Walker Hayes Quotes

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Family is first for me.

In my opinion, my business runs better when my family is a part of it, and I get to see my wife and kids; that makes me a better artist.

Taylor Swift - I don't ever hear anything of hers where I'm like, 'Oh, so-and-so could've cut that.'

My music is just about that bounce and getting everybody moving.

Sometimes when you belt, it kinda makes the song more dramatic than it really needs to be. There are certain songs that you hear, and you're like, 'Wow, he's singing about his girlfriend, but he sounds kinda mad the way he's yelling, 'You're so pretty!''

I want to be something that the listeners might not know that they needed but that I fill a lane and that they enjoy it for a while.

When I lost my first record deal, my wife and kids and I lost - I wouldn't say friends, but - we lost a lot people around us. They just vanished! They were nowhere to be found. I couldn't get a break, and I couldn't get people to even respond to my emails about songs, no matter how good something was.

I'm a tough, tough person. I always have been tough to embarrass, too.

For me, a good show is not a perfect show; it's just one where you connected. It's a show where the fans got to know you, and they realize that you're human, but they also think you're a star and that you're talented and all that good stuff.

Tragedy levels the playing field.

I'm pretty chill, but once birth starts, I go the opposite of chill.

I want to be more selfless and look outward.

Back home, the Iron Bowl isn't just a football game, it's a phenomenon.

That's kind of something we - my team and I - text each other a lot. Anytime something great happens, we're like, 'Hey, look, the song's #17. Boom!'

What's great about being an opener is that even when you lose, you win. There's no pressure. And no expectations. If you sell merch, you're killing it. But when you headline, you have to sell those tickets.

Most of the time in Nashville, you're so replaceable. Anybody can get another nice-looking guy to sing a country song.

I always just wanted to write a love song to my wife that wasn't cliche.

It's relaxing to be around somebody that you don't have to try so hard around.

My parents once caught me conducting Beethoven's 'Fifth Symphony.'

I get off on finding new ways to tell my wife 'I love you.'

Growing up, all I cared about in a song, before I really listened to lyrics, was that beat.

I didn't want a pickup with mud tires. I wanted an old blazer with as many speakers in the back as I could afford. I would even steal them out of my brother's car and pack them in there. I remember sitting in a parking lot and turning my radio up and walking down the street to see how far you could feel it.

You find yourself writing the truth, because it's like, 'Well, I ain't writing for anyone but myself anyway.'

When I'm in the studio, I'm very cautious about it because if there's one thing that can destroy music being made, it's any sort of agenda, expectation and/or schedule, or any of that.

Every time I've gone in to create music and felt free and felt like I was actually creating something, it's turned out something I'm really proud of, so I try to keep that as a tradition.

When my voice isn't doing what I want it to do, it's crushing in the most heavy way possible.

I actually had publishers that would encourage me at times to keep it simpler, not pack in so much information, but I'm a fan of songs and movies and books that the second time you read them, you find more stuff that you missed, so I like to pay attention to that detail.

That's one of the reasons I got into country music: because of the craft of that lyric and how much you could put into three minutes.

I love clever lyrics.

What keeps you in this business is the thought that maybe tomorrow will be different.

It's cliche, but everybody says, 'We're all one song away,' and it's so true. The difference between me and the guy down the street busking with his guitar case open is just one song.

I love to watch my kids when they don't know I'm watching.

For years, I wrote songs to try to get cuts or try to have hits or try to appease a label or to be famous. I was learning a lot of valuable tools about structure and how to articulate. I was getting really good at that.

For 12 years, I was playing writer's rounds.

I will go down on my deathbed telling my kids to find songs like 'Don't Take the Girl.'

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