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Working on 'Fresh Off the Boat' has been really enlightening to me because it's made me actually think about the roles that Asians and Asian-American women have played in media. Not because I didn't think it was important before, but because before, I was really focused on just paying my rent.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
I am definitely trying not to take films that are mostly about dude problems, not because I don't think they're worthy problems, but there are a lot of people who will take those.
I think the best thing that you can do with your kids is to talk to them like they're human beings, not like they're children and they don't know what they're doing.
I think I brush the surface of being involved politically with the issues and the personalities in the news.
In politics, they play games. In Hollywood, they play games. I think that, overall, everybody is trying to do whatever it takes to get ahead.
Even when I watch it, I laugh, because I think, 'That's me! I'm on 'Seinfeld.''
I just think it's my responsibility as a human being and an entertainer to see the soldiers.
When my mother first passed away some time ago, I didn't enjoy food anymore. I just ate to live. My mother had always cooked so well that I didn't think I could follow her.
I don't have any formula for ousting a dictator or building democracy. All I can suggest is to forget about yourself and just think of your people. It's always the people who make things happen.
I cannot think of a tactical alliance with the Left because I represent the idea that there is a peaceful, nonviolent way to dislodge a dictatorship... A tactical Left alliance damages my argument. If I succeed with them, we will never know if peace can really produce freedom.
Yeah, I think if I were to go again, I'd try to go more on gut feelings and stick with it. I was on to Frederique. I found clues for everything, I found tons of stuff.
When you walk away from God, and you walk away from Christ, you're basically uprooting the very foundations of being. So I don't think there is an easy way to do that. Even for the guy who becomes an atheist out of it, it's messy. It ain't pretty.
If American women would increase their voting turnout by ten percent, I think we would see an end to all of the budget cuts in programs benefiting women and children.
I think if people really read Martin Luther King, Jr., then they would begin to understand what he really represented.
I think that... discrimination in the job market is a very important area where work needs to be done.
Science fiction is an amazing literature: plot elements that you would think would be completely worn out by now keep changing into surprising new forms.
I think good taste is completely subjective. If you enjoy something, that's great! Enjoy it, and don't let anyone tell you not to.
Whatever content you create, let it revolve around your interests. You shouldn't create things just because you think other people want to watch it.
People think that you upload a video, and it goes viral, and then you're a YouTube star, and I'm like, 'Nah, no.' In total, with all of the channels I've done, I've uploaded anywhere from 400 to 1,000 videos to the Internet, and each one of those takes a whole day to make.
Public speaking is scary, I think. I've gotten way better at it. If I have to do a speech and be like, 'I'm a YouTuber,' then that's easy, but if I have to get up there and pretend I know something in front of adults, it's never fine. In front of adults, it's like, 'Ahhhh they're going to judge me.'
I think it's kind of a scary time we're getting into - like, when you're hanging out with people, they'd rather be on the phone than talk to you.
I think it's easier to identify with guys who are just trying to make a living and working day to day.
You have to have that willingness and that fight to get back in the game and get a point or a win. I don't think you can teach or learn that kind of thing.
I think you have to recognise where you are as a player. I knew I had to go out to learn - to sit around at Liverpool wasn't going to do me any good.
For me, dropping down to League One and then getting into the Championship with Huddersfield was the right pathway. It was one where I knew I had to learn, I had to get better if I wanted to get any higher and I think that mentality's helped me.
I am my own audience. I always picture me and my mates and think, 'What would we enjoy listening to?'
I want to be the first Conor Maynard. I think I want to have a successful career that is unique in its own way.
I think I kind of want to get to a point of being as successful as possible in a way that's unique to me.
I don't fight in chase of an individual. I hear this sometimes where fighters work their whole careers to reach a matchup with a certain individual. I do not think in that way.
If the world could remain within a frame like a painting on the wall, I think we'd see the beauty then and stand staring in awe.
If you think about the concept of reincarnation, it's essentially uploading yourself and your spirit into a new form, a new hard drive as it were.
If you think about Protestant and Catholic or Shiite and Sunni, they are basically the same thing... one eats with their left hand, the other eats with their right hand.
The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
Once you realize that everyone is in the same boat, that everyone is just as insecure and childlike as everyone else, that all these jokers in D.C. ruining our world are just greedy kids grabbing for marbles - I think that realization means you're an adult.
I think there's a danger, for me at least, in retreating and going inward and depression. I have to stay diligent against that tendency.
Considering our history, I can think of nothing more American than an immigrant.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together.
I think, as a young guy, I was always drawn to being in wild places. Climbing was a logical extension of that.
I'm not a xenophobe - I think immigration is a good thing for most countries - but they transmute the foibles of their native tongues into English in a way that's difficult to figure out.
I don't think of myself as a director or writer. I think of myself as a filmmaker.
I think one of the reasons people quit is because they're afraid they won't be able to get better and better; that they have to come to a zenith of some kind.
I used to think then that I was Bohemian, but I know now that I am not. I prefer order and precision to untidiness and looseness.
I think showing heroes as fallible helps us and reminds us that we are ourselves fallible and no man is perfect but we can still achieve great things.
If I want to be truthfully honest, I think, dealing with the stress of the situations that I've been going through, medicating with anything, I think, is dangerous because it becomes a crutch.
I think there's a time when your personal life gets magnified by who we are as celebrities.
