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I was told once by a leftwing scholar that as a Marxist, you have to do two things: always be optimistic and always have a view about everything. That advice still sounds good to me.
For me, an aerial picture is no different than a close-up portrait. It's a question of framing and angle. Helicopters are great for that. But I've also used planes. Of course, I always have a harness.
The lions taught me photography. They taught me patience and the sense of beauty, a beauty that penetrates you.
I'm not an expert when it comes to technology, but what changed things for me was autofocus. I used to have to throw away half my pictures because it was so difficult to get the focus right.
The Rio Earth Summit in 1992 changed my life completely, turning me into an activist. From the air, you see things you can't see from the ground - you really understand the impact of man, even in a place you know well. My work is meant to convince people we can no longer live like this.
Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.
My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
The fact that my mother's life was cut short is something that pushes me to always move forward and live the best life I possibly can. In a way, I feel like I can take her along with me through every experience, and in that sense, her beautiful energy and spirit will live on.
Honestly, I'd love to say I live this amazing Hollywood lifestyle, but actually, I'm at home with my same friends and cooking. I crochet, I do watercolor. I think what surprised me the most is that that isn't the lifestyle everyone necessarily lives.
My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.
Songs are a way to express what I have felt. A way to understand what happened to me or to other people.
English is really free for me; there's no limits to the music and the imagination. And French, it's just I live in Paris, and it's really a poetic language where you can really play with words.
When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
I never want to be anywhere else than in the rehearsal room. I mean, it's so lame to say, but it makes me supremely happy to work with people and to talk and invent and laugh.
All the jokes in my films, the comedy, they're not me, I just try to hold a big mirror up to us.
Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.
I wanted to be an architect, and I ended up at my job in San Francisco, and if you would have asked me then, that was one of the greatest jobs that had happened to me in terms of my career.
I will develop the areas that vote for me, but if you don't vote for me, don't expect anything.
I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
An old friend of mine, an economist by trade, once explained to me that the statistical definition of 'dilemma' is 49.9% in favor and 50.1% against. If the gap is greater, there is no dilemma, because the answer is clear.
The Israeli media are very important to me. I've been part of them and they a part of me all my adult life.
For me, it has been very important to grow up knowing about my mom's work and that she was always, at every moment, supporting me and teaching me to have this strength.
I used to always like the tag teams because you can do, to me, more entertaining, cooler, crazier stuff when there's more bodies in the ring.
I know, for me, that I love wrestling, and I love games, so there was already an overlap there because all of my friends growing up were the same.
Anytime anyone complains about wrestling, it's so annoying to me because people come off as these entitled infants. Because in reality, wrestling hurts so bad. And then we're hurting ourselves to entertain the masses.
For me, there are so many art forms in wrestling. There's the Ring of Honor art, the New Japan art, so whatever you enjoy, there's a facet of wrestling out there for you to watch.
If there's a kid who's out there in the world watching wrestling, and they see me, and they know I have my Ph.D. while I was wrestling, that could possibly inspire them to not drop out of school, to not drop out of college, to go and obtain that type of educational status, and that, to me, means a lot more.
Earl Hebner used to call me 'Tiger,' so I went with the last name Woods because I thought it was funny. I'm a huge fan of X-Men and, just, intelligence in general, and the leader in charge is named Prof. Charles Xavier. I took Xavier from him and put together the two names.
What if the coach of Kosovo wants me as the captain? Of course, I am thinking about it then.
My parents wanted me to stay in England because they love the football here and how the people feel about football. It was important for them, too, that I stayed in the Premier League.
Here at Stoke, I cannot exert too much influence, simply because there is a lack of quality around me.
I'm like, over love. Crush, smush. I can't. I'm giving up on love at this point. I'm hoping for a crush. Actually, no. I don't want a crush. I want someone to crush on me.
The experiences that I've had in the music industry have given me a learning curve.
