Kaytranada Quotes

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I felt like there were two people inside me. I was trying to be somebody I was not, and I was frustrated that people didn't know who I was.

Really, what I'm trying to do is make soul music, but I don't even think of it as a genre. It's more of a feeling.

When I'm playing, I play what I want, but I make sure that the crowd is going to love it at the same time. It's like a balancing act, a mix of two, a perfect circle... if you do it right.

I don't have much of a wish list, but I'm dying to work with Erykah Badu. That's pretty much my dream collaboration.

I don't feel like a live set even seems super real for an electronic act like me. It's not really that entertaining. I've seen a lot of my favourite acts take it to a new level with a live band and stuff, which is amazing, but for me, a live set would be boring to watch.

You gotta be versatile, man.

'99.9%' is the end product of years and years of me going through multiple styles and interests.

I'm from the suburbs, really, so I actually didn't go to Montreal until I was, like, 19. I wasn't allowed to go to the city at night or really be in the scene with other producers. It was hard for my parents to understand what I was trying to do as an artist, but it didn't stop me. They eventually saw that it wasn't a joke.

Some people say I make hip-hop. Others see me as doing EDM. Some people might look at me as a trap artist, but I'm not really stuck to any of those.

I don't think about doing new. I just do it.

Deep down, you know what you want, and you should go for it.

It's pretty much about doing what you love and following your dreams. It sounds really corny, but it's so real.

I'm always home, doing nothing, making beats, and watching movies.

I'm my own stylist. Always! I don't wanna hire someone to chose what I should wear. At the same time, I do always wanna wear some crazy clothes.

The producing side is always a hard thing for me. I look at Flying Lotus and see producers dropping instrumentals, and I think I should do it myself. I just try to be an artist for myself. That way, it's a lot easier.

I can't judge Justin Bieber, because I don't know him.

When I make a good beat, I'm possessed. I'm not on earth!

It's easier to collaborate with instrumentalists than singers; they know exactly the sound that I need.

I love the London vibe. I get so much love from London that I never had from other places. It's crazy. The people there understand music so much more.

Nando's - boom! That's what I'm thinking of whenever I'm in London. I go there every time.

I don't want awkward shows with people looking at their phones or tweeting. That's something you should do at home.

Neo-soul caught my attention more than any other sub-genre. I was really attracted by that sound. It made me do what I do musically: trying to find the same type of vibes, those nostalgic vibes.

I used to listen to my music on the bus. It was one of my favourite things, to look out the window and over at the Jacques Cartier Bridge and Parc Jean-Drapeau.

I come from hip hop for sure, and there are basic elements of that, but then I'll take from somewhere else, like samba, and do it with trap drums. I like going places other people haven't gone before.

The way I picked the tracks for '99.9%' was based on the feeling of, 'Is this going to be a hit?' I wanted songs that people would immediately hear and remember.

I like that people are still trying to guess what kind of music I'm making.

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