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'Lucky' is for laughs, and there's really nothing funny that I'm doing on 'Dexter.' I think more than anything, both comment on the fact that anybody is capable of anything. Just because they are the shy guy in the corner doesn't mean that they are a harmless little bunny.
I don't need to know how they make Coca-Cola. I think it tastes just fine not knowing what the ingredients are. I think there are some things that should be kept secret.
It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through.
Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.
Having Twitter on your phone is like being with a journalist that hates you 24 hours a day. Anything you say on that can be spun. Truly, that's what you have to think of it as.
It's not an easy job to think creatively and then also have to think logistically.
I think that's something that's hard for this country to address, is what the real issues are and coming to the point where we can admit that these are issues. Once we admit that, we can deal with it, we can fix them, and we can make this country and these communities a better place.
The SFPD has had a lot of issues, and I think one of the issues that needs to be addressed is the racist text messages that have been passed back and forth between PD members, not only talking about the community, but also talking about colleagues that work in the same department as them.
Most people don't want to change. They're comfortable and set in their ways. But in order to change, you have to be able to agitate people at times. And I think that's something that's very necessary for us to improve as a country.
A lot of them have families to feed, and I think it's a tragic situation where players aren't comfortable speaking what's on their mind or what's right because they're afraid of consequences that come along with it. That's not an ideal environment for anybody.
I think the challenge is going out in front of a paying audience with absolutely nothing and trying to entertain them for two hours. Thankfully, I only think about that right before we go on, and then once we're out there, everything's fine.
Many people think it's in bad taste to advertise for an insane asylum... but come on down. We're going crazy.
When I think of Camelot, I think of the castle in France where we film, but I think it's wrong to lock it down to one place because it's all part of our imagination. They are legends for a reason. Their stories have endured for hundreds of years and, hopefully, they will for hundreds of years to come.
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
I think there are pros and cons to social networking, but on a social, personal level, it's just not for me.
You immediately hear the word 'Merlin,' you think magic, you think adventure, excitement - you also think 'an old man.'
I think TV is a fantastic medium right now because of what you can do visually. It's phenomenal, and it's just getting better and better, but in a way, there's no beating the personal image you can create in your head, with those personal aspects, which you can only get from reading or radio dramas.
I think Helen of Troy must have been pretty hot. She got two countries going crazy for 10 years over her.
I think if you try to tailor your act to anybody, you end up with an act that doesn't work anyway.
You can't make everybody laugh. You gotta just do what you think is funny. Just be obstreperous to everybody.
I think I identify more with the smart guy, but most people might take umbrage at that. I like to think of myself as a real thinker, but I suppose people might beg to differ.
I take a four-pin extension lead, so I can jack one plug in the wall, and I've got four plugs there for me. With all our phones and different gadgets, I think everyone should carry one. It's become a crucial part of my travel kit.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
I think that no relationship goes completely according to plan or the way you wished it had.
I think, if you can, it's OK to put something in a movie because it makes you feel good.
I feel like we've found an interesting little corner of the sandbox here as far as the way we're telling sci-fi stories. I don't think it's limited to sci-fi - I think anything fantastic can co-exist with people you and I know, and not these hyper-real movie people.
There's no shame in being romantic at all. I think people want to feel that sense of romance, which is rarely even attempted anymore.
I think living things can recognize the movement of other living things, and all the best animators in the world can't quite capture that something.
I read certain articles about how all of the new filmmakers are immediately being given massive tentpoles, and there's a lot of original movies that we have now lost as a result of this. I don't want to call it a fad because I think it's a good thing. I think the movies are better as a result.
We live in a cult of the upgrade right now. There's always something around the corner that will make whatever you think is cool right now feel obsolete.
I like very human stories that venture into sci-fi or the supernatural or areas that I think occupy a lot of space in our collective memory for the films that we loved as children.
I definitely think we're living in a world or generation where we need constant gratification and adoration with Instagram and likes, and we base everything on attention.
To have the ability to look back on the problems that weren't big problems after all is something I think we can all learn from.
The thing I needed to learn about Miranda was where her motivation comes from when she gets upset. There's been a few times where Miranda's a brat or crying online, and it seems very surface level, and I think that I needed to learn where her insecurities came from, because online she just comes across as kind of bratty.
A lot of people think most YouTubers are just untalented kids who film themselves for four minutes, and that's all they do for their week.
I don't think people in Hawaii like negative ads, whether it's done by an independent group or whether it's done by the campaign itself.
I don't think I've found the perfect job for me, but I know what I like, so that's halfway there, right?
I think it's a good thing to have a lot of voices in the media, and I think, you know, let all flowers bloom.
Martha Washington. I think she's done herself a disservice in history with a little cap, you know? She looks like a namby-pamby little grandmotherly type, but she turned out to be a very strong woman.
I think that people live in safe spaces these days; they don't want to deal with the controversy and the drama.
It's always fun to play someone like an action hero that you always wanted to play as a child. I think every young boy loves that as a kid.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
My brother and I have a profound nostalgia for our youth, and I think people need to come to terms with things leaving and being gone.
