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Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.
I'm often reading a magazine and hearing about someone's new record, and I think, 'Oh, boy, that's gonna be better than me.' It's a very common thing.
I don't always vote in general elections, but I think I've always voted Labour.
When I wake up on a Monday morning and I realise I don't have to go and work at the civil service, I really think I've won.
I think having an outsider's viewpoint is interesting and good, especially for a comedian.
Generally speaking, politicians are an odd bunch. They seem to have very thick skins and genuinely don't care what people think. And charm is a very important part of the politician's armoury. I try to resist that kind of charm.
I don't think a movie today that captured all the things that we did in the seventies could come close, because it's like asking to recreate the seventies and the audience sensibilities and that's impossible.
Let no one think that flexibility and a predisposition to compromise is a sign of weakness or a sell-out.
I've told Rwandans it's not just what you think of for yourselves, but what others think of us.
I don't think anybody out there in the media, U.N., human rights organisations, has any moral right whatsoever to level any accusations against me or against Rwanda. Because, when it came to the problems facing Rwanda, and the Congo, they were all useless.
The most terrifying thing I can think of is being alone - and I mean utterly alone, like no one else in the world alone - at night. That's the nucleus of the first story in my collection and it's also where the title came from for the book.
I think most non-Christians who try to be good people are probably better Christians than Christians.
Well, I think that - I think leadership's always been about two main things: imagination and courage.
I think the Australian people are very conscientious. During the 1980s and 1990s we proved they will respond conscientiously to necessary reforms. They mightn't like them but they'll accept them. But reforms have to be presented in a digestible format.
I think so long as fossil fuels are cheap, people will use them and it will postpone a movement towards new technologies.
What career? A man's got a body of film of about four movies in about 10 years or something. I do it because I think I can do a good job of something and I'll enjoy it, do it, and sort of vanish. I don't want to be an actor for hire.
The sugar tax is fine. I agree with that. But I think it probably doesn't go too far. But then, I work on 'The Great British Bake Off.' We make cakes with sugar and butter. I can't be too critical. It is like anything in life: it is all about moderation.
My dad made these dough balls and covered them up with a cloth in front of a gas fire, which was stuck on a wall. They were rising. In my head, I think they were the best rolls I've ever had. If there was a starting point for me, that was it.
I think baking's far easier than cooking, and because of that, it's more approachable.
Dad was a baker, and we lived above the bakery, so I was always popping down to have an apple pie or a doughnut or a custard or gypsy tart: I had a very sweet tooth, and I think that that was what got me into doing what I do now.
Some people seem to think their oven self-cleans, but you need to clean it to stop things getting blocked up so you get a good rotation of air and heat inside. Get a probe to test the oven is reaching what it says it's reaching too.
It's funny to find there are still people around who think if a musician has schooling, it automatically makes him a lesser jazz player. But you don't learn jazz in school.
The United States is a concept that works very well, even in bad times. But that's no reason to think its structure can be superimposed with success on any other part of the world, particularly when times are terrible.
In terms of the brain, you can in a crude way think of the human brain as a computer.
Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now.
Very few people do bad things because they're bad. They generally do bad things because they think they're the right thing to do, but they're misplaced.
It's exciting to think that something I'm involved in is touching so many people in so many cultures.
Well I think that the mind of a serial killer and the mind of the detectives represent the duality we face as people.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.
I try not to think of actors as I'm writing because I think you do them a disservice by writing for things they've already done.
The fictional world seems larger, seems to have more dimension and richness when, for example, the protagonist from one novel you've read has a cameo role in another. I think that recognition is a very, very powerful phenomenon; it is one of the deepest and greatest pleasures of reading.
And also, more and more businesses really want to do the right thing. They feel better about themselves, their workers feel better, and so do their customers. I think this is equally true in the transnational corporations, but it is harder to express in those situations.
I think having the cancer allowed me to be able to freely talk about my faith.
I'm not nearly as important as I used to think I was. It's a wonderful discovery.
I don't think anything Ronda Rousey does is going to be the norm. I think everything she does is going to set a new trend and blaze a new trail.
I think that Dean Ambrose is driven to create a first-time-ever, unique character that other people in the future can be compared to.
I don't think you can ever tell the story of Ted Turner's involvement in professional wrestling-slash-sports entertainment without devoting several chapters to the rise and continued ascent of Sting.
I think you should start the first 90 minutes of Raw with a Paul Heyman promo and the second 90 minutes of Raw with Brock Lesnar wiping out the entire roster. But then again, that's my vision for Monday Night Raw.
I fought back, got injured again and I had to have another operation. I got down and depressed and I think I was drinking more than I should. Well, I know I was.
I had to accept that I was an alcoholic, that was the main thing. I think you've got to. But I try not say that I'm an alcoholic. I prefer to say that it's a disease I've got.
I think everybody, whether they have team goals or individual goals, I think everybody would like to be the MVP of the league. But that's not what my focus is. My job is just to give everything that I have, play as hard as I can, and just try to win as much as possible. If that makes me the MVP, then so be it.
If my performance down the stretch lands me on the All-NBA, which I think I'm deserving of, then so be it. I'll be happy.
I know what I bring to the table. I know my game offensively and defensively. I think I'm one of the best, if not the best, playing two-ways.
Honestly, I think I have some of the biggest partners being in a small market, and I think it doesn't really matter: you can accomplish anything if you have the right people around you and be driven.
My shoe has been going through evolution, and we having great feedback from the 1 to the 2 and the 2.5's, so I think just consistency. The biggest thing I wanted to accomplish was a shoe that basketball players loved and felt like they have an advantage out of.
