People Quotes
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I've got Aussie country pride for sure. I just like where I grew up. I think you've got lots in common with the people who grew up the same as you.
I think that's where the world is going. People will not own cars; they'll have a service that takes them where they want to go, when they want to go there. And that's what Uber is.
Think of a world where there is no ride-sharing; people are driving themselves to work. You now have 30 people being served by 30 cars. Those 30 cars are only served 4% of the day; 96% of the day, they're stored somewhere. Around 20% to 30% of our land is taken up just storing these hunks of metal that we drive around in for 4% of the day.
There's hundreds of millions of people that are card members at AmEx - all of them should be using Uber.
When people start to perceive you as the big guy, you're not allowed to be scrappy, fierce.
You have to find ways to find that center, to find that balance, to find sanity, because again, we are getting bigger, and people look at us that way. We have to find that new balance.
Surge pricing only kicks in in order to maximize the number of trips that happen and therefore reduce the number of people that are stranded.
People look at you, and they've got just the perfect little box for you, the perfect category. Call you a redneck. Call you a hillbilly. Like those were insults.
I know what it takes to put a record together, so I'm not looking for people to come in and shape it.
I don't usually experience that because there are few people who intimidate me, but Woody was one of them.
I want to challenge myself and test myself against the best players in the world, and there are not many people better than the likes of Ronaldo.
Much to Mr. Obama's chagrin, ours is not a government run by fiat. The American people have shown quite clearly that they will not simply roll over while this administration seeks to undercut our founding principles in pursuit of its preferred European model of government.
If U.S. focuses on truth and justice, we'll realize that Israel has been there for 3,000 years - the same language, the same people, the same culture for 3,000 years - and it's always astonishing to me that we somehow now think that they're the occupiers.
The highly motivated young people who comprise the backbone of our military force truly are taking their place as one of America's greatest generations.
The platform we had in Dallas, the 1984 Republican platform, all the ideas we supported there - from tax policy, to foreign policy; from individual rights, to neighborhood security - are things that Jefferson Davis and his people believed in.
So I think all comedians are earning their wings into heaven. We're all going to heaven, but everybody's not going to get their wings. Some people are just going to be regular angels. Doing cleanup, janitor work. In heaven, I'm going to sit on the couch with Oprah.
What am I afraid of? The IRS. That's it. I don't want those people knockin' on my door, man.
It's just, people recognize you for your work, you know? They love you for your work, and they judge you for your work. It's awesome to have people quoting you. I love it.
I have a pretty diverse audience, and that makes me happy - laughter is universal, and I don't differentiate between people at all. Why should I? People are people. There's no reason why one person can't relate to any other person on this planet in some way or another.
People bring camera phones into comedy shows and clubs and concerts, and sound bites never come out right.
There's nothing in the world like live entertainment. With TV, you have to wait for your results; with live entertainment, people let you know right then and there. That relationship is established in 30 seconds. The first 30 seconds, they'll let you know whether they like you or not.
Everybody has their challenges; I couldn't say that we have more challenges than other people, they're just different.
I wasn't a very good waitress, always spilling things on people and forgetting things. I once spilled ashes all over Mike Wallace's table.
I want people to say that I'm something new, something different. Something they've never seen before.
People keep asking me if I feel pressure. But I don't feel pressure. I realize there's a lot on my plate, a lot of expectations for me to come in and win and do certain things. But I'm just playing the way I always have.
Ultimately, knowing God and reading the Word, it helps with patience with people, understanding, empathy and sympathy that they might not have that I have. If God gave it to me, why not exercise it?
I'm supposed to share the Lord with people. All of us are disciples on some level. You don't have to be behind the podium to tell a story, connect with people and share the Gospel.
Bipolar disorder is so swept under the rug as a nation and, I think especially, by black people. It's not our culture to go get therapy. 'Give them medicine for what?' We put people in court, put them in court again, versus really paying attention to what it is they are going through.
The world's people all share the earnest aspiration to have peace, stability, justice and cooperation.
