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My new toy is not knowing, because it's very creative. I'm the guy who likes to get in the car and get lost.
On the grounds of prestigious musical organizations that come and go, New York has the edge.
Rodney King is a progenitor of all these cell phone videos that we have. It was unusual that a person had a video camera to take a picture of the Rodney King beating. Now, of course, everybody has a phone, and that has been one of the key factors in all the new attention to the issue.
I like New York because you're kind of forced to smell everybody else's funk. So it keeps you biologically attached to the world around you.
Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel.
A couple of my favorite podcasts are 'Still Processing' from 'The New York Times,' Oprah's 'Super Soul Conversations,' RuPaul's 'What's the Tee?'
It's just like - you know, you read the New Testament and you read about all the things, and you think, 'Oh, that's not going on in our community.' Oh yes it is.
Biblical counselors and therapists, we've seen cases in New Jersey and in California where folks have gotten in trouble because they gave biblical counseling and, you know, the issue is always, it's same sex. And if you're giving conversion therapy, that's been outlawed in at least two states and then in some local areas.
Shonda Rhimes, especially, saw something in me that no one had and then wrote to my strengths for 'Grey's Anatomy.' That's the job I think really opened up a whole new world for me.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I had a briefcase at one point, but it was a kind of 1980s New Wave briefcase. It was made of some kind of cardboard and it had metal hinges. It was kind of faux industrial looking, and I used to carry my books in it rather than a backpack. I didn't want to have normal student accoutrements.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
I spend half my time in Montana, the other half in New York City. In unique ways, both places help me unwind, and both are the most satisfying places to live I can imagine.
People are looking for original content in many different places, as are advertisers. This takes us into a whole new ballgame.
We're in this transition period of figuring out how to deal with all the new technology that is out there, but television still proves to be the granddaddy of them all.
Getting to see new places, their culture, and getting away from what I am used to is so rewarding.
I'm not a big fan of introducing a bunch of new mysteries into a story without really knowing where they're going because you just end up struggling at the end to make sense of them and make it all seem like you planned it all along.
'Bloodshot,' for me, was unlike anything I'd ever done before, which was really the draw of it. In addition to trying to reconnect with my earlier work, I also wanted to try to do something that was completely new and different.
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
Old music is the same as new music - it's just a different way of delivering it.
There's something terribly solitary about working in movies and television, and in New York, so much of the theater is showcasing.
Reality is a genre that seems to be here to stay. I don't know how many of the new shows will last, but the more competition you have, the harder that pie is to slice up.
I think driving in New York is a great experience. A lot more racing techniques go into it than anyplace else I've ever driven. There basically are no lanes.
I'm a trader. Under the right circumstances, I'd consider a new boat. I'm not ruling it out.
F.D.R. had to deal with Southern segregationists - and outright racists - who held power in Congress, so he had to yield to that power in order to get his New Deal legislation passed.
In early 1961 a new president, John F. Kennedy, was told by military leaders and civilian officials that the Kingdom of Laos - of no conceivable strategic importance to the U.S. - required the presence of American troops and perhaps even tactical nuclear weapons. Why? Because if Laos fell, Asia would go red from Thailand to Indonesia.
I grew up in New York City, where we played highly unorganized sports: stick ball, stoop ball, and the occasional game of baseball with no adult supervision.
The charge that liberal candidates don't connect with or understand the values and beliefs of regular Americans is embedded in old epithets like 'limousine liberal,' which I first heard aimed at New York Mayor John Lindsay in 1969.
When we started, I was just having fun with it I didn't even know about doing it for a living. It was a new style of music, a combo of punk and metal.
I don't listen to much rap outside of Run DMC and the Beasties, but then I'm pretty burned out on most new music.
The digital component is enormous in not only wrestling but all of entertainment. Every day, you read a new blog or article on Netflix, Hulu, this program and that program. It's where everything is heading.
When traveling, we continually are 'discovering' what our day will be. We are in a new environment, perhaps a different culture, interacting with strangers who might have different priorities than we ourselves have.
From the IRS standpoint, 15,000 new employees have to be added just to, you know, administer ObamaCare and look at the tax implications.
There are some Republicans who say that any time you raise new revenue, you have to have a tax cut to match it. I am not one of those Republicans.
Leaving New York and friends is tough, and there are things about it I still really miss. But Montana is a great place to write.
In the movie, I deal with the loss of my legs and adjusting and trying to become a new person, essentially.
You look at Bitcoin, and it is an entirely new currency, completely decentralized, anonymous; transactions occur incredibly fast for free, all designed by the free market.
Tablets generally have made it pretty obvious that magazines have a new lease on life.
What we want to be is something completely new. There is no physical analog for what Amazon.com is becoming.
In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge.
It was fun being an actor, but by the time college rolled around, I was ready to try some new things. By the time I graduated, I realized I enjoyed having a normal life and I never went back.
There are so many projects that you go into hoping the story works, and here comes a new third act and that kind of thing.
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.
I have never wavered from my intention to advance the cause of diversity in new and more effective ways.
Is advertising a profession, like law or medicine? How many new parents clutch their baby to their breast and declare, 'I want this child to grow up to be a media planner'?
I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I'm two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to be sure the story is as tight as it can be.
Getting Richard Norris his new face wasn't easy. For starters, doctors needed a donor who wasn't just a favorable blood match but also had the proper skeletal features and skin color - they calculated only a 14 percent chance they'd find one. Then there was the epic surgery that took a team of 150 people.
In the summer of 2007, Roger Goodell, the new NFL commissioner, convened a meeting in Chicago for the first league-wide concussion summit. All thirty-two teams were ordered to send doctors and trainers to the meeting.
