Myself Quotes
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Obviously I'm not a violent person; I don't like violence, but I would definitely go into defending myself if the situation arose.
Writing and singing does give me some kind of release from the demons of my past, it is a therapy of sorts, but to be honest, my marriage played a more important role in the acceptance of myself than performance has ever done.
I try to look at this music career thing as the means to an end. And really, at the end of it, I see myself on a sailboat, sailing off the edge of the world.
There is a huge difference between writing a book, which is a private activity I engage in with myself, and wanting to engage in overly intimate personal conversations with strangers, which I pretty much never want to do.
Lots of my writing can be accurately called lesbian, but I myself am queer and date people of all genders.
The older I get, the more I'm starting to believe in myself. I'm beginning to think of roles that I could do that I would not have allowed myself to think of before, saying: 'That's not for me, that's for the big guns.'
I wouldn't apply myself at school. I was quite bright, but I didn't do much with it, and I thought acting was dressing up and shouting for a living.
If I go to Germany, I learn something in addition. The German television is very precise and respectable. One has never stress. In Italy it is more dynamic. But I amuse myself madly in both countries.
As I've gotten older and grown more independent, I think for myself, and that's how it should be.
What I love the most is getting on the ice and just popping in a fabulous CD and skating - all by myself, the rink completely empty, just me and the music.
People can say what they want to say, but at the end of the day, I can look at myself in the mirror. I know how hard I fought. I know how many storylines I pitched. I know how hard I worked in the ring.
I can't tell you the number of times I was one of the first people at the arenas or at TV, constantly trying to better myself. I can honestly say that my hard work paid off. My resilience paid off. My persistence paid off.
I was so adamant about proving myself for so long and I've gotten to the point where I don't have to do that as much.
I learn how to put myself in situations at practice that cause me to zone in on what I'm trying to accomplish at meets. I try to make my practice surrounding as close to competition pressure to focus on what I need to do on the big stage.
For a couple of years, being professional, I kind of questioned myself. Should I wear my false lashes or take the time I want to take so I can feel good when I go out on the field? Because nobody else was really doing that. And I thought, No: I'm not going to change what I believe I should look like to fit anybody else's standards.
I could be imagining it, but I believe myself to have exchanged sly, understanding nods with other people I see attending movies alone on Christmas Day.
I really enjoy singing, it's entirely different to acting because I'm just being myself.
'Downton Abbey' has become this huge thing, and I really enjoy the success of it, but I sometimes find myself on the outside looking in, which is sort of a healthy way to look at it so you don't get too caught up in it.
Laugh at yourself - a lot. My mum taught me not to take myself too seriously.
For years, I was often afraid to speak up when I didn't fully understand a script. I'd tie myself in knots.
I have never seen a greater monster or miracle in the world than myself.
I do myself a greater injury in lying than I do him of whom I tell a lie.
If a man urge me to tell wherefore I loved him, I feel it cannot be expressed but by answering: Because it was he, because it was myself.
I wanted each of my books to be very different from the others, each to be special and uncategorizable, and I knew I could only do that a few times before I was in danger of repeating myself.
I don't mock things, which makes me more vulnerable to mockery myself. If you're cynical, you're protected from mockery. But I have to be nice. I don't think I have irony. A sense of humour, yes, but not irony.
The fact that I made a special movie with an old-fashioned style - even if it's a mix between with modern and old-fashioned things - must mean I feel both ways about change. In a way I'm resisting, but in a way adapting myself to the times.
But I don't think of myself as a foreigner or a Frenchman! I just think of myself as a director. Whether I'm French or Australian or whatever, it's really not important.
In my own writing, I think of myself as a realist who exaggerates a little.
I live in sin, to kill myself I live; no longer my life my own, but sin's; my good is given to me by heaven, my evil by myself, by my free will, of which I am deprived.
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
I come from a modest background. I put myself through college and law school and a postdoctorate program in tax law.
I don't want to sell myself short. You hurt your spouse, not so much by the infidelity, but by the negative feelings about yourself that you bring home.
My vanity is not dead. I laugh when I see pictures of myself as I am now-maybe so I won't cry, but just because it is really funny how much I've changed.
When I was younger, many of my romantic escapades were just a means of simply avoiding being by myself. I was afraid of feeling lonely, afraid I wouldn't know what to say to myself.
I realize I love crazy ladies. Of course I don't like to think of myself as one, but maybe I am, too. I dunno. I'm always drawn to them; I think it's because I'm attracted to people who aren't in the business of people-pleasing: saying what they really think, not passive-aggressive at all.
I jumped out of an airplane on my 34th birthday because I promised myself I would. I have an interest in confronting my fears.
During my time in prison, I told myself that I wanted to be a part of the solution and not the problem.
What I did, you know, being away from my family, letting so many people down. I let myself down, not being out on the football field, being in a prison bed, in a prison bunk, writing letters home, you know. That wasn't my life.
That wasn't the way that things was supposed to be. And all because the so-called culture that I thought was right, that I thought it was cool, and I thought it was fun, and it was exciting at the time. It all led to me laying in a prison bunk by myself with no one to talk to but myself.
I just think more precaution should be taken when I'm inside the pocket. Look at all the replays - I'm on the ground every time. It's unfortunate for myself, it's unfortunate for my team and I'd be lying if I sat here and said I wasn't frustrated right now.
When my wife gets mad at me, I remind myself that she is much smarter than I am and so I probably deserve it, even if I don't really understand it!