While a handful of countries and a small number of people are leading ample life, dozens of countries and billions of people in Africa, Asia and Latin America are being left in absolute poverty.
I feel like a lot of people in the hip hop world don't take me seriously as a rapper, and I feel that first-and-foremost I came up as a rapper before I started singing. All a lot of people know from me is 'Cupid's Chokehold,' and they don't scratch the surface and see beyond that dude who sings the song about his girlfriend.
No one in my circle calls me 'Travis.' Even my family, at a young age started calling me 'Travie.' So I want people to feel comfortable calling me 'Travie.' It's almost like inviting people in.
A lot of people think that punk rock musicians don't know what they're doing.
I think putting your relationship out there for people to interpret and have their own opinion about, I think it's crazy.
When I look at music, everything is blurred, and I like it that way. I grew up like that, hanging out with different types of people who listened to so many different types of music. I never wanted to be part of any one clique. I loved it all.
I love movies, but I would love to write as many graphic novels as people would read from me.
In my experience, very few people walk out of a movie. You have them for two hours, and you're free to explain or not explain whatever you see fit.
Most hiring managers interview a lot of people. So many that they generally have to go back to their notes to remember candidates - the exception being candidates with a strong hook. Sometimes these hooks are how people dress or their personality, but the best hook is a strong story that's work-related.
I tell people to be thankful that Madonna is showing that it's possible to be ageless - people should applaud and celebrate that. Anybody who criticises her is just jealous!
If you want a dancer's body, dance. Dance aerobics is my favourite cardio. It's very frustrating if people think you have to become a dancer to do it - you don't.
I have done research about people who think they're doing movements and people - like Madonna and professional dancers - who are actually 'performing' movements. The people who can connect and perform during their workout get results way above and beyond the people who are just going through the motions.
I work with a lot of young people who have poems that are changing their lives, that they're eager to talk about, but every now and then when I meet someone, maybe someone of my parents' generation, and I tell them that I write poetry, they'll begin to recite something that they memorized when they were in school that has never left them.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
I wanted to write the kind of poetry that people read and remembered, that they lived by - the kinds of lines that I carried with me from moment to moment on a given day without even having chosen to.
What interests me is trying to catch the reflection of the human being on the page. I'm interested in how ordinary people live their lives.
Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?
I've never been an artist that really got into fluff songs. I like songs that have substance to them. I think sometimes that may hurt me commercially a little bit. But I like to cut things that have the power to speak to people on an emotional level. That's the power of country music to me.
I love to sing swing and shuffle stuff. Radio may not play it coast to coast, but I love playing them. Man, they fill the dance floor up. People who live the night life at these honky-tonks eat this stuff up.
Things are always going to evolve and change. You might not always like the direction of it, but people's tastes change.
I've found, as I've gotten older, it's really difficult to write on the road. There are so many distractions, so many people in and out of the bus. It's really difficult to do. So I just keep a notebook with me, and I jot down ideas. I schedule appointments to write.
I do feel like I've changed a great deal, but not anything outside of the norm of what most people experience as they grow and they take on the responsibilities of parenthood and being more engaged in their business and all that stuff. I think it's a pretty natural evolution.
What people don't realize is that the initial sales of an album isn't where the bulk of your returns come from. It happens over time, sitting in the catalog, picking up commercials, getting included on packages here and there - there's years and years of pipeline money that goes on. That's where real money comes from - building that body of work.
I like it when actors get an opportunity to chew into something. They love scenes with beginnings, middles, and ends - scenes that give an arc to their characters and allow audiences to get to know these people.
I'm just a Chicago actor who's a playwright. Even with the success of 'August,' the people in town who come to our theater know me by sight, because they've seen me onstage so much.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
People are so scared to really voice who they are. They want to be politically correct. Just scared to see what other people's perceptions are.
People are really hesitant about expressing that they don't know something - but what's the big deal? I'm not ashamed about that at all.