I think there's still a lot of room in 'Riverdale' for that. Asexuality is not one of those things, in my research, that is so understood at face value, and I think maybe the development of that narrative could also be something very interesting and very unique and still resonate with people and not step on anyone's toes.
I think sexuality, especially, is one of those fluid things where oftentimes we find who we are through certain things that happen in our lives.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
There is no question I consider myself a feminist, but I also think the term 'feminist' has become a topical thing to say without backing it up with any real action.
I think as long as acting feels fulfilling and continues to feel fulfilling, it's worth it to me.
I think we all have different ways with coming to terms with celebrity if you're raised within it. Everyone goes through it differently, and there's no one right answer.
I think, for many teens, a fundamental fact of the teenage experience is that you're in between this childlike state, in which you're told you're completely unqualified for just about anything in the adult world, and this adult world, where you're being told you have to be responsible, and you're just trying to figure out where you stand.
I think the truth about male friendship is often left out of the media, and it's that it has a million different shades, because masculinity has a million different forms.
The fact that I have the chance to learn from the names I've been on tour with, I don't think you can ask for any more than that.
Every year since we got started, I think that it's going to get harder to top it, but with all the support, somehow things keep getting better. That must mean we are doing something right, so we're just going to try to keep doing what we're doing.
Some people say there was no jazz tenor before me. All I know is I just had a way of playing and I didn't think in terms of any other instrument but the tenor.
I could, I think, quite easily have gone to Oxford. I got four good A levels, but my father's income was such that I wouldn't have got a grant, and he wouldn't let me go to university, and that was the end of it.
I haven't been approached to do a 'Doctor Who' movie. I think they would be scraping the bottom of the barrel if they asked me to do it.
As any actor will tell you, the hardest thing to do is small parts, because you focus all your attention and concentration on that small part. When you're playing the lead part, you don't have time to think about the whole of it, so you just have to steam on and get on with it.
In the past, I've done some covering. My first show in New York, I covered three guys in 'Jersey Boys.' I think it was always something that was helpful for keeping my head on straight.
I think it's incredibly important for kids to be able to express who they are and feel like they can be themselves without being persecuted for it or bullied for it.
I think I'm still trying to find my feet as an actor. And I know it ain't brain surgery, but it confuses me and it comes between me and my sleep a lot.
But I dare not think too far into the future on the risk that I'll miss the present.
I love the grandiosity, how sweepingly entertaining films can be. And I think there's a place for films that pry more into the human condition.
The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.
I think that London is very much like that. I find there's humour in the air and people are interesting. And I think that it's a place which is constantly surprising. The worst thing about it? I think it can be smug and aggressive.
I think I would have written more books if I'd had fewer kids or had them earlier, but I think the books in general would have had a little less spark to them.
I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'
I used to think about how nice it would be to visit the planets. Of course, I didn't expect to see in my lifetime what has happened. I knew it would happen some day, but it came along faster than I at first thought.
I think the driving thing was curiosity about the universe. That fascinated me. I didn't think anything about being famous or anything like that, I was just interested in the concepts involved.
I think smartphones need to send an electrical shock to a user when they get their your/you're mixed up.
Overall, I think I'm in pretty good shape, but I'm not really someone that is gung-ho or a fitness fanatic.
I think the Commissioner is taking the steps necessary to give the game back to the players and the fans and hopefully take the league to the next level.
We didn't think we were a fourth-place team. For us to beat the first-place team in the West and the first-place team in the East shows the dedication and determination that we had.
The league, I think, is doing well. It's growing, it's maturing, and it's becoming a better league.
I come from Canada, and maternity leave is six months to a year, and they also have paternity leave, and I think that there's something to that. There's also something to making a more comfortable environment for women to breast feed or to bring their kids into work and to have more nurseries in these office buildings.
I'm coming to that realization that I'm going to be seen as a mom to someone, and it makes you think about your own parents. You know, who were they?
I think everybody feels their pregnancy differently, and for me, I was so in work mode.
'The L-Word' was such a great show because of the amazing writing and characters, but maybe because it was such a new concept, people couldn't pick up on it, but I think it was down to the dynamic characters and how well done it was.
For some reason, when I think feminism, I think, like, 'Well, you can't include men if you're talking about feminism and being a feminist,' so I get a little bit muddled. I find it to be a bit grey. Then if you say you are not a feminist, that means that you're not pro-woman!
I think to be a good model, you have to enjoy having your picture taken, and I never really did.
I think it's really important to get in early and for women to do mammograms, to do screenings, to do all these things that aren't always necessarily covered by Medicare, by insurances, and to really start working to get those more available for people.
After 'Peepshow,' I really don't know what my next project will be. But I would like to keep on doing theater. I think I could do that forever.
Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity.
When I work, I work. I don't think about anything else. I just wanna get the work done. And I'm a perfectionist.
When I was still doing indie, it was just purely art. I don't think about how much I will get paid or how much the movie will earn.
As an artist, we have a big influence, and we should always think if we are doing more harm than good to our viewers. We should serve as a model to them.
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