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Oddly enough, I almost never listen to show tunes. But there are some shows I love, like Adam Guettel's 'Floyd Collins.'
I can count on one hand the number of conductors-composers-arrangers that I enjoy working with, and at the top of that list is Mack Wilberg. I feel like I've known Mack forever. I'm just nuts for him.
Through most of my life, music has been like a radio that plays and plays in my head.
I like to capture the spirit of what the writers intended but find my own nuances. That comes from jazz - the invention and freeness within a structure.
A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.
Forget about teaching the children about numbers and colors and the like, and just play with them.
It's really humbling and gratifying to see that people are finally realizing that we are talented and we have things to say and that our stories are just like your stories. There's no reason that anybody from Wisconsin or Turkey can't relate to 'Atlanta.'
I just remember watching my first theater class, and I was like, 'Oh I can get up there,' like I could absolutely get up and do this every day and learn about it.
I don't like swearing on the air. As a matter of fact, I'm not a prude, but... I watch HBO and some of the comedy stuff, and I'm constantly asking myself, 'Why have we gone there?' It seems like it's unfortunate. It's so cheap. It's so easy.
The greatest thing about the call-in show is that you always felt like you were on a high wire without a net.
It's a lot easier to gain traction when there is such a great proliferation of Internet access. The velocity at which some of these startups are gaining traction is mind-boggling. Companies like ShoeDazzle, Stella & Dot, Gilt, Groupon - these companies are going from zero to hundreds of millions in revenue in three years.
German readers are much like Brits or Americans: They read for the thrill of it, the occasional shudder down the spine, knowing it's not real - but looking over their shoulders anyway, just in case.
For a time I didn't want to answer any questions about Queen. I'd like to be viewed as something alive and relevant, not some fossil.
I'm pretty basic as far as technique is concerned. I don't use many gadgets, and I like the sound my guitar makes, anyway.
A fine timepiece is part of dressing like a gentleman. When I first made a little money, I bought my first watch which was a Rolex Daytona. It was just one of those things that said I was successful.
People don't like when you point out to them and remind them that they're not very smart.
There comes a point in many people's lives when they can no longer play the role they have chosen for themselves. When that happens, we are like actors finding that someone has changed the play.
I'm the kind of guy who, if you tell me you can't do something, like, 'Brian, you can't do a backflip off that two-floor building,' and I'm going to give it a shot.
I like super fights. I want super fights. I want guys that I can match up well where people don't know what going to happen.
I like all things grammatical, and I had already written several books about parts of speech, and even the alphabet, so everything that makes up a sentence and even a word was covered except for punctuation.
What I think makes people nerds is just being obsessive. I think that's what nerdiness really is - its people who don't just passively like something, they get passionate about whatever they like.
I try to hit all the places Guy Fieri visits in every city I go to. It's, like, something a 60-year-old would do.
Once I could drive, I spent all my time in the city going to metal shows. I missed the first couple of Metallica shows because I was lame. By the time I got into them, they were playing places like the Kabuki.
I was such a weird kid. The really hardcore stuff like Venom - I was totally aware of them, and I listened to some of it - but they actually frightened me.
I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn't make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.
It's such an egotistical thing to be able to just stand there and say, 'Action!' It's like being a little mini-god.
If you write an original, it's like you went in and dug a well, and you hit oil. But an adaptation, it's like the oil well's on fire, and they bring you in to put the fire out and get it working again - or something like that.
What is it like to get in someone's head and hunt them from inside their eyes? That's so freaky to me.
All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
I guess my journey with comics began with stuff like Spider-Man and Batman. I started off with mainstream superhero stuff, which I've never abandoned.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
'Castaways' was a play on what if a reality show like 'Survivor' was unknowingly set on an island inhabited by a sub-human race of creatures? Readers have often asked me to consider turning the short story into a full-length novel. So I did.
Computers and computing are all around us. Some computing is highly visible, like your laptop. But this is only part of a computing iceberg. A lot more lies hidden below the surface. We don't see and usually don't think about the computers inside appliances, cars, airplanes, cameras, smartphones, GPS navigators and games.
To me, scoring goals was just like other boys might regard delivering papers. I just did it - every day.
I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.
I don't watch 'American Idol' - that'd be like getting divorced from somebody and then hanging out with them.
It's almost like a self-fulfilling prophecy: the great comedy that comes from great pain.
