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I spent my childhood tinkering with electronic circuits, on breadboards, as they used to be called, in particular making radio transmitters.
I just put out some free content on Soundcloud and it just got bigger and bigger with no promotion whatsoever, no industry backing, no radio, not even really any social media presence.
I started singing on the radio in Los Angeles. I sang blues, but I would tend toward country blues.
If you had a good radio - and everybody did in those days - you could find it.
The reason it has lasted for 30 years is for one reason and one reason only: Classic Rock radio.
I remember Chicago well. That's where I started in radio in 1930 and it snowed a lot that year, too.
The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.
I ran two campaigns for governor in a state that's 2-1 Democrat where I did not mention my opponent in print, radio, or television. I don't know if any other politician at a gubernatorial, congressional, or a senatorial level can make the claim.
I sing in a higher register, and you haven't heard that on the radio in years.
When I got my first guitar, I played along with everything I heard that had guitar in it, like the Ramones, Nirvana and Sublime, as well as whatever hip-hop and R&B stuff was on the radio.
I grew up on a farm where we had one radio station and it was all country.
The major newspapers simply stopped writing about me, and my voice could no longer be heard on radio or television.
I was mugged when I was 12. I had a portable radio, and I ran into this building and these two guys came in and hit me, busted me up and took the radio. After that I was very paranoid and I started taking kung fu and karate. But I didn't want to fight.
I am so not hooked into watching TV or listening to the radio, to be honest. Usually, when I do, I get angry.
I spent many a summer early morning with the radio very low, half sleeping and half listening.
It was very important to establish a sound, so that people heard a record on the radio and knew immediately that it was you.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
In 1957, I was studying the Pleiades star cluster at Harvard University's radio observatory. On one occasion, we saw an added feature in the data. It turned out to be an amateur radio enthusiast near the observatory, but at the time, I thought we had detected clear evidence of another civilisation.
Radio news is bearable. This is due to the fact that while the news is being broadcast, the disk jockey is not allowed to talk.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
I'm still proud of what I've done, even if it hasn't been the biggest song on the radio or hasn't gone to number one.
We are shallow because our media are so horribly shallow. Every morning, I peruse the papers, and there is so little to read in them. It is the same with radio - all that noise, that artifice.
The fact that radio is so hopeless at delivering data makes it an uncluttered medium, offering the basic story without the detailed trappings. But it does mean that if data is important, radio is probably not your place.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing.
At 14, I began working in radio. I ran the board at a little radio station in Dallas.
Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They played one of my most advanced pieces, and one of my most unusual ones on the radio.
I think it's harder for R&B to break in England because the radio and labels don't really know what to do with R&B music.
If it weren't for radio programs like 'The George Jarkesy Show,' no one would know about 'The Amateur'.
How did a prairie-dwelling, red-meat-eating, gun-toting former conservative become the hope of liberal radio? It all started with this annoying habit I have of speaking my mind.
I have a TV show, a radio show. I've authored two books. I own a construction company, own a commercial fishing lodge, and am a pilot.
I listen to National Public Radio, which, to me at least, presents the most rounded view of things.
The Corporation for Public Broadcasting distributes an annual appropriation that we provide in accordance with a statutory formula, the vast majority of which goes directly to public radio and television stations.
The music that is played on the radio all the time or written about in magazines has nothing to do with musicianship.
I would love to expose multiple younger generations to Frank's music. It's not an easy task because It's not ever going to be plastered all over the radio for the masses.
I've been very fortunate. I've been in theater, films, television, radio, tragedy, comedy, farce - I've been in a musical and in music halls, in pantomime. I was once ringmaster in a circus.
'Soul Train' was developed as a radio show on television. It was the radio show that I always wanted and never had.
I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business, so that's literally 70 years.
From the time I was 8 years old I was on almost every radio show there was.
When I started, TV was regarded as something that wasn't as great as film or theatre or radio, but it has proved to have far greater powers than those.
I made a dollar a day sweeping a laundry out. Then we made a record that was number two in Los Angeles. We got so excited hearing it on the radio that Carl threw up.
President Bush gave his first-ever presidential radio address in both English and Spanish. Reaction was mixed, however, as people were trying to figure out which one was which.
I recognise the pure gold that runs in Andy Hamilton and Guy Jenkin's work for 'Outnumbered' on TV. And on radio, I really enjoy John Finnemore.
Exponential growth in access to the Internet, satellite television and radio, cell phones, and P.D.A.'s means that breaking news now reaches virtually every corner of the globe.
In scoring we have a lot that was not evident in the shooting. The radio is on all the time.
I had maybe 200 followers when I started. A bunch of radio stations were like, 'Uhhhhhh, my daughter has more followers than her'.
I would recommend that anyone who wants to do comedy on TV to do radio first.
If Michael Steele doesn't make you sad, well, then there's radio host Rush Limbaugh, no longer content with wanting the President to fail, Rush is now calling out Mr. Obama as a girly man.
Most conservative and progressive talk radio is primarily just that - bloviated opinion and whacky viewer calls.
Too many radio stations, all they do is syndicated programming, it's just piped in from some satellite someplace, and they don't have much of a connection to the community.
Integral to the orb is our low cost long-range wireless radio data system and a protocol that allows us to send this data over 90% of the US population every 15 minutes throughout the day.
I was actually in an iron lung for about a year, and then I was paralysed from the neck down for another year after that. So I spent a lotta time just lying down as a kid. And some of my earliest memories from then are of listening to the radio.
The opening solo on 'Once in Royal David's City' is still the most dramatic radio moment of the year.
Radio 3 shows such as 'Between the Ears' also make the kind of podcasts that draw the most from your noise-cancelling headphones. The programme commissions ideas that make adventurous use of sound.
Radio 4 Extra is the network which offers the broadcasting version of eternal life.
I once interviewed Anthony Burgess on the radio. I played pop records between the conversation.
When television began, it modeled itself after radio. Many early television programs were radio programs first. 'My Favorite Wife,' 'The Jack Benny Show,' 'Burns and Allen,' 'Alfred Hitchcock Presents.'
The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.
I mean that'd be great if we could continue to be staples of alt-rock radio. I don't take that for granted.
The first choral music I remember hearing was Handel's 'Messiah' when the Mormon Tabernacle Choir broadcast it over the radio.
A tragedy's first act is crowded with supporting players, policeman scribbling in pads and making radio calls, witnesses crimping their faces, EMS guys folding equipment.
I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru.
I like radio because you can do an hour-long interview and then three days later have a finished piece.
Daft Punk wouldn't have normally fit into anything that was pop on the radio, but they just did it.
I don't know how television or radio is going to survive without newspapers because that's where they get all their news. It's going to be hopeless.
I had maybe heard 'The Times Are A-Changing' on the radio, but I had no idea who Dylan was. No idea.
I have a car in Nebraska. When I bought it, they gave me a satellite radio, and there's an 'indie-rock' station. It's just nothing I'm interested in.
I mean it's - it is hard to find a voice on talk radio that is not a conservative voice.
It was just me in my basement honing my skills, hearing songs on the radio and trying to manipulate them and then writing over those, and I started with local artists in Boston, writing records for them.
I've always been very left of center and the radio never had much diversity and film did.
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