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I got my degree in theatre at a little school in Pennsylvania, Bloomsburg University. It was one of those situations where I went into the major because I loved it, but didn't really expect to see it as a moneymaking situation or career.
It's quite normal to hear of a change and see it as a problem, but it's probably an opportunity, depending on how quickly you can adjust.
I want to see the guitar in a non-linear sense that encompasses tones, arrangements, songwriting, audio production, and everything else - you have to do it all.
I was lucky to have been able to work so closely with Vince McMahon as he was able to see up-close what I could contribute to WWE, which lead to some amazing years not only at ringside, but also in the boardroom.
If I see that everything the director does is motivated by trying to achieve the best, I can accept anything.
If my poetry aims to achieve anything, it's to deliver people from the limited ways in which they see and feel.
I think the officials and NFL owners are playing to the type of game that people want to see.
I wanted to be a bus driver when I was a kid. I look at bus driving through the eyes of a little boy. I see it as glamorous.
So, when you see a kid with ratty jeans on, wearing sneakers that aren't clean, you know they're in a certain place economically. I was interested in that experience.
It's shocking we don't see more engineers and entrepreneurs interested in enterprise.
I see more genuine sociability between the races in Mississippi than I see in Michigan. No question.
I'd like to see a Republican Party that embraces a lot of the libertarian ideas.
It's easy to get by on a facade of fancy style, but sooner or later, people are going to see through it. I'm trying to be as honest as possible.
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.
Aging nations have arteries clogged with obsolete laws, slowing blood flow and preventing oxygen from reaching all parts of the body politic. Physicians call this arteriosclerosis; historians see decline of empire.
When I was a kid, the high point of the day was to go to the mailbox and see if any mail came for me, and I'm still stuck in that mode.
I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.
India is special, and its beauty absolutely humbled us. When we toured there as Major Lazer, it was mind-blowing to see our fan-base.
I continue to see a healthy PC market, very healthy. The machines will continue to morph; you'll see smaller machines that have more capability.
I think when kids just see well-crafted poetry, it's just obtuse to them. It's hard to relate to.
I don't go to things because I want to see violence, I go to things because I want to see them handled well.
If you watch '90210,' you see my hair changing every episode - I've chopped it off, and I've kept it long. I've done it all to my hair on that show.
When I started blogging in 2004, I responded to every comment no matter how nasty the reader was. I was generally polite, believing that these critics would be so charmed by my professionalism that they would see the error of their misogynist ways and swiftly run out to read a bell hooks book. Ha!
When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.
Fashion is constantly changing from decade to decade, but I don't see a change in how many black faces I see on the runway, and it's something we should talk about because it's a problem.
I see my music as Emotional Therapeutic Pop music that bleeds into loads of different genres.
The stories are what they are in my head. They take their own course and refuse to be influenced by anything or anybody. So I just record what I see and hope that people like it.
At my first Golden Globes, I met people I was very much enamored by: Julianne Moore, Meryl Streep, Brad Pitt and Angelina Jolie. It was surreal to see them in person.
There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.
I see some some of these other guys, and they're wearing the hats and the jackets and saying the words and they're relating and they're picking. But there's something missing.
As far as I can see, the best writers in the last two hundred years have been Whitman, Rilke, Proust, Kafka. Their best works: 'Leaves of Grass - 1855;' 'Duino Elegies;' 'The Captive & The Fugitive;' 'The Castle.'
I think there's so many actors out there that we see and we know as one thing but are capable of so much more.
I read the last Harry Potter, and I cried for at least the last 70 pages. Awful! I was curled into a ball and I just kept sobbing. It was embarrassing. I was loud, and I just kept wiping tears away so I could see the page.
There was something so empowering about having President Obama in office because I know that for many of us, that's something that we never thought that we'd see in our lifetime.
There's an enormous amount of obliviousness: a desire among young gentrifiers to see only the city they want to see.
I don't see any baseball expansion right now. If it were up to me, I would contract two teams. But I certainly don't think expansion on the horizon.
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art.
I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided by interior voices and bringing us out of a long tunnel to new blueness.
It was hard saying goodbye to the 'iCarly' family just because we have become such a family, but I do get to see them all the time, and I stay in touch with them.
The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
You see, I used to do a certain amount of market research by going to the local drugstore and seeing what the truck drivers would put up. Now it's all just copies from the latest best-seller list and damn little of anything else.