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
Of course, like anybody I repeat myself endlessly, but I don't know that I'm doing it, usually.
I would like to see a future where artists think that they have a right to contemplate things like global warming.
My friend Danny Clinch, who's a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It's hung in my writing room where I have posters of writers that inspire me. They're all pointing at me. Tom Waits is like, 'Don't sell out!'
The Gaslight Anthem is very streamlined. We don't usually use organs and strings and things like that.
Songs are like anything else - they dictate to you which ones go together and which ones don't.
I'm one of those people who, even if I'm invited somewhere, I still kinda feel like I'm not supposed to be there.
I've always said it's easier for bands to make a hard stance - like, we don't do commercials or whatever, blah blah blah - when you've sold billions of records. It's super-easy to be righteous when you're rich.
By reason of weird translation, many such sets of instructions read like poems anyhow.
I don't like listening to my music, not even new pieces. Generally, they sound pretty much like I expected them to sound, so it's what I wanted, and that's it.
Acting is probably what I'm best at, but there are certain stories kind of rattling around in my head that I like the idea of developing over time.
I like BBC news; I like some London news because you can get it earlier then anywhere else. I like Charlie Rose a lot.
I try to be thoughtful when I speak but not edited. I make mistakes, but people like vulnerability.
I like challenges; I like excitement. I like entering different worlds and trying to succeed - not excel, but succeed.
I don't like to boss people around. I don't get motivated by telling people what to do, I don't take any pleasure in it. So I manage with curiosity, by asking questions.
I worked for a couple of screamers in my early days in Hollywood. I don't like being screamed at, and I am not myself a screamer.
Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.
Most scientists like to operate in the context of economy. If you don't need an explanatory principle, don't invoke it.
I like 'The Simpsons' quite a lot. I love the irreverent character of the whole show. It's great.
I like mash-ups, taking contemporary songs and making them old... old songs, making them new.
I really enjoy listening to players on the cusp of swing into bebop like Charlie Shavers, Clifford Brown and Clark Terry. They balance immense facility on their instrument with rhythm, melody, and more complex harmonies of the time.
I'm really a product of an excellent school system and supportive parents. My high school band director gave me recordings of Louis Armstrong, Kenny Ball, and contemporaries like Nicholas Payton.
I have direction, but I was very particular about the things that I wanted to do, and I refused to get just like, a regular job.
I just feel like my life changed in so many ways, and I'm just taking it all in.
I really like Clinique's Moisture Surge Hydrating stuff. It's a super concentrated moisturizer. It's pink and comes in a tube.
For a major publisher like Time Inc. to embrace Bitcoin sends an important message to both its readers and to the broader media community.
All I can say is that I've had too many people in the hip-hop industry really like what I'm doing. I know where I'm coming from, and the album speaks for itself.
It's depicted in comics as, like, this gung-ho, 'Let's die in battle, in glory' idea, because that's just the genre we're in. But that's not what war really is.
Like, why is Batman so relevant? It's because he gets reinvented constantly. There are a lot of stories you can tell with that character.
I really like language - and slang in particular, and just the shorthand we use when we communicate with people.
Weightlessness is a wonderful experience. It feels like magic. It really does.
Build something 100 people love, not something 1 million people kind of like.
The office is the laboratory and meeting your users is like going into the field. You can't just stay in the lab. And it's not just asking users what they want, it's about seeing what they're doing.
One of the mistakes I made was thinking chickens and penguins could sing, just like all the other animals in the 'Muppets.' But it turns out those animals are not allowed to sing words.
Music-wise, I listen to everything. Leonard Cohen, Randy Newman - I guess I like a lot of '70s music.
I routinely interview college students, mostly from top schools, and I notice that their brains are like old maps, with lots of blank spaces for the uncharted terrain. It's not that they lack for motivation or IQ. It's that they can't connect the dots when they don't know where the dots are in the first place.
In every generation, there's a strong tendency for everyone to think like everyone else.
When it comes to trade, when it comes to standing up to countries like North Korea, when it comes to standing up to guys like Vladimir Putin, Donald Trump is not a conservative.
I listen to a lot of old stuff like Smokey Robinson, Marvin Gaye, and The Temptations.
I haven't had a chance really to do a martial arts role, but I really want to. I want to act like Jackie Chan in a movie.
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