The thing about addiction is you think you're getting off on people, and you're not, and the only person you're fooling is yourself.
People always want to feel better and be inspired. Sometimes we need it. I think the conscious rapper will always be able to live and exist.
When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
I think that at one moment you're apt for one thing, and at the next moment you're apt for something else.
I'm not perfect, I just do what I think is right. So if I can't fulfil people's expectations, I'm sorry, but it's not my fault.
I think, even when I was little, there was signs that I was an artist. I've always been an artist. My first exploration through art was really through music - I've trained classically with piano for about ten years.
I do create songs and play the guitar. But my focus is definitely on acting. I think, if there's going to be singing involved in my career, it would probably be in musical theater.
I don't think anybody can take the word of Saddam Hussein and his regime, and certainly an American president and allies who are obligated to worry about the safety and security of our countries, cannot take the word of this dictator, who lies, pathologically lies.
So I think, if September 11 taught us anything, it taught us that we're vulnerable, and vulnerable in ways that we didn't fully understand.
When I talk to students - and I still think of myself more than anything as a kind of professor on leave - they say, 'Well, how do I get to do what you do?'... And I say, 'Well, you have to start out by being a failed piano major.' And my point to them is don't try to have a 10-year plan. Find the next thing that interests you and follow that.
I think Americans are not guilty for 9/11; I think President Bush is not guilty for 9/11.
The idea the president of the United States was warned that Al-Qaeda was going to attack the United States and did nothing about it - really? Do you think any president of the United States, if he had even an inkling there was going to be an attack, they wouldn't have moved heaven and earth to try to stop it?
I think my father thought I might be president of the United States. I think he would've been satisfied with secretary of state. I'm a foreign policy person, and to have a chance to serve my country as the nation's chief diplomat at a time of peril and consequence, that was enough.
I think golf can be one of those places where we act and we hope that people act as we would like them to act all the time.
I think there are still unanswered questions about Benghazi. I think there are unanswered questions, and they could be easily answered. But I think they need to be answered.
I think it goes back to whether or not race and class - that is, race and poverty - is not becoming even more of a constraint. Because with the failing public schools, I worry that the way that my grandparents got out of poverty, the way that my parents became educated, is just not going to be there for a whole bunch of kids.
He who learns but does not think, is lost! He who thinks but does not learn is in great danger.
Divorce is hard. I was about 29 when my husband and I split up. I think we probably fared better than most, because we were young and didn't have kids - but divorce is hard.
I think that sense of humor is important in marriage. A sense of humor gets people through marriage.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
I think the most important thing about the Emmys stuff is just to enjoy it. It can get really stressful in weird ways, and I have definitely experienced that. This year, I really just want to have it be a fun celebration!
Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene.
You think once you've shown what you can do, and your movies have been successful, that snap, you work. So to discover the difference between guys' roles and girls' roles made me plain mad. It's unjust.
I don't think people who are already burdened with social, economic, psychological situations, dysfunctional families, need to be burdened with other people with the same problems.
I think explicit love scenes are a turn off unless it's the kind you read with one hand.
I think we are starting to get some information that will allow us to get to the bottom of this, and I hope we continue to work on this until we get to the bottom of it.
I've seen a lot of zombie films as a teenager, and I think teens in general, or teen boys, watch a lot of horror. There's a lot of morbidity that goes on in that age.
My old manager of the Irish National Theatre said 'Don't worry about being a star, just worry about being a working actor. Just keep working.' I think that's really good advice.
In America, when you hear about the Underground Railroad, it's so evocative. You think it's a literal subway for a few minutes before your teacher goes on and describes where it actually was.
I'm raising kids, and so much of American culture sustains me and gives me things to think about and work on.
In the apocalypse, I think those average, mediocre folks are the ones who are going to live.
I do write about race a lot, but I don't think writers - of any shade or background or whatever - have to write about certain subjects.
People don't like it when you compare the miracle of childbirth to writing a book, but I think there is some overlap in the two because they are both pure agony.
There is a stigma around athletes, and I think the more that us as humans can do to break those, the better.
I'm undeniably myself, and I think realizing that is the way to live life.
The further away we got from 9/11, the more I wanted to find some way to recover. I wanted to talk about the more anonymous corners of the city, because I think it's very important that not all of that anger was turned to revenge.
Increasingly I think of myself as some strange and solitary conductor, introduced to a group of very dynamic musicians who happen to be my characters, and I have no idea how they are going to play together, and I have certainly no idea how I am going to put manners on them.
I think one of the biggest political failures, and the biggest social failures, over the past few years has been the failure of empathy; not being able to look at the other person down the street.
I think we need stories, and we need to tell the stories over and over and over not only to remind us, but to be able to have that clarity of experience that changes us, so that we know who we are now because of who we have been at some other time.
I think literature can make familiar the unfamiliar, and the unfamiliar is very much about the dispossessed, and so the value of literature seems to me to go into the stories that not everybody wants to tell.
Very seldom in my fiction have I directly used the stories people have told me. I think ripping off people's lives in fiction is dangerous. It also lacks imagination.
The trick with computers I think, is to approach old and new things with the same reverence as you would like your favourite chair and not be seduced by the constant innovation otherwise you never do anything.
I don't think anything's underground anymore. And I think that's a good thing. Everything is up for grabs.
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