Dr Dre has never told me a lie. I look up to him, not only as a business man, but just as someone who has become his own man in this business. He's always recognised the hard-working ethic that I have and given me opportunities based on that.
I cannot throw my core values into a dustbin as some do for the sake of power and position. What kind of a politician that would make me then?
I am proud to be the son of YSR, who had left me a very big family.
My dad was a loyal congressman until his death. The Congress didn't respect him after his death and filed cases against me.
In 2009, my father wanted me to join politics. I told him, 'Why should I jump into the dirt and grime of politics when I can have politicians come to me as owner of a media group?' Then my father gave me an ultimatum.
When I first started, the very first body of music I made when I got signed to Atlantic were songs with titles like 'Unify' and 'You're Special.' And there's this song that reminds me of Meghan Trainor that I wrote, about a woman's body and not conforming, when I first started in music.
'The Human Condition' is me exploring some ideas and thoughts that I have that don't fit one sound. I'm giving emotions a sound - it's a fusion of genres. There are four EPs in 'The Human Condition'; each title is a different emotion.
My style is a mashup of different eras, but each piece I have makes me feel good about myself. I do have a taste for expensive shoes.
I always considered myself a performer. It's what God gave me. It doesn't matter if one person hears it or a million.
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
I wanted to make somebody feel like Coltrane made me feel, listening to it.
The musicians I respected were much older than me. I expected them to cut my head, and they did.
I didn't want to get that ring around my lips from practicing the trumpet, because I thought the girls wouldn't like me. So I never practiced.
To me, a poem that's in rhyme and meter is the difference between watching a film in full color and watching a film in black and white. Not that a few black and white films aren't wonderful. So are certain successful pieces of free verse.
How many times have you seen me run into the box with the ball, dribbling past players? It's uncommon because it's not my game; it's not my thing.
I don't try to do things that might make me look stupid, because the risk is there.
Leaving Liverpool was the toughest decision I had to make in football because I was in an exemplary club, a proper football club, with a lovely and sharing stadium that meant a lot of things to me. The fans are the best in the world, no doubt about that, and I was comfortable there.
My family have absolutely no problem about me playing for Real Madrid. They have become Real Madrid fans.
You pressure, you want possession, you want to attack. Some teams can't or don't pass the ball. What are you playing for? What's the point? That's not football. Combine, pass, play. That's football - for me, at least.
Shame on me if I don't try to do more with what I have. It would be... a terrible thing to waste this opportunity to try to make a difference.
For me, hipsterism is for one to appropriate the codes of a social class or another milieu that wasn't theirs originally, in order to define their personality through something different and unique. Which is why a lot of hipsters live downtown, and they're dressed as farmers. Then you have the Oscar Wilde hipster: the dandy.
I've been recording forever. I'm a watcher. I'm a stalker. I love everything about people. It's always been a passion for me to observe.
No one knows me in the States because the movies have been released in such an awkward, irregular fashion, all by different distributors. There is no continuity.
Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
When I first got to Cannes, I was very insecure about everything, so I put on this extravagant facade. Can you blame me? I was 19.
It's funny how the smallest things I've done speak the loudest about me, but I like that.
Personally, I have invested in around ten U.S. companies and will continue to do so. That doesn't give me a strong experience in the American market. But I have an understanding of the public.
Surf culture and surfing for me are two completely different things. Surf culture has become very - it's a very commercial, competitive thing, fashionable. With all due respect to the 'Surfer Dude' movie, I think the 'Surfer Dude' movie reflects that, reflects what surfing's become, but I come from a place where the surf industry began.
For me, surfing is as close a connection I can have with Mother Nature. To surf, you're riding a pulse of energy from Mother Nature. And it's strong. It's real. It's there. And you're dancing with that. You're connecting with that. You're might be the only person in the history of the universe that connects with that particular pulse of energy.
For me, when I think of curiosity on television, a lot of times my childhood was shaped by shows on PBS that encouraged and embraced curiosity.
