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As far as the radio waves part of the spectrum, we can do these adequately from the ground because the atmosphere is basically transparent to our radio waves.
Very rarely will you listen to the radio in a judgmental way, the way you'll watch telly.
The only difference between The Rolling Stones, Bruce Springsteen, Aerosmith, and Chubby Checker is that they get their music played on the radio.
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
No band on 21st-century radio has mined pre-grunge hair-metal's sleaze like L.A.'s Buckcherry. So it makes poetic sense that they'd spend their sixth album tallying all seven deadly sins.
In 1918, when I was 6 or 7 years old, radio was just coming into use in the Great War.
The only thing I've ever offered the public is some music. If they like the music, that's great. Turn on the radio. If they don't like it, switch it off.
It is a really interesting to hear yourself on the radio. I've gotten to hear myself in different capacities. I've heard myself on Sirius XM on the bluegrass channels, and on WSM and other places.
Criticisms of mainstream media bias have been a staple of the conservative movement and talk radio from the beginning.
Reagan wrote out many of his radio commentaries and newspaper articles as well as many of his own speeches. He wrote poetry, short stories, and letters. Trump, in his own hand, writes 140-character tweets.
I used to listen to a lot of Bach on the radio, and when the basses started to sing, it made everything complete - it made it all make sense.
Obviously, my label would want me to be on the radio all the time, but that's not my personal goal.
We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.
I've been doing radio since I was 18, and I've been unemployed four times from radio for various reasons.
I listen to Radio 4 and put the iPod on shuffle. I like the randomness of, say, the Stones, then something from Nina Simone, Nick Drake or Bob Dylan.
I had always dreamed of starting off in pop radio and crossing into country. I used to sing country; that was my genre when I was a kid.
I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years.
Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.
Because of my background in theater and radio acting, I knew that I could make a living as an actor.
As you know, in the past several years, month after month, radio has increased its revenues - some of it even coming from Dot-Com advertisers. So, radio is a survivor.
Anytime in radio that you can reach somebody on an emotional level, you're really connecting.
I have a real issue with radio these days. I just am not into the current music.
But when we listened to the radio, it was Bill Haley and the Comets or the Everly Brothers.
Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
The climate at country radio is very, 'Let's keep it up-tempo,' probably best if you're a guy.
Just as soaps were very pivotal in the transition from radio to television, they will be right in the thick of things again in the transition from television to the Internet. Exciting news.
When we started the Allman Brothers Band, there was this great new technology that allowed us to get exposure: FM radio.
In Hawaii, some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley.
I'm not thinking about what needs to be on the radio. I'm not thinking about anything other than - I'm just going to let this music come out of me and not have any sort of preconceived notion of what I should do. I'm just going to do it.
I almost never listen to radio or watch political talk shows, especially if I happen to be on them.
I talked to a guy who has old cars, and there are parts that don't exist any more. So he makes radio dial knobs for obscure cars.
My heart is just being in this industry. I've been lucky enough to have been in films, plays, and on radio.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.
Ray and I both grew up with radio. Our whole hopes for the future were that we'd get into radio.
The final effort came when our reconnaissance team reported contact with the POWs and their guards by radio near midnight at a pre-arranged crossing site.
I'm a bit of a nerd, I wouldn't mind working in a shop selling records, or having a radio show where I could play obscure singles.
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
It's extremely damaging to a fair trial to have people reaching judgment about the case in the newspapers and on the radio before the facts are heard in a case.
Years ago, when I was making music, I was sending it off to radio stations and getting told it was 'too urban.' But what else am I supposed to make?
While commentators on Fox and right-wing radio have the backing of Rupert Murdoch, a major Republican contributor, and other conservative corporations, progressives understand that their position is extremely vulnerable.
The radio's pretty much always on, and I also listen to some American podcasts, such as for 'National Public Radio' and 'Newsweek'.
I was an early adopter of everything from Myspace to Twitter, and I think they're just fads, like CB radio.
A lot of the bars are really nice to me now because they've heard me on the radio.
When I was little, people like Talking Heads were on the radio. There was something geeky yet groundbreaking about them.
I still remember how we, all in the family, used to sit in front of the radio to listen to Ameen Sayani's programme of top 10 songs 'Binaka Geetmala' in which I was constantly ranked number one for many weeks.
You listen to the radio and all the songs sound the same, from 8 in the morning to 12.
I have done a lot of street theatre and plays and interacted with the public through radio and television.
When people come to a concert, they wanna hear the hits, the big radio songs, and they wanna hear them how they're used to hearing them. I like playing them how they were recorded.
I could listen to the radio and I had access to books from time to time. Not all the time.
I was studying in Jaipur when All India Radio was inaugurated. As a child artiste, I participated and was selected for a children's programme.
Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.
When I was growing up, radio DJs were celebrities, not just the people singing the songs.
Listening to Chris Moyles on Radio 1 is the most miserable thing any human being can do, but attending awards ceremonies isn't far behind.
With the advent of radio and recording, music became an industry rather than just a tradition.
I had grown up during a time when Notre Dame football was held in the highest esteem. I listened to all of the games on the radio.
Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.
Most artists over 40 or 50 don't get played on the radio. It's a young people's game. I was ready for that.
We didn't have the Grand Ole Opry or country radio stations in Nova Scotia when I was growing up.
We don't go around the world counting ticket and record sales, nor do we glue our ears to the radio to hear what's trendy at the moment - we're not that type of band.
I had to tell the city that 2Pac passed, and I had to be on the radio early after Biggie passed. Those were awful, emotional.
I catch Filter in Des Moines doing their soundcheck at a small club. After tearing through a few songs, they spend nearly an hour meeting with fans as part of a radio station meet-and-greet.
It was a presidential election year, and as a member of a consortium of Ivy League radio stations, we participated in 'network' coverage of election night.
The radio stations will happily recycle a badly worded statement by a politician all day but will steer clear of broadcasting more than once or twice a poem by Tomas Transtromer or Rita Dove.
Country artists have advantages all over the place. The radio support is incredible. The fanbase is rabid, all over.
I learned the power of radio watching Eleanor Roosevelt do her show. I used to go up to Hyde Park and hold her papers. I was just a messenger, but it planted the bug of radio in me.
The radio was an improvement on the telegraph but it didn't have the same exponential, transformative effect.
Our records are commodities. We're looking to make a sale. The radio stations are looking to get the advertising dollars. The end.
I turned popular music on the radio, and I never listened to it again after that, in about 1985. That's when I switched over to classical music, and I pretty much stayed with that since then.
As long as I'm still able to have a hit on the radio and sell a few albums and some tickets, I don't see that it would be worth retiring.
There is a paranoid streak in American life. Radio talk show hosts tend to foment that paranoid streak in American life.
I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
You still have Top 40 radio now, but it's 40 different stations. There aren't many hits that everybody knows, and there aren't many real superstars.
The right wing has had a radio apparatus for years and years, so they've had minor leagues - they've had local rightwing guys who've become national rightwing guys, and who build slowly, and that's how it goes. We haven't had that. It isn't like we have a farm team.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
Demagoguery sells. And therefore, radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell.
I'd like to do radio just like pictures - leave the imperfect stuff on the cutting-room floor.
We need to create a level regulatory playing field. It makes no sense for Internet giants like Google, Facebook, and Twitter to be allowed to buy newspapers while a small AM radio station is prohibited from purchasing its local paper.
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