Lyrics Quotes
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All of my lyrics are based on the one thing that's never failed me, and that's the Word of God.
I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.
The lyrics are different from Nick Cave songs and lyrics. His songs are very narrative.
I came to the Unites States and realised I had a knack for coming up with rhymes and lyrics.
I write my lyrics into the computer and I hum my music into the dictaphone.
I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
Most of my lyrics are little stories about my experiences or those of my friends.
When I write lyrics for Priest, I'm writing them for Priest. I'm not writing them for me.
I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.
I have two sisters, so we watched all of the Disney films. I think I still know the lyrics to them all.
The music I wrote as a kid already was always instrumental. It was never based on lyrics.
I get the music, I get the beats. And I go to the studios and write the lyrics.
If you actually dissect the lyrics in 'Motley Crue', you'll notice that there's a lot going on beneath the surface.
Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.
It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.
I don't spend afternoons practicing my guitar to get better. I do read, though, to get inspiration for my lyrics.
I used to know all the lyrics to all the songs from 'The Phantom of the Opera.'
My band, Miles Long, is a jazz-funk spoken word band. There's jazz sensibilities, but I'm a bass player, so I'm very much into the head-bobbing vibe with sophisticated lyrics.
I tend to start with a full set of lyrics, and then my producer, Joel Little, and I work on the music collaboratively.
One of my favorite lyrics is 'Clams on the half-shell and roller skate, roller skate.' So they can be just really party-inspiring lyrics or just something brilliant like 'Tutti Frutti.'
Writing music - particularly music without lyrics - calls almost exclusively on the subconscious.
For the record, I am not an admitted homosexual, nor am I a homosexual, though I do know the lyrics to every show tune ever written, which might perhaps account for the confusion.
A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.
I just learned my lyrics and tried not to bump into the trumpet player. That was my philosophy.
For me, naming bands was the forerunner to really writing lyrics, because I work off titles.
I didn't really start writing music or lyrics or turning them into songs until I went to San Francisco.
The Smiths hasn't been equaled. That goes for the composition of the songs, the lyrics, and the performance.
In rap, as in most popular lyrics, a very low standard is set for rhyme; but this was not always the case with popular music.
I generally, you know, I don't - I don't really scat. I'm - I'm basically a songwriter so you need a little lyrics that rhyme and stuff.
Let's be honest, 'Ginza' doesn't really have lyrics to speak of. It's a party track - a party for reggaetoneros to come out of the closet.
I'm terrible remembering lyrics. Before a tour, I have to remind myself. I have to go through the songs.
I stand behind all the lyrics I've ever written; I don't have a problem with that.
I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
Bob Marley was one of my favourite artists. He sang politically conscious lyrics, yet he sang love songs, too.
With his compulsively slamming lyrics and king-of-the-world delivery, DMX intuitively echoes the existentialism of the projects of the novelist Donald Goines.
People tend to put too much focus on the lyrics. It's not the be-all and end-all of our songs.
I don't like to get too specific about lyrics. It places limitations on them, and spoils the listeners' interpretation.
For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
Freddie Mercury made a lot of sense to me even though I didn't understand the lyrics.
A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song 'Yesterday.' Listen to the lyrics.
There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
It's such a rush doing a concert and seeing people actually mouthing the lyrics.
My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
I like big, soaring melodies and fun, splashy lyrics. Maybe like what Blondie would do in 2013.
So one can say that I write all the time, that goes for the lyrics as well.
Cynthia's lyrics always expressed the feelings people felt but they couldn't express themselves.
To a bookish boy in a Boston suburb in the mid-1970s, the lyrics of Cole Porter came as something of a revelation.
Industry executives sacrificed art for what sells and mega-stars now saturate the market with the same tired lyrics.
I think I enjoy Sondheim so much because of the lyrics. The lyrics, the cornucopia of options.
I was left to painstakingly deal with the aftermath of my avoidance later in life, in therapy or through the lyrics of my songs.
I make up new lyrics to well-known lullabies. Mostly because I don't actually know a lot of the lyrics.
There's such a rich trove of unheard Howard Ashman lyrics that we're so blessed to draw from.
I'm always writing lyrics. I have so many lyrics on so many stray pieces of paper. Everywhere.
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