like people to have their own reaction and their own take on things. And I don't like to shove my - what I want them to feel or think - down their throats. I like people to say, 'What was that about?' or 'Why did that happen?' And so, any reactions are welcome.
I don't usually say 'working mom' because I think all moms are working moms. I feel like that diminishes moms. People should say 'working dad' as opposed to working moms.
There's never going to be a great misunderstanding of me. I think I'm a little whacked.
I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday.
And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
My little circle of friends know how twisted my brain is. I'm constantly reading and people always think, 'Ah, we didn't know that about you', but that's part of my charm.
I have to think of moderation, which is not a word that's in my vocabulary. But I try.
I don't think I am an actress. I think I've created a brand and a business.
I've created my own career in my life, and I've had a lot of fun doing it. I think that's good.
I do a lot for PETA. I do a lot of things I think are really important, I volunteer at school and I'm still amazed I can pay my bills because I feel like I don't work that much, I really don't.
I did always think of Heinlein as a strict rationalist, although a dispassionate examination of his works doesn't support that.
Lying is a cooperative act. Think about it. A lie has no power whatsoever by its mere utterance. Its power emerges when someone else agrees to believe the lie.
Deception can cost billions. Think Enron, Madoff, the mortgage crisis. Or in the case of double agents and traitors, like Robert Hanssen or Aldrich Ames, lies can betray our country. They can compromise our security. They can undermine democracy. They can cause the deaths of those that defend us.
If you're an average married couple, you're going to lie to your spouse in one out of every 10 interactions. Now, you may think that's bad. If you're unmarried, that number drops to three.
Pummeling an answer out of someone never works. You cannot intimidate someone with aggressive language and think they'll be more forthcoming... that's a caricature of interrogation, part of the TV culture of what it looks like.
I don't think I'm generous enough to be the straight guy. I sort of make my own way and make my own statement. Do I mind pushing myself forward? Not at all.
There seems to be this impression that if I really am a psychotherapist, I can't be serious about it. They think there must be something fishy going on.
I think it is very important to build the moral fibre of the youth. Moral education should be part of the curriculum, and I will work towards introducing that.
We are in a democracy, and I think for all issues, whatever matters that the opposition may have apprehension on, there is a forum, and it is called Parliament.
I'm a huge fan of online communities. I think that asynchronous internet-based communication forums such as Reddit and other discussion forums are one of the best things that could possibly have happened to collaborative invention. The Rift certainly would not exist without forums.
I don't think that technology is going to allow for greater subjugation of people. I think it's gonna give them more freedom.
I think probably the majority of political actions don't go the way people are going to go. Just because there were unexpected consequences and maybe not the resolution people would have liked to have been seen doesn't mean it was less valid of an action.
I think I felt pretty alienated, being bigger, being mixed race, being of lower socioeconomic standing.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
Ever since I was little, my mum used to choose an outfit for me and lay it on the bed so I'd know what I was wearing the next day. I never went to a uniformed school, so I always had an outfit - and I never really grew out of that, I don't think.
I love Andre 3000 from OutKast. I think we'd complement each other, but I'm hoping he's got a good sense of humour.
I think I'd be a million times more successful and more iconic if I was a singer in the '40s. I'd be allowed a level of mystery, and I think I'd suit that decade.
I really like to please people, and I think it's a symptom of being an only child.
I think initially, the record industry struggled a lot with digital media because there are a lot of aspects to it that can potentially destroy our industry.
Anything that's on television as often as someone on 'The X Factor' is what's successful. That doesn't mean that I condone that or think that it's right. To be honest, I'd be the first to say I think it's a shame. But if that's the way it is then that's the way it is.
I agree with cosmetic surgery for medical reasons - my mother had breast cancer and I think it's very sad when somebody has no choice in what happens to their body.
Some men think that if you're empowered and sure of yourself then you're a man-hater, but it's like, 'No, I'm just the same as you are, but maybe just a tiny bit more confident.'
I think that there should be options available, quite early on, that if someone is recognised as a disruptive child, for them to be trained vocationally. Maybe if those kids were given the option to learn how to contribute to society on a practical level they wouldn't get into trouble.
No one ever chats me up; I think they all think I'm taken. Either that or no one fancies me.
I think I would have had trouble living with someone who didn't know what it was like to be an actor.
I think fractures in your childhood make you observe the world more as an outsider. Possibly it pushes you outside.
My dad died when he was 60. I was only 17 and I think, psychologically, that had a huge impact on me, probably more than I realised.
I am here because I think it was a terrible sin of the west to allow those years of war.
I don't think Bosnia is ready for reconciliation, but I do think it is ready for truth.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.
I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
'Tyrannosaur's an arrival for me, but it's also the first step into a new career. I don't want to be moonlighting at this, like I have done with acting. Y'know, I think I've found my career at 37 years old.
I play along myself, even though I can’t help the player. So I can’t say what I think the answer might be. But I’ll be playing in my head, while they are.
I'm just a simple man from Bolton but I think we should use more natural sources.
I don't think it's necessary to do stand-up to be a presenter, but I like it, because it keeps me sharp, especially when something like 'Take Me Out' is 80% is ad-libbed, so that works for me.
I think the charm that 'Take Me Out' has, is that your mum and dad can watch, understand and enjoy it, students can understand it and you can watch it with your friends.
I think blokes definitely sweat on most things when it comes to being questioned by women.
I think William Trevor is as good as it gets. Whenever I want a book to do exactly what it says it will, I read him.
I'm not of the American ilk that, you know, your lover needs to be your best friend and know you inside out. I think he should know you well enough to please you. Otherwise, what secret will there be to tell him when you're ninety?
Wine, like food, is so emotional. If you think about it, so much of the courting ritual is surrounded by wine and food. There's a built-in romance to wine.
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