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Acting-wise, I think I did well in 'Kinatay.' It wasn't talkie, and the acting was intense.
I think it's unfair to commit to a girl and not be able to give her the time she deserves.
I think, in general, models tend to do their favorite faces or their comfortable face, but your facial expression is just so important. You don't want to have an editorial of 20 photos where it's just you giving a 'Zoolander' face.
I think it's important to wear clothing that means something to you, and so I always try to make sure I'm wearing at least one item that has a personal meaning to me.
I think there can no longer be such a thing as hitting a wall on a photo shoot. If I ever hear a photographer say to me, 'OK, what else?' I should retire, because that should never happen now having experienced just how much the body is capable of doing.
If you think of any past artist, there was something that they looked at that inspired them to make their most famous pieces, whether it be the 'Mona Lisa' or 'Venus Rising.'
Designers from Milan think that 'more is more,' like Cavalli and Dolce & Gabbana.
I think balancing work and family takes constant adjustment. Its not something you can say you've accomplished and move on.
Don't get me wrong: 'America's Next Top Model' is fantastic. They've done 20 seasons, so they've obviously done something right. But I think what ensures that the winner of 'The Face' will become a working model is the prize - a year-long contract with a cosmetics company is huge.
I think nerves are part and parcel of working as an actor. You can either work against them or you can embrace them, and I very much embrace them.
I grew up in a town with just under three hundred people in Western Australia. When you think about being six hours outside the second most isolated city in the world, which is Perth, and then you think about the town that I'm from, which is called Southern Cross, acting is not a possibility.
I think all kids think their parents are strict. My parents aren't superstrict, but they seem to be stricter than most. But even though it's like, 'Oh, gosh, I've gotta be in at this time,' they know what they're doing. I have great parents.
I have a good time performing for girls. I think the guys will come when I grow up musically. We'll see.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
I've really improved, I think, as far as just being able to get up onstage with my guitar and sing.
I do think you can't be as good as the person next to you to play: you have to be better.
I think the more important thing for a player is to make sure that you're playing and you're playing well and playing consistently. If doesn't matter where you are.
I would just like to say something, ladies and gentlemen. Something that I think is very important. It is that, you, we - we own this country. We - we own it. It is not you owning it, and not politicians owning it. Politicians are employees of ours.
I've had moments when I've thought about somebody, picked up the phone to call them and they are on the line already, and I think that maybe there's some vibration, some connection.
I think being able to age gracefully is a very important talent. It is too late for me.
And I think it's that time. And I think if you just step aside and Mr. Romney can kind of take over. You can maybe still use a plane. Though maybe a smaller one. Not that big gas guzzler you are going around to colleges and talking about student loans and stuff like that.
I just think it is important that you realize, that you're the best in the world. Whether you are a Democrat or Republican or whether you're libertarian or whatever, you are the best. And we should not ever forget that. And when somebody does not do the job, we got to let them go.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
I think 'Dirty Harry' was probably sensitive toward the victims of violent crime.
My favourite plant is the foxglove. I think they are a perfect balance between being a garden plant and a wild plant, as at home in woodland as they are in a city.
I try to make myself walk around a bit, but I probably think about it more than I actually do it. Years ago, I did think about joining a gym.
I don't think I'm really a rude person, but now I see myself on television, I think, 'Oh, God, that is a bit strong.' And I wonder if I've always been like that and I haven't been aware of it.
For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I don't feel there's any reason to apologise for having a wicked imagination. I think it's important as a maker of fantasy and of horror.
Some people think that horror films are some sort of second class filmmaking, and the only way to bypass that thinking is being proud of the fact that we do it.
Interestingly, although the 'Books of Blood' were greeted with cries of righteous horror - and smirks - I didn't think of them as being particularly excessive. God knows what I did think was excessive at the time, but I didn't think they were.
'Underworld' was my first filmed book. I think there are about seven of my lines in it.
I used to think that you'd open the door, and there was Narnia. Increasingly, I think it's all around us.
I think I'm less and less labelled a 'horror writer'. The books tend not to go on horror shelves any more, and when they do, I tend to take them off.
I think it is true to say that I am not the first Nobel Prize winner in economics to have little formal training in economics.
I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.
You go back to those films of the '40s and '50s and hear the dialogue, the way the people played off each other - the wordplay. I think we've really lost that in movies.
It would be a big mistake to think that Chekhov was a natural, that he did not have to work for his effects and singular style.
I don't think the Internet has replaced cities in any significant way, nor really could it. Cities are dynamic - and deeply seductive for the people who flock there - because they broker all sorts of fantastic and useful connections, cultural and economic and social.
Novelists in particular love to rhapsodize about the glory of the solitary mind; this is natural, because their job requires them to sit in a room by themselves for years on end. But for most of the rest of us, we think and remember socially.