I think me making the Select Team was huge. It was the chance for me to be around those guys and see their work ethic and how they prepare. I think that's what I took the most away from it.
At the time, it all seemed pretty normal. It was okay to have a pink guitar and glow-in-the-dark pants, and play with a drill. 1987, that was the worst year. I think that was the worst year for capes and for hair!
I think I had heard Al Di Meola on the radio when I was a kid, that acoustic record, 'Friday Night In San Francisco,' with Paco de Lucía and John McLaughlin. His picking was unbelievable. I thought it was incredible.
There is a basic language of music that I think is important for communicating with other musicians - just the kind of terminology that might make it easier to describe your ideas to the other guys in your band.
Seriously, though, I think the only musical term that's ever put a bee in my bonnet is 'shred.' I tried to peddle the term 'Terrifying Guitar' to the world, but it just didn't stick. Now we've got 'shred.'
Teaching the guitar is a constant source of inspiration. I sometimes think I get more out of the lessons than my students.
Philosophically, I think riffs that start with E repeating itself are almost guaranteed to be great.
I think all of The Beatles were from an era when certainly playing was important to them, and they were cutting edge. But for all time, they're master composers.
Teaching has made me realize that a lot of my fast playing is the musical equivalent of, ‘Umm… umm… uhh...' - it's like when you're trying to think of the next thing to say that actually has meaning, you fill space. ‘Umm' has about the same meaning as my fast playing.
The band that made me want to be a musician in the first place was the Beatles. And I think John Lennon used to say something like, ‘We're just a singing group,' when he talked about the band. So that's what I say about Mr. Big - we're a singing group!
I think pressure gets to people when it appears they're trying to cover things up.
But as for activism, my parents did what they could, given the constraints, but were never involved in the causes I think of when I think of activists.
I think we will see better vaccines within the next 15 years, but I'm not a scientist and am focused on the short-term - what will happen in the interim.
I think that looking forward it's easy to imagine more constructive help for Haiti.
Whatever makes you laugh is fine, and all we can do as comedy professionals is try to steer you towards something that we think is a little better - but not put you down or just perplex you in the process.
I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
I'm a pretty feminized geek, you know? I have that point of view, I grew up around a lot of girls, so I'm pretty sensitive to that. But I don't dare say 'I know how women think.'
I'm a very careful, slow writer, and I think a lot of that comes from the care required to be a hand-printer, where if something isn't spaced out enough, you take little slivers of brass or copper and put them between each letter.
Warming is incontrovertible, so in general, you're going to have more droughts, more fires. So I think events like that are the best thing that could happen for righting our ship and getting us on a safer course.
I think I got serious about writing in the late '90s. The first stuff I wrote was terrible and got rejected, but I started getting more encouraging rejection letters.
There probably isn't another position in all of team sports that I can think of that has the same level of import as the quarterback.
Are there things you can do with the rest of your personnel or are things you can do schematically to help a quarterback? I think so. But at the end of the day, that quarterback still has to be a driving force of your team, especially if you want to be a consistent winner over time.
There aren't 32 of them in the world that I think can be quarterbacks of Super Bowl champion teams. Supply is short.
I think the hardest part, and where we have to stay the most disciplined, as much as you want a player, you can't invent him if he doesn't exist.
If you have to remind people you're the boss, I don't think you're going to be a very effective leader.
That's sort of my mindset, more than anything else, whenever I get into anything new. I'm in this constant pursuit for new knowledge. I think I sometimes focus more on all the things that I don't know and what I'm trying to figure out.
The constituents of tragedy may be universally acknowledged, easily invoked and deeply felt, but the elements of comedy are, I think, more widely variable from person to person.
One posthumous measure of a person's life is how often you imagine his impossible return to deal with some event he never lived to encounter. You picture his reactions, his advice, his sage commentary and humorous asides. For instance, I think about Mark Twain's hypothetical take on current events several times a week.
I think humanity is not wise enough to know what genotype or somatype is going to be the most successful or the most fit - simply because we're not fully in control of our environment.
You could engineer a human to survive the greenhouse effect because you think that's what's going to happen, and then all of a sudden the glaciers are creeping down on you.
I felt like there was a certain standard that we held 'Strangers' to, so I think about that whenever I work on something.
I don't think any of us think of ourselves as artists or actors - clowns, we'll accept that label.
To some degree, I don't think 'Batman' works in a completely modern city; I think Gotham has be reflective of his personality and those of his enemies.
With 'Wonder Woman,' I did one story with Alex Ross, and I had a lot of fun doing it, but I don't think I could do a 'Wonder Woman' book on a regular basis, because there's so much history there and so much mythology and everything.
I look at the Marvel movies and the DC movies and various creators' creations, and I think, you know, that's really pretty cool.
I think you have to serve a lot of masters when you're doing a video game: you're not just telling a linear story or doing something that's all action.
Batman is pretty much a self-trained guy. I think it would be fun to do a character like Superman or Captain Marvel or maybe Green Lantern, somebody who's got a completely different resource for fighting crime and fighting villains.
I think the hardest thing I've had to learn is that just because people might speak a certain way in real life doesn't mean it's engaging in the theater.
There are certain guys that think they know hockey because they follow it on the Internet.
I don't think longevity gets enough credit when you're talking about a player.
It is a peculiar art form, but I think it's a necessary art form - and I do believe it's a noble art form.
I think that one of the strangest things about being an actor is, it's almost freelance work.
There's that thing that if you want to have any kind of lasting love, I think you have to love the whole person and not just the parts of them that you choose.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
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