Myself Quotes
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I just play him as myself, I don't ease myself into any role really. I stick a beard on and play me.
I know myself, from my own background, the E.U. depresses employment and destroys jobs. My father had a business destroyed by the common fisheries policy.
In 'The Greatest Showman,' I'm back doing VFX myself, allowing me to craft exactly how something looks, one frame at a time.
For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.
On the first day I got my wheelchair, I was also given all my clothes for the next day, a little pile on the chair. I was so proud of myself for getting it all on - the socks and everything. Dressing is a struggle, and it can take up to an hour and a half.
I've always found that the most powerful way to create change is to be myself and not be afraid to express who I am.
I don't think anybody should do what they do in hopes of being successful. But I always expect myself to be successful at things. And if I'm not, I feel bad. I don't care for failure. I've failed at a number of things, and it's not my favorite state of mind. So I prefer success.
The goal for me has always been to learn how to express myself in radio and to have fun doing it and work with whatever contingencies arise.
Anything is possible. I've got a few more miles in me. I'm not going to feel sorry for myself.
I could produce spurts of speed and after taking up athletics I found myself running quite quickly over 400m.
You want to provide for your family, of course, but you also want them to come along on the journey with you. I haven't achieved all I want to with my life, so I need to continue to push myself.
I've been on so many primetime shows that were cancelled - after one episode, after 10 episodes, after just one season. I got used to that. But I found myself choking up a bit at 'OLTL.' It was really hard to say goodbye to those people. It was not the way we wanted to go out.
I've played villains on stage - you know, the Iagos and so on - but I think of myself as a funny person. I mostly did comedies before I did TV work.
I think of myself as a problem-solver. I want to go in and help the director and the writer to get the best they can out of the text they're working with.
I want to give back to my community, little things I think they need. I went there to open a borehole and a public lavatory and give them a book about myself that we wrote with 'Right to Play.'
What I find really interesting is to try and mix it up, to push myself and try different things. I don't want to stay in my comfort zone. I want to take risks and keep myself scared.
You know, it's amazing. I don't even have a car, would you believe it? I had a motorbike and it got stolen last year. So I've got to buy another one of those, I suppose. I can treat myself to that.
I had to overcome barriers of fear, inconsistency, believing in myself as an individual, and believing in the gift and believing that this could actually happen, and this is actually what I'm supposed to do.
If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.
I don't sweat the Internet. You know, it's still something I enjoy as a movie geek myself to get on and, like, look at all the websites; however, when it comes to marketing a movie, the Internet is still not the thing that gets people to the theatre.
I don't think of myself as a critic at all. I'm a reviewer and essayist. I mainly hope to share with others my pleasure in the books and authors I write about, though sometimes I do need to cavil and point out shortcomings.
I love acting it's apart of me and I try to put a little bit of myself in each of my roles.
In 2004, I was on the West End stage in The Woman In White, and for every show I had to climb into a fat suit to play the obese Count Fosco. It was hard work, and unbearably hot, but I sailed through because I'd always kept myself fit.
The fact that I am able to live a life and act and to do all of those things and support myself and my family is a gift.
I know, speaking for myself, no matter what I'm able to do, no matter what book comes out and ends up on paper, I always had something bigger and grander in my head.
Through language, we can tell the truth and hear the truth spoken, just as we can be deceived. Sometimes it's a painful realization: we can be lied to. As I write, I think of myself as putting my eye under oath, so that what I write is the truth about my characters.
As a coach or manager, if it was something that had to be done I'd be comfortable doing it but I'd still be true to myself. I wouldn't turn into a madman or start throwing teacups and screaming.
I'm not really one who goes telling people things. I'm quite a reserved character and I keep a lot of things to myself. That's my home life as well. I just try to deal with things and, rightly or wrongly, get on with it.
I do try to stay involved in training and keep that routine as much as I can. I just feel I need to do it for myself, not because the manager demands it, but because you get to a stage where you have to manage yourself - what suits you; what doesn't.
I was relegated with West Ham and you never forget that. Going down, playing in the Championship, I constantly remind myself of that. I still remember the feeling, without doubt, I wouldn't allow myself to forget it.
I think with England, I look at myself and accept that I didn't do well enough; then, other times, I was playing my best football for United and England didn't happen.
I'm not stereotypically Canadian. I don't really follow hockey. I don't feel like anything other than myself, basically.
I was always really strict on myself about doing everything possible to prepare for competition.
I'm lucky enough to have two different platforms to perform on - I do stand-up comedy, and I have 'SNL.' That's where I make my most controversial statements because I can explain myself and I'm in control of the microphone, as opposed to Twitter, where it's in the hands of the reader.
The most challenging part of being a dad is self-restraint. So often your instinct is to teach and tell. I am constantly reminding myself to listen to them.
I like parties, but I'm shy, and I often find myself standing around, feeling awkward.
I built websites for myself. I didn't want to work for anyone else. I came from a science background, so I approached things fairly analytically.
I love songwriting. It's second to my love for singing in how I express myself.
Black music has increased my enjoyment of what I do. It has increased my range, my ability to reach into myself and accept myself.
I have the most eclectic audience - I've got gay, I've got straight, black, white, rich, poor, young, old, in 45 countries. And they don't all come because I'm the Sinatra kid, though that's a big part of it. My biggest successes have come from pop songs that I write myself.
I'm not saying no to anything, at least as far as reading scripts. I don't care if it's television or films but, personally, I would say I'd like to establish myself more in film.
I've never been the kind of guy to hype myself up. It's just not my thing.