If I were to do some outlandish role, I always made sure I'd be on Johnny Carson to show that I wasn't that person that I played. I'd be myself. And so people got to know me, I think, and I think they know that I'm honest and truthful and real.
I am from Des Moines, Iowa - not even the city but out in the country. I don't have a lot of trappings, I think, in my personality. I'm just a simple person with a silly bone.
Paul Smith's artwork was so elegant and so graphic, so I think that's always had a strong effect on me, especially starting out.
I don't play bad guys. I think that's why I keep getting cast as bad guys: because I don't want to play bad guys. I want to play human beings that struggle with life.
I think music will be created algorhythmically, all the things that we do will be boiled down to a little computer program.
I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way.
I've often thought that my background in rock 'n' roll has gone to waste in film work. My background was that I was a rock 'n' roll drummer and I don't think I used drums in my first ten years of film scoring.
Certain characteristics about 'Marbury v. Madison' are, I think, indisputable. Marbury was the first Supreme Court decision ever to strike down an act of Congress as unconstitutional. Marbury stands for the authority of the Supreme Court to have and to exercise that power.
I think the American people, understandably, have sort of lost faith in the United Nations.
I would say to my colleague that the misery index, inflation and unemployment, when added together is the lowest it has been in the last series of Presidents, even going back to Jimmy Carter. So I think the Bush administration is doing a good job.
Has feminism made us all more conscious? I think it has. Feminist critiques of anthropological masculine bias have been quite important, and they have increased my sensitivity to that kind of issue.
I do think the attempt to raise consciousness has succeeded. People are very aware of gender concerns now.
I don't think things are moving toward an omega point; I think they're moving toward more diversity.
I think of myself as a writer who happens to be doing his writing as an anthropologist.
I think the American university system still seems to be the best system in the world.
I think the perception of there being a deep gulf between science and the humanities is false.
I'm an inveterate fox and not a hedgehog, so I always think you should try everything.
We need to think more about the nature of rhetoric in anthropology. There isn't a body of knowledge and thought to fall back on in this regard.
I think it's not a big secret that I like to work a lot. I really go out for projects when I find things I'm passionate about.
I think we must quote whenever we feel that the allusion is interesting or helpful or amusing.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
You're speechless sometimes when you think of the support you've had from the first day I've started wrestling to now.
I think that's one thing about the entertainment industry: Athletes want to be actors, and musicians want to be actors, so it all kind of mixes nice together.
Physically, you never get used to the cold. It's cold! If it's cold, it's cold! And you go out there, and your body feels it, but I think mentally, living in it, it's not such a shock to you.
I think everybody thinks they're an amazing singer, but I'm one of those guys who realizes where his limitations are, and it's definitely with singing and dancing.
Think about spam filters; if email didn't come from someone that someone you know knows, that's an important signal, and one we could embed in the environment; we just don't. I just want the world to be filtered through my social graph.
It is possible to think that the Internet will be a net positive for society while admitting that there are significant downsides - after all, it's not a revolution if nobody loses.
The web's democratic in one way and distinctly undemocratic in another way. And I think a lot of the confusion about the political ramifications have to do with that one word having so many meanings. So, it's democratic in that it quite literally delivers power to the people; it, it essentially opens up participation in the public's mind.
I don't think I'm going to ever be the guy that gives soundbite after soundbite. If somebody has a question, I'll answer it. But if they don't, I don't have anything to say, really.
Your career goes fast, just a blink of an eye and you're an ex-baseball player, longer than you are a baseball player. I try not to think about it too much, but it seems like it does go fast.
People make a big deal about celebrations and what's appropriate and what's not. But just talking with some veteran guys, I think anytime you get a chance to celebrate with your team, regardless if it's winning the division or winning a series, whatever it is, you take advantage of that.
The playoffs is ‑ I think I took it for granted a little bit. My first two years I kind of just thought that always happened, I guess.
I don't know, I think everybody deals with nerves and adrenaline a little bit differently.
Growing up, many of us are taught to place limits on what we can accomplish while on earth. We tend to think of things in binary form: either as possible or, more frequently, impossible.
I'm always so impressed with these actresses with their perfect make up and hair and sometimes I'm very aware that I'm not like that. But I don't think I can do things any other way. I would be wearing a disguise if I started to apply that stuff.
I think denim is something everyone feels comfortable in. It's kind of my uniform, really.
I think what is interesting in life is all the cracks and all the flaws and all the moments that are not perfect.
There are very few actresses who can grow old and still get exciting parts... I think it's very important for me to have wider horizons, rather than just waiting for calls.
There is no moment where you can rest and think: 'Wonderful, I have that job now. I'm going to spend five years here.' There's a constant judgment on your work that's very strongly related to what you are.
I think it is important to pass on the message to young people who are going through a difficult time with friends that it will pass.
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