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Jesmyn Ward Quotes

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When I look back on my reading habits when I was really young, I was really drawn to stories about strong girls who in some ways are outsiders.

I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.

Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.

I'm a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.

It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.'

My father owned pit bulls when I was young. He sometimes fought them. My brother and a lot of the men in my community owned pit bulls as well: sometimes they fought them for honor, never for money.

My mom worked as a housekeeper, and I saw her relationship with her employers - how on the one hand she spent more time with these women than with a lot of her friends, and how in certain ways they...

That's why I write fiction, because I want to write these stories that people will read and find universal.

I feel like the kind of people I write about are the kind of people I grew up with, the families that I know in my community. Most everyone is working-class, and there are some intact families, but a lot...

While I've said that there are plenty of things I dislike about the South, I can be clear that there are things I love about the South.

I read the last Harry Potter, and I cried for at least the last 70 pages. Awful! I was curled into a ball and I just kept sobbing. It was embarrassing. I was loud, and I just kept wiping tears...

When I read 'Absalom, Absalom!,' I remember being really excited about it and telling all my friends they had to read it, especially my writer friends.

I wanted to write about the experiences of the poor and the black and the rural people of the South.

When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.

By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't...

I knew it would be painful to write a memoir.

Writing 'Men We Reaped' broke me in different ways at different spots in the drafting process. The first draft was hard because I was just getting it out. In some ways, that draft failed. I was really just telling the...

Biblical myth is as integral to the spirit of the South as the heat and humidity.

After I finished my first draft of 'Salvage the Bones,' I felt that I wasn't political enough. I had to be more honest about the realities of the community I was writing about.

My family and I survived Hurricane Katrina in 2005; we left my grandmother's flooding house, were refused shelter by a white family, and took refuge in trucks in an open field during a Category Five hurricane. I saw an entire...

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