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Shaheed Diwas 2026
I grew up loving music, like, loving it. I was involved in church choir, leading worship and all the choirs in my school - even glee club.
All of the great music ever written is based upon the Mass. I mean, it's pretty extraordinary stuff, and I think it's done the world some good. And if you take a look at some of the mosques in the world, it calls you to worship the kind of beauty that's in there.
I've done a lot of growing up since the age of 16 and I really wanted that to be reflected in my music.
I know that starting out as a young band, it's really easy to get lost with bands that sound the same or with the plethora of music that's out there.
When I was growing up listening to music, it was 2004, when The Starting Line and Finch and The Used were kind of my favorite bands.
I think fans going to concerts expect more today in terms of meeting and things. It's cool - I get it because of how the Internet has made things much more personal for fans to follow with Facebook, Twitter and everything - but I also think it's kind of hindering because it takes from the music in a way.
I am always thinking about writing music; my wife is constantly asking me: 'Is there any way you can turn off the music part of your brain for a minute?' but I really can't! It's my form of therapy.
My mum was never strict. I was allowed to go out to clubs underage, watch TV, listen to whatever music I wanted to, and that made me not rebel. I have never touched a drug in my life.
I think the industry is oblivious to the fact that most people listen to all kinds of stuff. I personally don't know of anyone who listens to only one genre of music. It's vanity because no one does.
I think it took me a while to convince Nashville that what I do is genuine and my heart's in the right place, and I love country music.
Whether it be in acting, music, or even in dancing, I only want to do things that I truly connect to, and with my music, it's everything that I am.
The music industry is something that I'm still trying to understand. With acting, I've been doing it for so long that I understand every aspect of it for the most part - there are obviously still more aspects that I need to learn - but I have a grasp on it. With music, I'm still learning. I'm still getting used to it.
I really look up to Will Smith. He's internationally known, and people know him from everything. I don't know any kid who hasn't seen and liked Fresh Prince, or you'll like one of his movies or his music. He's perfect, and he's done everything. That's my dream: to be internationally known.
Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!
There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really powerful thing for me.
Everyone's attention span is getting shorter. As a result, everything - films, music, art - gets watered down and dumber. Every now and again, you get something great, but not often.
The music industry is a world of smoke and mirrors: they tell you exactly what they think you want to hear. And they are bare-faced lying. I tend to stay away from that.
Everything I do has a certain quality, a certain flair, a certain flavor. I like to eat the way I like to dress, the way I listen to music: put it all together, and it's a great party.
In my life, looking at other women who have been pregnant while writing, I always feel like it's kind of their most musical or the closest to themselves. I think for me it's such a validating moment, you know. I always knew I wanted to have kids, and I've been making music all my life.
I cannot say what I think is right about music. I only know the rightness of it.
If you already have a piece of music ingrained in your body, why would you not play it?
Your own music comes out of your head and emotions, but it's not etched in your system.
I actually get a metallic taste in my mouth when I think about electric music.
Music always turns into music. As soon as I play a key, push a key down, there's no theory any more. When I go and I hear a sound on the keyboard, all theories go out the window.
Good music comes out of people playing together, knowing what they want to do and going for it. You have to sweat over it and bug it to death. You can't do it by pushing buttons and watching a TV screen.
I've always been suspicious of TV, I've always found music and video to be an unhappy marriage.
The only things Mick and I disagree about is the band, the music and what we do.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
You have the sun, you have the moon, you have the air that you breathe - and you have the Rolling Stones!
Everything I was feeling, all the hurt and the pain and the emotion I was going through, I put into my music.
We'll be presenting a broad spectrum of the music and looking at how the younger guys can carry it on.
I don't regard myself as a great classical or jazz pianist. I like country music, but I'm not a great player. I just like music. Drums 'n' bass is pretty exciting and I'd love to explore it.
I'm volatile, up-tempo, quick to react and passionate. People often think all that high-energy stuff is just for the stage, but that's me. I like to express myself. When I was younger I would listen to the Jam in my bedroom and jump around in excitement to the music.
But I love to write music. What I would love to do is give some of the songs I write to someone like Taylor Swift because I feel like she could sing them.
I just remember falling in love with the old Chris Brown music, where it was, like, that real R&B, and I love the radio smashes he's put out since then, but I go back to his older music for that R&B.
I was in art school, and we had all these random classes. We'd listen to a lot of Bollywood. I'd listen to Spanish music - and I don't even speak Spanish, but Hector Lavoe is amazing - we listened to French music like Edith Piaf. She's tight. I like cool vocal inflections; I like cool sounds. I pretty much listen to anything I think is good.
There's girls that grew up like me and even worse, and they need to know that there is someone out there that can give them hope with my music. It's about inspiring people and helping people.