I was in Toronto with my parents, and my dad took me to an outdoor hockey rink. I was 3 or 4, and I just remember everything about that day. For some reason, I thought, 'This is it. This is what I'm supposed to do.' And this is around the time that Gretzky came to L.A., so I immediately joined a hockey league.
In hockey, it was a freak show. I'm the son of actors and from California, and in Canada, hockey is a religion, so me coming in, it was like, 'Who the hell is this guy?' I just had to put my head down and work really hard, and it was difficult, but it made me who I am and gave me a backbone.
I had been pulling my groins in college a lot and missed my whole freshman year of college because of groin pulls. It was chronic, and I couldn't figure it out. I went to the doctor, and he told me I had hip dysplasia. So I knew my hockey days were sorta limited at that point.
Recently, my dad has been teaching me a lot - like how to read a script. It used to just be about hockey or baseball or sports of whatever. We don't have glitzy or glamour-y Hollywood-type talk, like, 'Isn't that person great?' It's more about the process of how it works.
The first movie that ever scared me, I feel like it wasn't a scary movie. I feel like it was 'Dennis the Menace' or something.
Me and my father went through a war period where we wasn't talking. He wanted me to go to theology school - I didn't want to go. I wanted to do music. I told him I was a minister through music.
Whites cook at a lower temperature, set at a lower temperature than yolks. That, to me, is very interesting. That has opened up - as an egg lover, that has opened up sort of a world of possibilities, of applications.
There's nobody you can call and say, 'So, can you maybe send me your formula for frying Hollandaise?' because to the best of my knowledge, it didn't exist before we did it.
It wasn't the traditional cooking most people do. For me, as a young chef, Thanksgiving meant going to work in the kitchen at places like Gotham, JoJo and Jean-Georges.
It's a funny thing, but it's often overlooked that I'm a huge devout lover of French cooking. I have the utmost respect for them, though they have lost their respect for me because they think the way I cook is nutty.
I didn't want to tell the tree or weed what it was. I wanted it to tell me something and through me express its meaning in nature.
I've learned lately that no one is going to hand me a permission slip and tell me to take time out for me.
As a wheelchair user, you can't move about freely. That's the only thing that bothers me a little. When I'm in the Euro Group in Brussels, colleagues who want to talk to me have to come to me. But I hope they know that this has nothing to do with arrogance.
In the long term, Germany didn't need a finance minister who was absent during important negotiations in the European Council. But the chancellor strongly encouraged me to stay. And everything did work out for the best in the end.
Books have this function that help me to understand the work I've done, to wrap it up.
A photocopier is a camera in its own right. I was fortunate to grow up in the time and culture that I did. I was allowed to develop an awareness that the art that really moves me is actually based on an original image.
When I was growing up, all the art that touched me was lens-generated, like Gerhard Richter, or Polke, Rauschenberg, Warhol.
On the one hand I follow a vocation because I have an ability that I should exercise, but I want to use it for a reason, because I don't see that the freedoms that I enjoy are God-given realities. So I have a very healthy, activist general tension in me which feels that no, this is not gratuitous, it is important to keep this in focus.
Books have this function that help me to understand the work I've done, to wrap it up. Once it's done, fortunately, it doesn't mean there's closure.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience.
Half the time I feel like I'm appealing to the downer freaks out there. We start to play one downer record after another until I begin to get down myself. Give me something from 1960 or something; let me get up again. The music of today is for downer freaks, and I'm an upper.
My fake Japanese was smooth enough to earn me the title of 'The Emperor of Pleasing Graciousness' in that country.
I don't want people mistreating me. I found out when you're vulnerable and your heart's open, then people step on you. You're really stupid for letting that happen. And the only way to counteract that is to be like Wolfman Jack. Because if you do nice, kind things for people, then how are they going to mess you over?
I'm very proud of my gold pocket watch. My grandfather, on his deathbed, sold me this watch.
If only God would give me some clear sign! Like making a large deposit in my name at a Swiss bank.
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