Debra Granik Quotes

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Some people have these small, positive schemes for survival, a kind of strength that I am attracted to, maybe because I'm prone to the blues.

Festivals are where I see other peoples' films, where we talk, where I get to learn what was working about the film, I get to have a discussion with viewers... and people who enjoy reading films - I enjoy reading...

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Time's up on cheesy, lesser, boring roles for females in the stories that we try to tell.

You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call...

I like to make films about how people survive living in the United States.

You can't just pill away injuries that go deep in someone. They don't just stop those feelings from existing.

In documentary, mostly, people are going to say untoward things; people are going to have gnarly beliefs. People aren't perfect.

In documentary, you are sometimes burdened, or you feel very responsible for dealing with - I want to say - more complicated themes. Fiction allows for greater distillation.

I don't want to make fictional characters who are perfect - that's a vanilla situation - but the fact is you are allowed to more carefully select and curate what it is you're going to explore.

I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits.

Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make...

I love to champion some of the hardworking actors where, it's been said to me, they don't bring money. But to me, they bring everything. They bring their wonderful selves.

I'm from the East Coast, and so therefore, the Pacific Northwest forest is very exotic land to me.

I find it so hard to make films about my own region, but it could happen.

My producing partner and I were shown a novel we really liked. It was called 'My Abandonment' by Peter Rock, and we enjoyed reading it.

Every filmmaker has this short book of films that don't get made - for a whole host of reasons.

There's a period where you feel very hinky and low about yourself, like, 'That was a lot of time, and there's nothing to show for it.' I've tried to tell myself that if you're going to be a filmmaker, you...

When I find those actors who are going to work that hard and collaborate that deeply, my role is to make sure there's a whole lot there for them to work with.

Sometimes you get ensnared by an idea, and it's what I call 'the sticky burr': You go hiking, and a burr sticks to you, and that's the film you're going to make.

American film isn't just film and glamor and fame and the lives of people who are fortunate financially. Those aren't the only stories in this vast nation. That's my mandate.

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