Music Quotes
Most Famous Music Quotes of All Time!
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Shaheed Diwas 2026
Everyone wants to talk about it, and right now music, flat-panel televisions, a whole host of new handheld devices are fun to talk about and very exciting to look at.
It might take some here and there, but Apple's market share in the global computer business has really shrunk pretty far, and where they've been making success recently is not in the computer business but in the iPod music business.
I have my writing and acting and producing and directing, and my younger brother has his music and his acting.
Adaptability is crucial to working on Glee because every day is adapting to something. Because we're doing a different genre of music, doing a different type of scene with a different scene partner, recording and dance rehearsals... no day is like another.
I really love when music artists like Lady Gaga or Michael Jackson wear outrageous things. Obviously, if I wore something like that I'd look like an idiot, but I really respect fashion.
On 'City Music', I wanted there to be grit, and I wanted it to be loose, and I wanted there to be mistakes.
I was actually going to go to a conservatory after I graduated college, now I'm thankful that Pentatonix happened because I'm working with singers in this realm of mainstream music, and to learn about how all that comes together has really helped my cello playing.
Performing the American Music Awards and having Harrison Ford introduce you behind the John Williams orchestra for Star Wars, and then Meghan Trainor is in the front just standing up and like, 'I love you guys!' That was a huge moment.
That's something Pentatonix tries to do in all of our music. We try to keep it clean so that everybody can come to our shows.
We can watch videos of our whole journey - from old tours to doing the AMAs (American Music Awards) in 2013 and through the 'Star Wars' medley or when we sang with Stevie Wonder on the Grammys. I just sit back and say, 'I can't believe we did all this!'
I never thought that I would pursue a cappella music. I went to Yale College and I was going to go into the medical field.
My parents always wanted me to do music because they thought it was such a great extracurricular activity but we never thought it was going to be something that would be my career.
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
I finally realized that not only was I passionate about music, but I had a unique way of thinking of music.
I don't even want to say I'm trying to necessarily popularize classical music, I just want to take this thing, this cello, this sound, and make it artistic so people can understand it today.
I guess I'm not saying that I think music should be free, but I do think that if people can get it for free, there's nothing anyone can do to stop them. It's kind of a waste of energy to try and force them to pay for it if they don't have to.
I used to download music illegally. Everyone has. No one is innocent. Everyone has done that.
I think after a long tour and after an album, your brain feels like it wants to relax, but at the same time, making music for me is something that comes kind of naturally. Just like a brain process.
Listening to my dad playing guitar along to 'Sleepwalk' by the Shadows was probably the first time I discovered emotion in music.
In the end, for me, music is such an internal thing that to let the outside world influence would be against my modus operandi.
I've always made music on my own, but I didn't think there was a platform for that, so I thought I had to pretend it was a band.
It was humbling to see my brothers blowing up in music while I wasn't in the public eye, but it was also gratifying, because I'm doing what I love, and the self-esteem you get from that is so much better.
I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'
I'm super serious about music. That's, like, the only thing I'm serious about.
I always had music growing up, but music was also like a journal. It was like my personal diary or personal journal. A lot of the things I couldn't express to an individual, I would express them in my music.
I never played music, but it's an important thing ... the studying, the inspiration.
It's our way to prepare for games: the music is on before the game and after, so it's not like because we won we're going to change it. It's just because it's the thing we do; it's the thing that gets us relaxed, maybe.
I started off as a rapper from Thunder Bay, Ontario, believe it or not. There was a little group of 10 or 12 of us that would get together and copy each other's cassettes. So I was a rapper first, and it was that music that got me into this great entertainment world and got me out of Thunder Bay.
I had the fortunate experience to play with people from different schools of music. Sam Rivers is from the fundamentalist school of music.
I really worked with icons in the music business, which really had a strong effect on me. It wasn't just pick-up gigs.
I thought people cared about music in a deep way, so I was writing to that spirit in people and in myself. It was me, thinking I knew what was up. Youth, who else can change the world?
People see my current success but don't realize I've worked hard to get where I am. I used to clean garbage off the Philadelphia docks and put a lot of time into developing my music.
Serious musicians are finding it harder and harder to have a voice in the world of music these days.
I've made three studio albums and one live one with my brother. It's melodic singer-songwriter acoustic-rock music.
I decided to restore 'Napoleon' after a widescreen festival at the Odeon Leicester Square in 1968. It was run by Richard Arnell and George Dunning, who animated and directed 'Yellow Submarine,' and they'd got their hands on the last scene, the triptychs. They just showed that part, without music and with the projectors misaligned.