I just see how Donald Trump treats other people, and I was impressed by that.
You wouldn't want to see the size of the check that I would write if it would for sure get the Dallas Cowboys a Super Bowl.
When you see U2 or the Rolling Stones, after years of knowing each other, they don't have to look at each other to connect.
I don't think I know a Scientologist except when I see one or two of their actors on the Hollywood screen.
I grew up in a very, very diverse neighborhood back home in Maryland. And when I see that on TV shows, it makes me want to watch it, personally. I just gravitate towards that.
Basically, on the question of Europe, I want to see a social Europe, a cohesive Europe, a coherent Europe, not a free market Europe.
I want to see a more collective style in how our party operates, in politics as a whole.
Titles always sound so pretentious, and when I see a comedian, I just want the person to take flight, not stick to one topic or subject.
In the car and in front of the camera I tend to be very calm but behind the scenes I can get fired up and passionate, I just don't see the need to shout my mouth off in public.
Marvel is at its best when we see how an ordinary person has something extraordinary happen to them - whether it's Tony Stark or Bruce Banner or Peter Parker.
I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.
I've enjoyed it, I have seen it once at the premiere in London and it was very nice to be invited there. But I do want to see it again now. I want to sit and watch it as a fan rather than being there at the premiere with all the lights and such.
If I don't see an emotional response to a dress, then I think something's wrong.
It's not good for me to see things while they're being edited. I can be highly critical, so I try to stay away.
Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.
When I sold my first middle-grade novel in 2005, it wasn't that common to put an author photo on the back flap, but 24-year-old Korean-American me insisted. I wanted Asian girls to see my face. And more than that, I wanted them to see what is possible.
I seldom have my stuff up unless I'm testing it. If I'm worrying about a painting, I put it up and see if I detest it quickly or slowly. Otherwise I have things by other artists.
One of the glories and terrors of working in public is that you do see if your output means anything to anyone.
The fun thing about 'Chicago' is that there's so much dance and, very specifically, Roxie. So you might see a little bit of Roxie on the Sugarland stage. Who knows.
Well, I'm lucky because, you see, I'll probably bounce back from this role.
There were a lot of areas we didn't cover that I'm hoping to cover if we do some specials. One is to see more of Patsy's home and her home life, which is just the saddest thing.
It's very hard to get together with your friends. You rarely see friends as a whole group.
I did see 'Les Miz' and I thought it was just incredible. Totally incredible. I love 'Chicago,' too.
I would definitely say that I am a very big movie musical fan in general, and I try to see every one that I possibly can - and 'Glee' every week.
When you put the musical in front of an audience, you get to see how the audience reacts.
What's the point of doing a brilliant Hedda Gabler in my back garden if no one will ever see it?
When animals age, some humans see them as less valuable, less important and less entertaining.
The American understanding of China is filtered through years of politics; we rarely see the culture on its own terms.
The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.
When I was reading 'The Underground Railroad,' I had to actually hold my hand over the right-hand page so I wouldn't see, by mistake, what was coming up next - it was so suspenseful. it's really masterful.
Put simply, if an interface is poorly designed, I will not see the data I looked for, even if it is right there on the page.
In 1995, I made a website, and half the web came to see it, and I thought, 'Man, that's it, that's what I want to do.'
If I had kids, I'd probably be way over-protective, researching everything they begged to see to make sure the content was appropriate.
A lot of the reasons why something is a favorite thing are all things you don't necessarily see, the place, the people, the time, where you are, what it meant to you at the time.
Every single thing you see on-screen came out of somebody's creativity. It doesn't exist. Nature didn't deliver it to us. Everything had to be dreamed.
Since we made Shrek in the digital format, you actually can see it in its purest form digitally.
When I see a good singer, I get teary-eyed. Part of it is jealousy because all comedians are frustrated rock stars. That's a fact.
Even moderates, they can see in Trump the potential to have logjams broken and things finally get done. This makes some conservatives and some liberals furious, nervous, and me nervous a little bit, because I'm a pretty pure conservative. So that's a potential of his leadership.
I see music as an aid. It overcomes my internal editor, especially when the music evokes the character or the mood I'm trying to build.
I knew Chester. I've known Chester since 2001. I was in a band called Dry Cell, and we were signed by the same guy that signed Linkin Park, so that's how I knew him. He would come to some of our writing sessions and rehearsals; I'd see him in the studios that we were at.
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