I went through a period where I was really tired of seeing and reading about myself.
I would love to dive into an indie film based on the streets of East Los Angeles where I grew up. If that doesn't come my way soon, I think I just might have to write it myself.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically. I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
I have made stage adjustments which allow me to hear myself better onstage so that has made playing live much more enjoyable.
I have always known that it comes from deep within myself. I always knew what sound I wanted, and how I wanted to play. I knew everything, it just had to be developed.
I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
In the past, I have not been able to hear myself. I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically.
I'm not a racist, that's what so insane about this, and yet it's said, it comes through, it fires out of me, and even now in the passion that's here as I confront myself.
If you had asked me when I was in Yale, I would tell you I never would have thought it would happen because I just didn't think of myself of having the Hollywood look.
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
I'm not one to speak about myself. I like to speak about the people around me.
The way I look at myself, the biggest achievement in my eyes - forget winning trophies or scoring in World Cups - is that I'm still at a top club playing at a really high standard having been almost two different players.
I don't set myself targets. Last season I scored hat-trick against Wolfsburg and three days later, that was forgotten, you're about to be judged again. When you've done well, you don't want another game, you just want to feel great. When you've done badly, you can't wait for another chance to come.
Game by game is how I judge myself. At the end of the season, yeah, I do look back and think about how many games I've been available for, how many goals I've scored, how I've contributed. But that's what the summer's for. For now, you just look to the next one.
I know that we shall meet problems along the way, but I'd far rather see for myself what's going on in the world outside, than rely on newspapers, television, politicians and religious leaders to tell me what I should be thinking.
It's not enough for me to cover theater, I have to throw myself around every other art form, and do so thoroughly and relentlessly.
If I compared myself to my kids, they know everything, and they're like small little hackers. I feel also that my identity can be stolen; I'm very paranoid about it compared to other people in the younger generation.
I was learning things in school rather than learning how to teach myself, which is what you have to do in life, so I just abandoned it and did ceramics for a year and a half.
I had been the dutiful son and husband for so long, I had forgotten about living for myself.
Being in the studio, for me, can be a miserable experience - I can really psych myself out.
I worked every single night, not even caring if I got paid, to get myself known. Within a year I was on the Royal Variety Show and that was it.
I was trying to do one-liners and it took me years to realise I just had to be myself. My fear was if I was myself and no one found it funny, I'd have nowhere left to go.
I'm sort of killing two birds with one stone here, getting to write for 'True Blood' and being able to put myself in a comic at the same time.
I got married at 17, had three kids by the time I was 24, and have never had much time alone. I never had time to develop hobbies. Now, if I have nothing to do, I just find myself cleaning drawers incessantly.
I used to pride myself on the fact that I kept a house running and never burdened anybody.
From an early age my mother told me that there were so many of us that if I was to get anything in life I would have to get it myself. So I did.
I'm all in favor of people - myself included - going into the same territory if there's something that can be done with it. But if somebody says, 'Make a sequel to 'Heathers',' I feel like, no, someone should make a good movie that's a dark, satirical comedy that has that sensibility.
I don't know - sometimes I catch myself being dark, and it's annoying. I think, 'Get over it.' I bore myself. But sometimes, like everybody, I'm sure I am obsessive.
It's not a field, I think, for people who need to have success every day: if you can't live with a nightly sort of disaster, you should get out. I wouldn't describe myself as lacking in confidence, but I would just say that the ghosts you chase you never catch.
Acting, I get to explore other people and other characters; with music, I get to express and explore myself.
Yes, and I had pimples so badly it used to make me so shy. I used not to look at myself. I'd hide my face in the dark, I wouldn't want to look in the mirror and my father teased me and I just hated it and I cried everyday.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
Since I do seven different styles of martial arts, I don't foresee myself fighting the same in any two movies. I think every fighting style should fit the character that's doing the fighting.
I go to gyms quite a bit, martial arts gyms, MMA gyms. I try to train with the best people, with who's who in the martial arts, just to keep myself sharp.
I work hard to improve myself as a person - as a father, as a husband, as a manager. I'm always on that mission.
One of the main techniques I used was focusing on the goal and visualising myself competing in the race before the race started.
I do believe in Christ, but I would not hold myself up as any paragon of virtue at all - far from it, really.
When people say, 'Who are you?' I'm a sculptor and a painter. That's how I define myself. The acting is fun, and I hope to leave behind a couple things in my life of dramatic integrity and art.
I've always thought of myself primarily as an artist; it's what I most define myself as. The acting was all an accident.
For someone like me who, as a kid, walked to school muttering little political speeches to myself, it was irresistible to finally get a chance at political life for real. When the people of Etobicoke-Lakeshore elected me their MP, it changed me forever.
What I'm guilty of is trying the hardest and giving 100 percent of myself and putting my heart and soul into representing the people of Staten Island and Brooklyn.
When I was doing 'Family Ties,' I was not quite that mellow as a real father. In fact, my wife used to call me Captain Von Trapp from 'The Sound of Music.' I tended to be a little more authoritarian. I had been a very disciplined child myself, so I made the mistake of thinking one size fits all.
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
I come from an academic background. I wasn't raised to be into promoting myself.
I wasn't political enough to write articles about myself or go to cocktail parties, meaning that not only has my art been pirated and my intellectual property rights stolen, but my work has been misrepresented.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
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