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
I only had, like, 4 CDs when I was in college, and one of them was the soundtrack to 'Good Morning Vietnam' - that's how much I don't know about music.
I used to listen to my music on the bus. It was one of my favourite things, to look out the window and over at the Jacques Cartier Bridge and Parc Jean-Drapeau.
Really, what I'm trying to do is make soul music, but I don't even think of it as a genre. It's more of a feeling.
I love the London vibe. I get so much love from London that I never had from other places. It's crazy. The people there understand music so much more.
When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.
I would have loved to play Atticus in 'To Kill a Mockingbird.' There's no music in it, but it doesn't mean I wouldn't want to do it!
I tend to latch on to things pretty obsessively for awhile. I listened to Russian pop music exclusively for almost five years. It's weird.
I like to add props to render the specificities of place - paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn't just sit there; they should get used.
When I was 13, listening to Choice FM, I would listen to a lot of R&B from America, and whenever a British person tried to do it, it didn't really work, they just sounded like they were trying to copy that whole style. Now the music sounds British, something real rather than an imitation.
'Losing My Edge' was an anthem for the aging music nerd, with lyrics detailing a comically epic list of historical dates, bands and attended gigs: the anti-hipster's defence against 'the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered Eighties.'
What I've picked up from working with the women in the Gori choir is that they don't have egos. All that matters is the music.
I've always been very open and unspecific about what kind of music I want to make.
The first dramatic experience I had of music was when I was five. The electricity had gone out in Georgia, and my mum played the 'Moonlight Sonata' on the piano.
When the lights did come on in Georgia and the electricity did come on - you know, 'cause they did for about one hour during the day - we would watch Hollywood films and we'd listen to music from America and the West.
The NRA isn't a boogeyman organization behind a curtain. The NRA is made up of millions of people who believe in the Second Amendment and the organization is very closely connected to the country music community.
I don't live in as much fear as I used to. I'm not afraid of the music business. Life is too damn short. I know what's important, and the tasks are very clear.
I really think that's what music and art is about. It's another way to connect to the divine. It's a real pure way of touching that deeper reality beneath our life.
I think it's a reflection of the music business in general, which to me seems very fragmented.
Every now and then, a lot of bands doing the same kind of music will organically sprout up at once.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
I really love music that's on the periphery of not fitting into a clear genre. I felt like I was constantly being described as something I didn't really feel like I identified with.
I'm not a goddess, for crying out loud. I'm a regular person who took feminism - which I have a deep connection to - and mixed it with music, which I really love to do.
That's the great thing about music. You can find some '60s pop record and feel completely invigorated by it, even though it's so old.
Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!
I loved music, acting, and drama, but these weren't something I pursued until I was 19.
I'll never stop acting, but music is another passion of mine. I just love creating projects in the entertainment field and performing onstage or in front of a camera.
I hear music that comes out of need, out of grief, sorrow, suffering and out of overcoming these things, as well. That journey to freedom still goes on today. It's an incremental change, the culmination of many events in your own life and the lives of your children and grandchildren.
Some of the music I listen to is pop. I sing it in the shower - and then for public consumption.
From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it.
I'm a Cancerian, the typical crab with the tough outer shell and the soft bit in the middle. I don't think I'll ever come to terms with people being unnecessarily nasty, but I can take it if someone doesn't like my music - I'm not everyone's cup of tea.
Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.
My music appeals in America. There is less of the purist criticism I get here. And to be a hit in the U.S... what singer doesn't have that dream?
I love to listen to pop music and I admire people who do that, but I don't think I would ever be a very good pop star. I always leave that singing voice for the shower! I wouldn't put it out in the world!
In nearly all ballads, the words set the mood and meaning, while the music intensifies or enhances them.
If rock-and-roll is well done, there's nothing so terribly wrong with that kind of music. But the lyrics are another story.
Every small town has its dramatic group, its barber-shop quartet, every home has music in one form or another.
I wasn't that bothered with school; I was too mad into horses. But I liked reading and was good enough at English and always liked music.
As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.
Each time I seem to go through one of life's huge things, I want to play music.
I've always wanted to be a musician. I love music; like, I probably sang when I was born.
I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
I read a lot of poetry, and I love what it does with language. I love music, too, and I think there's probably no coincidence there, that the rhythm of the words is almost as important as the words themselves, and when you can get the two working together, which usually takes me about 20 goes, I feel a huge satisfaction.
I wonder if anyone else has an ear so tuned and sharpened as I have, to detect the music, not of the spheres, but of earth, subtleties of major and minor chord that the wind strikes upon the tree branches. Have you ever heard the earth breathe?
I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
Music has always played a big part in my life and, believe it or not, in my soap opera career.
I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there. Also, I grew up listening and loving reggae music, too.
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