The LeBron 11, for $200, has hyperposite construction - a combination of Foamposite material and performance synthetics - and a new layer of Lunarlon cushioning; and anyway, Nike generates about $300 million off the sneakers.
The new disease was named chronic traumatic encephalopathy, and the NFL fervently and repeatedly denied that such a thing had anything to do with the league or its players.
It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears.
I think that we must come together progressively, with the British, the Germans, the Spanish, the Italians and with the new members of the European Union, we must make an effort to forge closer links.
Knowledge is and will be produced in order to be sold, it is and will be consumed in order to be valorised in a new production: in both cases, the goal is exchange.
What is new in all of this is that the old poles of attraction represented by nation-states, parties, professions, institutions, and historical traditions are losing their attraction.
I arrived in New York in 1986, when I was 28. The market here was nothing. In the Union Square farmers' market, it was a couple of potatoes, everything from California. So the only place I was comfortable shopping was in Chinatown, because it all came from Hong Kong.
I spent seven years in France. Then, I went to Asia for five years. I came to London in 1984 and then America in 1985. In 1991, I opened my first restaurant in New York City.
My kitchen in New York City is in the Richard Meier building on Perry Street, so it's ultra-modern: white, glass and transparent. It's 180 square feet, with an induction stove. Everything's hidden, so you don't see the microwave or the fridge.
In a career, when you hit 40 and you've done a lot of this and that, you want to try some new things. I feel like that as a director, too, from one film to the other.
My family moved from Massachusetts to Maryland after my sophomore year of high school, and that's when I got the audition for 'Uncle Buck.' I took the train into New York, and I think I did the test with John Candy. Then I got the part, and it was my first movie and my first screen anything.
I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
The goal of education is not to increase the amount of knowledge but to create the possibilities for a child to invent and discover, to create men who are capable of doing new things.
Every acquisition of accommodation becomes material for assimilation, but assimilation always resists new accommodations.
The more the schemata are differentiated, the smaller the gap between the new and the familiar becomes, so that novelty, instead of constituting an annoyance avoided by the subject, becomes a problem and invites searching.
The principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done.
I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.
If I had done what I was programmed to do, I would now be sitting in a car factory looking at the sizes of wheels, or wondering how to get credit to start a new factory in Russia.
Unless one says goodbye to what one loves, and unless one travels to completely new territories, one can expect merely a long wearing away of oneself and an eventual extinction.
Everyone, when there's war in the air, learns to live in a new element: falsehood.
I was 11 years old and horse-obsessed. New York City was an unfortunate place for a girl like me to be growing up.
A good story, a story resonant and remarkable, can be remade endlessly to tell new sides of itself for new generations of readers.
At the height of laughter, the universe is flung into a kaleidoscope of new possibilities.
In Bronxville, New York, we went to public school there, before London. Mother had a great belief in public school. She said it was very good for us to meet all the neighborhood kids.
We all grew up in Bronxville, I went to Manhattanville College of the Sacred Heart - in the old location on Convent Avenue - and I've lived here since 1962. I couldn't feel more like a New Yorker.
There's nothing wrong with going out and playing for the fans that have been with you forever. I get it. It looks like a lot of fun. But that's not the thing that drives me. I already did that, and I appreciate everything I got from it, but I want to do something new and fresh.
Canada's north is going to change a lot in the new few years. We have every resource imaginable up north.
When I was a young woman, before I moved to New York, working in small, non-Equity theatres in the Midwest, I did a lot of musicals in my early to mid-20s.
When I made the decision to stop working regionally and just focus on being in New York, part of the reason that instigated that choice was a desire to work on new plays and know what it was to originate a part.
Someone at Tidal came to our show in New York in 2016, and I guess he was expecting, like, K-Pop. But he was surprised: he saw we were doing R&B and hip hop authentically.
I'm constantly exchanging ideas with new artists. Honestly, with Jay-Z, our only interaction was a brief hello after I signed.
We have to bring stability to Iraq, otherwise we will be faced with a future dilemma of sending our loved ones into harms way to stop a civil war or the rise of a new tyrant born from the instability that we created.
The president's economic plan doesn't do enough to create new jobs and that has to be a national priority. While there are some signs the economy is improving, it is not translating into jobs.
Coming from New Zealand and Australia is like a tough pre-school for Hollywood. And having been on 'Neighbours,' even though the agents I met with hadn't seen it, they knew it's where Russell Crowe and Guy Pearce had come from. It was a foot in the door.
I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character.
YouTube began as a failed video-dating site. Twitter was a failed music service. In each case, the founders continued to try new concepts when their big ideas failed. They often worked around the clock to try to overcome their failure before all their capital was spent. Speed to fail gives a startup more runway to pivot and ultimately succeed.
Most companies overlook the most basic of all training functions: the onboarding of new employees into their corporate culture.
Onboarding starts with satisfying the most basic of Maslow's psychological needs: belonging. New hires shouldn't arrive to an empty cube and be forced to forage through corridors searching for a computer and the bare necessities of office life. A new hire isn't a surprise visitor from out of town. Plan for their arrival.
All too often, new hires have a different expectation of their job and responsibilities than the organization does. Any miscommunication during the recruiting process needs to be cleared up ASAP. Whenever possible, give new employees a written plan of objectives and responsibilities.
Your innovation can create new winners and losers; or at the very least, make existing companies look fresh and innovative by partnering with you. Everyone wants to align with market makers.
To effectively reach consumers in the new social environment, brand managers need to learn how to translate their budgets into the digital realm, which also means understanding the advantages that digital can provide over television advertising.
Creating the right advisory board for your startup can be the single most important step you take in building a new business.
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