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As a result, I had to get my own playground which was my band Colours. This band lasted for about eight years and then the air was out of it and it was time to finish.
My own personal, moral, spiritual, religious, etc. beliefs don't oppose same-gender marriage.
At first, I was just trying to sound like DOOM and Eminem, and then I dug out my own voice, I guess.
It really started cooking when I moved to Houston. I bought a house and got my own barbeque pit.
I've done enough wrong on my own, I don't want to get blamed for something I didn't do.
If I ever went, I'd want to go peacefully in my sleep. I wouldn't want to plan my own death.
I don't want to build on someone else's legacy. I wanted to establish my own thing.
I have my own office, and I'm there during the evenings and weekends. But during the week, I'm sitting in the middle of my studio, talking with everybody, deciding together every detail, every pallette, every yarn, every colour.
I'm part of the fashion system, but I don't want to follow all the rules. I don't want to be contrarian - I just want to do my own things, which are most honest and correct to do.
I like to choose my own way forward. I really do want to create something that I personally like a lot.
I still take a lot of pride in being able to write my own songs. My story's coming from me.
I'm more concerned with getting them to find and strengthen their original voice as writers rather than imposing my own subjective tastes, judgements or sensibility on the project.
When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.
I wanted to learn how to skate backwards and they wouldn't help me and they went off and left me on my own.
I never expected to be in the NBA, to be here, let alone to have my own shoe in my second year.
I have to say, post-fame was difficult because it wasn't just fame: it was super-fame of a kind that few have. It was attached to a generation's dreams, and my own personal dreams were mixed up in it, too.
I've always earned my own money and enjoy being independent. It's how I was brought up.
I would try to write my own story about some East Coast suburbanite having an affair or something like that. So I did that for maybe two years or so, and it just wasn't working for me at all.
Until 'Scrubs,' I didn't have a business manager. I learned everything on my own - and I learned the hard way.
I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.
My own little rule was two for one. If one of my teammates got knocked down, then I knocked down two on the other team.
I was always interested in becoming a midwife. Then, at my own birth, I didn't get the support I'd hoped for, and that changed everything. That's why I became a doula. There's such a need.
I was approached about having my own network many, many years ago. There were some people who wanted to start up a network, and I didn't want to get that involved in the business aspect of it.
I wrote music. I was in a hardcore band when I was 14, and I wasn't good enough to play anyone else's songs, so I had to write my own.
I have started exploring my own life and have started valuing myself. I have started valuing my individuality.
My parents gave me a small telescope, then I built my own, and one thing led to another. So that's how I ended up going from being a hobby astronomer to a professional astronomer.
I spent a lot of my childhood in my own head, making up stories. I didn't have a lot of outside influences, so I was able to make my own decisions about what I wanted to do.
I failed to fulfill what should have been an interesting role. I couldn't take their formula and bring what I had, my humor, my ideas, and make it my own.
My own view would be to let Saddam bluster, let him rant and rave all he wants. As long as he behaves himself within his own borders, we should not be addressing any attack or resources against him.
I definitely had to pave my own path, which wasn't always the easiest thing to do.
I've only written stand-up and sketch before, so writing something long-form on my own is proving quite difficult. But I'm enjoying it as well.
I do not quote my own movies. I think I would be pretty insufferable if I did.
I'm not Jadeveon Clowney; I'm Deshaun Watson, so I just focus on me and what I can do for my team. I stay in my own lane and do what I've got to do.
I was doing something of my own after I left The Moody Blues, I went away, lived in Spain for a while.
'Threatz' was when I stepped into my own as an individual and one of the first songs we put on SoundCloud.
When I went out and started making solo records, I was determined not to, I guess, put my name on an album that sounded like Styx. I wanted to carve my own niche, so quite frankly I went in a different direction.
I'm set in my own ways. I like to do the things I want to do when I want to do them.
'Easy Rider' and 'The Last Movie' were the only films that I made totally on my own.
I never went to school for directing. I studied theater with a director. I followed plays to see how a director would talk to the actors. I tried to make my own school.
Every win that I've been going through, it's been securing anyone's doubts or even my own doubts about whether I belong with these guys, playing these high-level tournaments.
I stay standoffish in a sense, in my own personal space, to be able to cope with whatever it is you've got to cope with.
I've got a bread maker, so sometimes I make my own. That's what's lovely about not working full-time: I can bake bread.
My own training is in the field of neuroendocrinology and I really became very fascinated many years ago with the molecules of emotion, molecules that we call neuropeptides.
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
Songwriting was my own journey. I never fit in with structure in songwriting.
My existence is fuller of other people's experiences than my own. If they cut open my brain, these are what I would retain most.
I often draw from people in my own experience to base a character on, going back to my days with Mike Leigh.
It's funny: I rarely reference anything, and I'm one of those people that doesn't really spend much time in other people's worlds. I just try and create my own and make it as distinctive as I can.
I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
I'm obviously very involved with my own charity and foundation that I work with. Obviously, I'm very passionate about that.
Foundational autonomy asserts instead that in the most fundamental practical sense, I am my own creator, which means that at the core, I am alone.
I don't want to be a commentator of my own work. If you've written the story, you've said what you want to say.
As a writer, I don't have a sense of my own position. I try to disappear and not to think of myself at all when I'm working.
Virginia Woolf's literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the benchmarks are 'Mrs. Dalloway,' 'To the Lighthouse' and 'Orlando,' all of which have time as a central conceit.
Occasionally, I just need to escape from my work or be reminded of the comparative bliss of my own life, so I pick up a novel.
I don't really like to sit around the house listening to my own records. They're not that good.
Even though I am Chairman of Dole Food Company, I do most of my own grocery shopping.
I sew my own shoes. Other male dancers don't, but I like it one way, and I've learned to do it that way.
I watched the night unfold from beginning to end on my own here in my flat in Budapest where I've been working for the last six months, and when it was announced that Barack Obama was indeed president-elect, I wept.
I wanted to produce Nancy LaMott's albums, so I created my own record company.
I publish my own music. I'm creating my own songbook. It works that way for me; I'm very independent.
I'm a huge fan of 'The Odd Couple,' yes, and any comparisons to Tony Randall and or Jack Lemmon are completely welcome. I kind of try to channel those guys, and then add my own neuroses, too.
I'm an extremist, I have to deal with my own extreme personality, and I walk the fine line of wanting to die and wanting to be the ruler of it all.
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