David Lowery Quotes

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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.

I find myself very attached to the places I live, and moving is never easy for me.

I think there is a value in leaving the world a little better off, and movies can do that in a minor way.

I love what Paul Thomas Anderson did with 'The Master' with putting out those teasers made up of footage that's not in the movie.

Digital is my safety net. I know how to use it, how to operate those cameras; it makes sense to me. Film is much more mysterious.

There are some stories - not even stories, some feelings - that you can't accomplish in cinema without using celluloid.

You always want your movies to reach the widest audience possible.

Hindsight is the most dangerous thing imaginable for me. I imagine that's the case for most filmmakers. And I would love to be a filmmaker who was an exception to that rule, but I'm certainly not.

I've always endeavored to make movies with my friends.

I like roller coasters that have the one 70-foot drop.

I have always thought of myself as a writer, only because I need things to direct, and I can't not write the things that I direct.

I love working with the same people. When I find someone I love and that I like working with, I don't want to stop working with them.

Casey Affleck is someone I want to work with again. We almost had him on 'Pete's Dragon,' but his scheduling issues didn't work out.

Virginia Woolf's literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the benchmarks are 'Mrs. Dalloway,' 'To the Lighthouse' and 'Orlando,' all of which have time as a central conceit.

Some filmmakers are great at making complex things and films with a lot of moving parts, and I'm just not that way.

I can't solve a puzzle for the life of me - my brain doesn't work that way. But I can take a very simple idea and extrapolate from it and spend time with it and pull things out of it.

When I'm writing a story, I try to reduce it to the barest possible components and go from there.

When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.

I love 'Peter Pan' to death. It's one of the most influential pieces of storytelling in my life. It made a huge impact on how I grew up. I love the cartoon. I love the 2003 version.

I love communicating non-verbally. I find great value in it.

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