I'm a designer with a little 'd' as opposed to a big 'd.' It's a job; I'm more about contributing to a man's wardrobe, offering the things that I look for myself.
Tim Hardaway Jr., Carmelo Anthony, Kristaps Porzingis and myself - those are four guys that can score 25 points per game.
Though I'm considered a leading man, I still consider myself a character actor. Because acting, to me, is creating a character, not playing the same thing all the time.
I think, at the end of the game, guys gotta trust themselves more. I think sometimes - not myself, but sometimes, guys - they look to Kobe too much.
I don't really talk about myself. I always talk about what could make the team better.
I started to music when I was about 19 years old. Most people that do music, they get training, or they develop themselves before they let their music out. For myself, I was actually developing myself and putting my music out at the same time.
I've worked too hard and too long to let anything stand in the way of my goals. I will not let my teammates down and I will not let myself down.
I am an extremely private person. I always feel that I come across as a caricature of myself whenever I do interviews.
Although I'm not particularly troubled myself, I do have a lot of empathy for troubled characters.
Choosing to publish work electronically myself is really a no-brainer.
Unfortunately, I don't think I can call myself an activist because I don't really do enough of anything.
I find myself wanting to make music at the dining room table or in the bedroom - I'm kind of a mobile writer, so I sort of move around the house. But the attic is definitely where I can make the most noise. While everyone on the lower floors screams 'Earthquake!' But no! It's just my bass!
I stopped beating up on myself. I stopped asking myself why I didn't sell this number of records, why I don't have corporate sponsorship. I just don't buy into any of that anymore.
It makes me very happy when I create goals or score goals myself, but the most important thing is that the team reaches its goal and plays positive football.
Pac was real, and he put everything into that music with the passion, creativity, and the drive, and I feel like it's all one in the same with myself.
At times I ask myself if I shouldn't be living a more regular, stable life with a 9-to-5 job. Then I think about it and realise that there is no point in planning everything.
I like to stretch myself and push the envelope, so anything that's new or different or not of my daily routine, I am so for.
By always looking out and always moving myself forward and being disciplined and being open to new experiences, I think that's how I was able to diversify because if it felt right to me creatively, I went for it. It didn't matter if I knew how to do that, I just did it because my creative heart felt pulled to it. That seems to have worked out.
They shaved a little piece of bone off my small toe. You see, you balance yourself a certain way and this toe had grown under the other ones. So he cut it loose, where I could balance myself and it makes me walk straight.
You can get fixed ideas, and it can get restrictive. So, I try to put myself in a precarious position.
I began to do this thing I do of giving myself a class every day, and trying to experiment and push further. I don't mean to say I knew everything, because I didn't, but I would do what I knew and then push beyond that and see what else I could find.
My mother was a very difficult woman to please. She was the sort of woman who thought that if I were praised I would get above myself.
I talk about myself. That's what I am. I'm a blogger. I have always decided that I was going to be an expert on one thing, and I am an expert on this person, and so I write about it.
A year or so ago I went through all the people in my life and asked myself: does this person inspire me, genuinely love me and support me unconditionally? I wanted nothing but positive influences in my life.
I love an arcade. I love a boardwalk game. But I also love a rollercoaster. Though I think the rollercoaster love comes from the fact that it took a really long time for me to reach the height requirement, so I promised myself very early on that when I reach that, I will not take it for granted.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I wrote a pilot for myself. It's about a Latina actress trying to make it in Hollywood. It's pretty funny.
No matter what the character is, I just say to myself 'If I, Melissa George, was in that situation, how would I react?' and once you do that you can just go for it, and hopefully the performance comes through.
When I first got pregnant, I freaked out. Then I had to remind myself: I'm turning 30.
I am a smoker, I'm ashamed to say. I had given it up for many years, then picked it up again. It's a horrible habit. I struggle with myself all the time. And I love to smoke.
Well, I don't think of myself as a feminist at all. As soon as we start labeling and categorizing ourselves and others, that's going to shut down the world.
I haven't had a lot of experience with glamour. I've never had to mask myself, as many now not-so-young actresses have had to do. Female actors in that regard have a different lot in life than male actors.
Actually, I've gotten myself into some difficult places because I thought I could fix somebody.
I've gotten myself into some difficult situations because I couldn't say no.
I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'
I'm constantly saying to myself, 'I'm lucky I was born in the United States.'
Reading about myself on 'Perez Hilton' was kind of the weirdest thing ever.
I was such a wallflower in high school. I did a lot of extracurricular theatre shows, but at school, I spent a lot of time by myself. I ate lunch by myself, and I was always okay with it. But I was definitely made fun of, and I always felt like an outsider.
I always considered myself really non-confrontational and shy and introverted.
I think I've been on a path ever since I was born, a path of high stress. I put myself, my career, it was a big old juicy carrot right in front of me for all of my life.
I'm not desperate anymore or feeling weird about myself because I'm not working in this business. I'm older and wiser, and there's a lot more to life.
I auditioned for 'The Voice' because I really wanted to try and figure out a way to get myself out there. I really couldn't imagine doing anything else - music was the only thing that I really clung to.
Please understand that I make music to express myself, and if you know anything about me, you know that I'm nothing but honest.
I don't have a nanny. I have a chef, and I have my assistant, and that's it. I do it myself. You know, those hours with your child are really important ones, even if it's just the two of you, being quiet in the car together.
I don't think I'm a great singer myself. I'm all right. I've worked with different writers, different producers... I've just been blessed with the caliber of people I've been able to work with.
I consider myself more of an international artist than I do a one-territory artist, which I think is a blessing.
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