Because there are a lot of big cities in the world, people who live in cities have become more isolated than ever.
I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city.
People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.
I think it's really important to understand that every trans story is not the same, and we are as varied as any other group of people.
We have to be intentional with including trans women, all women, all marginalized people. Whether we say 'Me Too' or call ourselves feminists or strive to create a diverse workplace that reflects the world we live in, it's all about being intentional.
How often do we get to see trans people interacting with each other onscreen? We have friends. Hello? We're people. We're not just this isolated unit all the time. I would like to see us carry a project.
I happen to believe that trans people are anointed, and because of our experiences and the unique way we see the world, we can bring so much to a role. We just need the opportunity to show that.
I think that a lot of times people don't understand the bravery that's involved with the Me Too movement.
Trans women, and women in general, have so many constraints placed on our bodies. As women, we are told not to show our bodies, and as trans people, we've been told not to exist.
Trans folk are so often pushed to the margins and not afforded the resources and opportunities that some nontrans people are.
I'm always touched by people's different stories of who they are and why they made the choices that they made. I feel so empowered by the story behind the person.
I don't really talk about my personal life. It's a strange and funny and weird thing. Sometimes you have a conversation with someone and the paparazzi snaps a picture of you and people decide you're dating. If I try to answer everything people say, I would be up all night.
We as black people are not a monolithic bunch. We are not all the same, and neither are women. Instead, we are all individuals who have these extraordinary stories to tell and share with each other that will enrich all of our lives and help us all become more ourselves and better people.
Red carpet is a little bit scary. It's not about expression. It's about taking a pretty picture in a really weird, awkward way, with so many people watching. It's a glamorous part of the job, but it requires its own kind of courage.
I had years of therapy to recover from this. A lot of it had to with being a people pleaser, being the ultimate good girl. I wanted everyone to like me. I didn't really have a voice. I was afraid of growing up.
I'm the most cynical person, and I know what that sounds like when you say, I don't drink and drive, and I don't. But I know people look at that with skepticism, and I understand.
I realized little by little that words are very powerful, and taking those words to encourage people rather than tear them apart was the desire of my heart.
The L.A. theater scene is very different. The perception has been that people who love theater do theater in New York. The people who want to be discovered do theater on the side in L.A. But there are people who are very dedicated to theater who love theater in L.A.
I'm really looking forward to developing just really fun, complex, interesting stories about people who happen to be black.
People can graduate from beauty school and know everything about white hair and nothing about African-American hair.
My mom has a stylist, and she has so many people who help her dress in these really awesome, cool styles. But I do not.
When you first go out there, and you're speaking to people who don't really have any idea about the romance industry at all... they're like, 'Romance? Oh wow, okay, I didn't know people even paid attention to romance.'
Without sounding patronizing, it does seem that our family is different from other people. We risk more.
We are always full of the types of people who retire or die. But they are never saying 'This guy is really unbelievable; we're alive to witness an exceptional performer.' I think we should recognise that while we are still racing.
I accept everything which is favorable for the people and the army; for myself, I wish to live in retirement.
I know how to move the people, but I know also where to stop in my own actions so that, when I strike, I shall be felt and not seen.
I wonder if the nursery and the chamber of horrors are as far apart as people think?
People idealise their animals, and at the same time they patronisingly overlook a dog's natural life - biting fleas, burying bones, rolling in garbage, barking up an empty tree all night... But what do they do themselves? Bury stuff that will rot in secret and then dig it up and bury it again and rant and rave under empty trees!
A theatre is the most important sort of house in the world because that's where people are shown what they could be if they wanted and what they'd like to be if they dared to and what they really are.
I find it really cool when people have this artist persona they can put on. They can go out and act like this other person; I can't pull that off... I can't censor myself.
The social media bit is really about documenting process. I like the dialogue if it's constructive, but I'm now at a crossroads. I've accumulated a lot of followers, and it's great, but I'm also at that teetering point where people are feeling themselves a little too much, commenting a little too much.
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