Michel Faber Quotes

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I wanted each of my books to be very different from the others, each to be special and uncategorizable, and I knew I could only do that a few times before I was in danger of repeating myself.

History proves that most writers get forgotten anyway. That's very likely to happen to my books, and if I'm extremely lucky, maybe one of my books will survive.

I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf.

I think that if you are a serious writer, you are almost obligated to provide the intelligent average reader with something that they can relate to and care about. If you are writing only for a tiny elite, then that surely should sound alarm bells.

I strive to use references that may still make some kind of sense once our age has passed into history. That robs my writing of a certain connectedness to my time, but potentially might allow it to make sense to people who are not in this time.

Really good books need a chaos element: something weird or inexplicable.

My energies get used up quite quickly, and the psychic space I'm in when I write is a very lonely one, so I found that harder and harder to get back to.

Of course it's fun writing about an egomaniac, but I know there are going to be reviewers who've never met me, who don't know anything about me, who are going to say this is autobiography: he's just changed the names of a few people, and the rest is totally as it was.

I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me.

I think there is that very basic yearning for something or someone to be looking after us, for there to be a framework holding the universe together that is benign and intelligent. We're not going to get rid of that; it's just too scary to be that molecule flying around briefly in a vacuum.

I was disinclined to have the status of a writer.

I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.

One of the things my success as an author has forced me to face is how dysfunctional... Maybe that's a strong word, but how obsessive I am.

I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing.

I think I have written the things I was put on Earth to write.

In all of my work, I think I'm exploring the idea that we are aliens to each other, how there is a huge distance that separates us all.

When the person you love has cancer, they are, in a sense, living on Planet Cancer. They are in a place where you are not. And you can't follow them.

I got fed up with the human race, really. I got a very negative feeling about human potentials. And for a while, I thought I might write a book without any human beings in it whatsoever.

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