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.
I think people need to have fun with whatever they're doing - makeup, their clothes, music, live shows - anything you don't need to take too seriously, don't take too seriously.
I love country music, blues, and punk, and one day I might make those kinds of records.
I'm writing constantly about all my crazy experiences across the world, so I have a lot of music I've already written.
The music we made then was so amateurish, compared to the rest of mainstream pop or rock and roll. But what differentiated us from what everybody else was doing in the business was the fact that you could tell that these people came from different reference areas.
The overall vision for 'Utopia' was somewhat of a mix between fantasy, future, and ancient China. All of it soaked in a pastel space sauce to capture the uber positive energy of the music.
I grew up in a small town in the woods of Estonia, and there was not much else around me besides nature. It was stunning, but I dreamt of meeting eccentric people and going exciting places. Music became my escape. I thought if I got good enough, I could leave.
When I first started writing music, it was all really angry, angst-y lyrics. But then there was a point where I realized that people are clearly listening to what I have to say, so if I have the power to bring somebody up, why would I bring them down?
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
I'm really, really into the rave scene and just kind of how people come together and how it's just music and just love.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
Well, to be honest with you, yes there is and there is not. But as I am a fan of this kind of music as well as the rest of the guys naturally are - and being a fan, we kind of get pleased by our music as fans and as being in SLAYER.
Music has always been my first love, and I appreciate how a great musician can bring awareness to tough issues through their work.
My earliest memories of defying my parents were through music. I remember rap being banned in my house, and then getting a Cam'ron album.
In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.
We were always around music and we were lucky to be in the right place at the right time, knowing the right friends.
The ‘80s don't seem to have gone away. Most weekends in the summer we're off doing a festival in front of 10,000 or 15,000 people with a load of other ‘80s acts. It was just such a great era for music, for individuals and characters. It just had a spirit.
We're best at doing pop music - we're not good at doing down, depressing music.
Pop music is a constant reminder of what you were doing at the time, it holds all sorts of memories.
To be honest with my music... for me to expect anyone to connect it has to come from a place of honesty.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
When Pandora doesn't pay, and bars don't pay, and weddings don't pay, and nobody buys CDs or shirts or concert tickets or lessons, then the musician can't make a living making music.
Sheet music, recording, radio, television, cassettes, CD burners, and file sharing have all invalidated, to some extent, the old model of making a living making music.
I enjoy bluegrass, folk, gospel, and classical. I don't listen to music when I write. I sometimes listen to music just before I sit down to write.
There's a new hit rock group or singer every five minutes, but with country music, you have one hit and those people love you forever.
My music was my life, and it played a large part in my inability to sustain relationships.
It's difficult to see my daughters on television and in music videos, and then I get tweets or comments about crushes and, 'Hey can I date? And hey, I'd be a good son-in-law type.'
What is music anyway? It's a form of communication, and that's why I play the kind of music that I think - that I hope - can communicate with people.
I've never personally criticized anyone else's music, but I know that the public's real problem is not the music I make but the perception that I play simple music for money only and for the notoriety and to increase my popularity.
The whole rise of new adult contemporary music and smooth jazz was a nice surprise.
Social topics may hit too close to home for people, but then again, if you pull a heartstring, then that's what country music is. It's not just songs about getting drunk and leaving your girl.
I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.
Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
Italians have always had a high savings rate. They love putting their money into their own government bonds - even more than in houses, stocks and gold. The higher rates climb, the happier they are to invest. So if austerity plans drive rates up, it's music to Italian ears.
I'm pretty much living my dream job, but one day I would love to dedicate more time to writing and performing my own music.
I don't really believe in the type of pressure that people are wanting to put on the type of music that I make.
I always felt like there was a certain standard of music that I had to do from the beginning, even when I didn't have the recognition that I have now.
People are used to music that justifies street culture but something that's not touched on is why these kids act the way they act, live the way they live.
The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.
No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.
English is like music. The English language is really fit for singing. The notes match the feelings, and it makes sense.
I have never learned to read or write music so I am not a virtuoso musician like the others you mentioned. I am completely unable to play like them because I never learned classical music, I just developed my own crazy style!
When we were making vinyl records we had a lot of time limitations for each record so songs were left off for a number of reasons. Now, with CDs, much more music can be included.
The band projects just took natural priority. I didn't really have a solo career, just wanted to share the music in another way and to learn more about writing, recording, etcetera.
If you are making music for other people, you will have to be aware of how people relate to it.
Music is an art form too. Sometimes other forms of art can be inspiring to the musician.
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