Kerby Jean Raymond Quotes

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The world absolutely needs your voice.

The work of black creatives seems to always get undermined in one way or another, and that's what this new generation is actively changing by speaking up. We aren't accepting group categorization and group classifications to describe our work anymore - it just leads to group dismissal.

All clothes are worn on the street, but 'streetwear' had once described T-shirt brands and skate-inspired brands, and now it's just a lazy innuendo used to describe clothing made by designers that the establishment deems 'less than.'

I hope that people who don't believe depression is a real thing will stop calling people crazy, because that's dismissive and not a medical diagnosis.

I think that when you rally powerful voices around powerful issues, what you get are positive results.

You have these megabrands who make most of their money off hip-hop culture. Where were they in the time of need?

I want to be fashion's Erykah Badu. What I admire about her is her timelessness and her fearless approach.

Music has always been my first love, and I appreciate how a great musician can bring awareness to tough issues through their work.

I've always felt like an outcast. My aesthetic is very high-end, but I still get classified as streetwear. There's really no other reason for than other than my age, the way I look, and where I'm from.

If you put the collections together, whether it's Rick Owens, Alexander Wang, or whomever, sometimes they do streetwear, but they're never called that. They're always called 'sportswear' or 'high-end' or 'luxury.' I feel like I'm tossed into that streetwear category so that I don't exist in this space.

With things that I'm going through, whether they be on a small scale or a large scale, I'm thinking, 'Who else is going through this? And how can I address it and bring it to light to help someone else?'

I came back from Standing Rock, and one of the things that struck me was their respect for elders. It was something that I felt like I needed to work on in my life.

'Bernie versus Bernie,' for me, is these two extremes of capitalism. It's Bernie Sanders, the ultimate socialist, and Bernie Madoff, the ultimate capitalist.

We're constantly having to go head-to-head with the Bernie Madoffs of the world who just want more and more money.

Systemically, there hasn't been an oppression more overt and long-lasting than economic oppression against black people and minorities in this country.

A lot of us who are creative and have all these great ideas just don't have the money to do it.

I don't think the narrative I was stuck in - the 'black' designer category - was going to go away anytime soon.

My dad was always so strict that I was scared to speak to him. Haitian parents are very, 'This is adults' business; this is kids' business.'

The way I was raised, you get a new pair of sneakers when the old one gets messed up. But when I got to high school, I started dating girls and trying to fit in, and I realized everybody was collecting Jordans. When I would get my paychecks, I wouldn't even take money. I would just trade them for sneakers.

I grew up thinking my father was tacky. There was no color coordination. It was whatever was cool. 'These sweatpants are cool. I'll wear them with these shoes that are cool.' He had less inhibitions. I wasn't respectful of his swag then.

There were times when gangs would approach me, but my father was way stronger than them. They would come make threats and stuff, and I was like, 'You don't know the opposition I've got upstairs. I'm not scared of you.'

Our first fiscal year, we were profitable.

Nobody can shut the door in your face if you own the door.

All my collections are based on something I like or something I'm dealing with. They are always deeply personal.

All it took was one conversation to know that Reebok was the right home for our team.

Think about how much fashion profits from black culture and how underrepresented we are in the industry. If you insist on using black celebrities to peddle your merchandise and add a cool factor to your front row, it is indecent to not care about the plights of that person's community.

I wanted to be a sneaker designer since I was 10; it was my dream to work at Nike and design signature shoes for Michael Jordan and Penny Hardaway. When it was time to select high schools, I wanted to go to one that would help me get a jump-start on my dream.

I've never seen Ralph Lauren, Rick Owens, or Raf Simons described as white designers. They are just designers.

Is the 'black designer' label there to warn everyone not to have the same level of expectations for me, or is it some type of prize? I just want to work in an even playing field where I can get press for my work and not just my race and my personal views on it.

Financing is always the hard part, especially if you don't have friends or family to back you, which was my case and the case for most designers.

My earliest memories of defying my parents were through music. I remember rap being banned in my house, and then getting a Cam'ron album.

I don't know which was the first love - music or fashion.

In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.

I grew up in East Flatbush, Brooklyn. At the time I was growing up with my father - before it was gentrified - it was a very rough neighborhood. He felt that if I got into or started embracing the rap culture, I would be one step closer to being on the streets.

I was going to college on a full scholarship. I graduated summa cum laude. I was always on the dean's list. I was never a kid that started any kind of trouble.

One of the things about runways that I hate is that you can't accommodate so many people because you don't have those in-and-out privileges where people can come and go.

I played baseball, was on the basketball team in high school, did crew at Hofstra, and randomly played ultimate frisbee, too. But none of the organized teams I was on were anywhere near as competitive as the games on the street.

We're always ready for a pick-up game. I walk through the park on the way home every day and just think to myself, 'I'll take on any of these kids.'

My dad used to give me old electrical equipment that didn't work anymore, and I'd put things together. I think that's why I like to mix things that don't belong.

I design for social media. My customer reads blogs, is on social media, so I design with contrast in mind. An all-black shirt looks good on the shelf but not online.

If I'm going to be the black designer, I'm going to tell it my way.

I'm desperately trying to unplug. The last thing I want is a watch that connects to my phone which connects to my iPad that connects to my computer that airplays to my TV.

America is a flawed land but a great one indeed.

A president's power is limited. We need to vote down the ballot as well, from your councilman all the way up to your governors and congressman.

We don't need to go back in time and make America great again, because really, America was only great for certain people.

We need to think forward and keep making America greater. Not that old America, again.

In September of 2015, I did the unthinkable: I used my second-ever runway show to bring awareness to the Black Lives Matter movement. It was the hardest thing I've ever had to do professionally. It was lonely.

If you're on the fence about speaking your truth or sharing your world with a greater audience, don't be. We need each other badly.

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