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But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.

And I think that I'd be a natural for scoring horror movies.

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But things can happen in a band, or any type of collaboration, that would not otherwise happen.

And when that's working, the sum can be greater than the parts.

Also, differences of opinion can be creatively stimulating as well as frustrating.

I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.

But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.

In scoring, I usually start with a sound or group of sounds, searching out what feels right.

When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.

For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.

I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut.

So, through playing with Cop I realized that there is a potentially interested audience out in the world.

First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.

I'm from all over the Northeast.

I grew up outside of DC, New York state, and Connecticut.

Yes, I was forced to take piano lessons for 8 years as a child.

Then I took 8 years of French Horn, first jazz, and then classical.

And I definitely have an affinity with the piano.

I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.

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