Kate Pierson Quotes

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I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me...

I used to have a protest folk band in high school, and I wrote all my own songs. Then, in the B-52s, we would write collectively.

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The B-52s, you know, our songs are about volcanoes or lobsters. Cindy and I sing them like our lives depend on them. I feel very emotional when I'm singing 'Rock Lobster,' but I've wanted to sing more about my personal...

In the B-52s, each of us has our own wacky sensibility, which, when we come together, it's like the four-headed monster. And it's great because we have the same sense of humor.

With 'Love Shack,' once we put that chorus in, it did have more of a song structure. Even though the verses are all kind of different, the chorus was there along with 'The Love Shack' - I think that really...

I think it really changes things when you're able to get married. I mean, the Marriage Equality Act was super important. I think you cannot believe it happened as fast as it did. For a lot of gay people, it's...

I know, being a band that's mostly gay and has women in it, I just think that there are the male icon bands: they are always - and they deserve it - but they are always touted as, 'These guys...

I hope our legacy will be enduring and that people think of us as an important band. But I think Ricky's guitar playing, our style of writing, the fact that we had men and women in the band and gay...

Usually, when we write in The B-52s, it's quite a collaborative process. We really take hours - and sometimes days - jamming, and then we listen and listen to them and go, 'Oh, let's use this part, and then this...

I like harmonizing with other people, but a lot of times, I do harmonize with myself.

The Beatles had a huge impact on me. I did 'Strawberry Fields Forever', and we worked it out in an open tuning. That's such a beautiful song, and I think I did it in a different way.

I'm always saying in the studio, 'My vocals are too loud!' or 'My vocals have too much effect on them!' I like some of it, but I'm not a fan of loading effects onto my voice.

I would have loved to have been a broadcast journalist. I'd even love to be the weather girl. I have to watch the weather every night; I'm just obsessed.

In the late '90s, we kind of took a sabbatical, and I got an invitation to play with a Japanese band and formed a supergroup called NiNa. It was Yuki from Judy and Mary and Masahide Sakuma from The Plastics,...

'Deadbeat Club' means a lot to me.

We have a family dynamic - more like brothers and sisters than friends. So there can be a bit of competition, but there's also love and respect. But there's a thing to not push each other's buttons. You know what...

I used to stick my head out the window when I was a kid and sing at the top of my lungs and think no one could hear me.

There's nobody like The B-52s. But doing stuff on my own, I can also express more personal songs.

It's true. I'm not a spokesperson. But I can say now that transgendered people like to be heard and to be respected.

The whole reason to make a solo album is to express what you can't express with the B-52s. The B's are so much about fun and partying and dancing.

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