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I like to employ a form of repetition, in which the same elements recur but in different and unexpected ways. rather than being discarded as soon as they are understood or passed over.
A comedian's a comedian. They're a very kind of cynical bunch. I guess that's why I like them.
I have nothing to say about my childhood. It was a perfectly pleasant upbringing - it's not like it was unhappy or anything.
I'd like to retire at 50 but I don't want to sell papers in the middle of London on a Zimmer.
I do not wanna write a song like 'Coathanger' so Andrew Breitbart can rage against me on his web site. It's not my idea of fun.
I think what I like to do is to begin with the ordinary and find the extraordinary in it.
I'm not a writer who looks for the fantastic and the sensational. I like the world we've got. If there is anything special and magical, I have to find it in the ordinary stuff.
Very few of us have any idea whatsoever of what life is like living in a goldfish bowl, except, of course, for those of us who are goldfish.
I have to choose my words carefully because I don't want to sound like one of those who goes on about how things were better in my day.
I guess I don't come to the work without baggage. I have an idea of what I want my pictures to look like in my head, and if they don't match up, I find it frustrating.
I'd very much like to create my own style as a photographer, even if it's just for myself.
I'm not sure about Richarlison. I like him, I liked him when he was at Watford and he started well at Everton but would his preferred position be out on the left and cutting in? I'm not sure.
There's a focus that hasn't been there for ages and ages and some American bands are sounding quite English like they did in the late 70s and early 80s.
Golf is one of the greatest games in the world, not just on the course but what it can teach you off the course, the morals, stuff like that.
The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn.
Innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.
I have often noticed that a bribe has that effect - it changes a relation. The man who offers a bribe gives away a little of his own importance; the bribe once accepted, he becomes the inferior, like a man who has paid for a woman.
Innocence always calls mutely for protection when we would be so much wiser to guard ourselves against it: innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.
The bulk of life on Earth lives in a peaceful place where the temperature is stable. There's hunting going on, but it's very civilized, like a slow ballet.
I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.
I don't like people who hide things. We're not perfect, we all have things that people might not like to see, and I like to show my faults.
I'm not as impatient as I used to be. I used to hit people if I didn't like what they were saying. Just lash out. 'Bam - shut up! Hahahah!' I was terrible.
We're not perfect; we all have things that people might not like to see, and I like to show my faults.
To be honest, my life is not really as way-out and myth-loaded as people like to portray it.
I like to experiment, and as an actress, I always thought it's good to be open about a lot of things.
We just don't like the idea of turning the children over to nannies and minders. We like to help them ourselves - and then, of course, we know what to tell them when they ought to do something on their own.
The women here in Monaco don't like me, and so I have to watch everything I say and everything I do because they're so critical.
Even Tom Sawyer had a girlfriend and to talk about adults without talking about their sex drives is like talking about a window without glass.
To talk about adults without talking about their sex drives is like talking about a window without glass.
I always loved the piano because it's just a bunch of buttons. I like to push buttons.
Being on a major label is like living at your friend's parent's mansion: It's a lot nicer than any apartment we could afford, and the fridge is always full of food.
I'm legally blind in one eye, and one eye is a totally different size than the other, and I have, like, a weird crossed-eye thing.
I was like a closet makeup fiend as a little girl because I knew that I would be guffawed at in school if I wore too much makeup.
When I was a kid, I listened to the Doors and the Eagles and bands like the Talking Heads, Tom Tom Club, and Blondie.
I don't miss anything about the 1960s, not really. I did it. It's like asking, 'Do you miss the fourth grade?' I loved the fourth grade when I was in it, but I don't want to do it again.
I like Daughtry, I like Nickelback, I like Dave Matthews. I like Beyonce - she's a really good entertainer.
When Ariana Grande was starting out, everyone was like, 'You're just like Mariah Carey!' She inspires me so much because she just kept going and made her own name, and no one even says that anymore.
'Famous' is a very weird word. I feel like - I feel like that's definitely not me.
What other culture could have produced someone like Hemingway and not seen the joke?
Democracy is supposed to give you the feeling of choice, like Painkiller X and Painkiller Y. But they're both just aspirin.
I am told the Cheney-Bush team dislikes their junta being compared to the Nazis. If they ceased behaving like Nazis, no comparison would come to mind.
Like the TV networks, once our government has a hit, it will be repeated over and over again.
Having no contemporaries left means you cannot say, 'Well, so-and-so will like this,' which you do when you're younger. You realize there is no so-and-so anymore. You are your own so-and-so. There is a bleak side to it.
Men act like brutes in so far as the sequences of their perceptions arise through the principle of memory only, like those empirical physicians who have mere practice without theory.
'Somebody That I Used to Know,' like a lot of the record, was a bit of a struggle to finish. It was written fairly quickly - I wrote it in November 2010 - but it took six months to find Kimbra and really realize she was the right vocalist to make the female part come to life. There were constant hurdles.
When I saw 'Shola Aur Shabnam' and 'Aankhen,' I did not anticipate that they would become such hits. They looked like B-plus projects.
I weighed 107 kilos when 'Sukh' was released. I had become like a South Indian comedian.
If it's a heartbreak-related stress, I like to listen to Lauryn Hill's 'Forgive Them Father' the most, especially the harmonies.
I think fame is really dangerous and... I don't really like to get too involved in it all.
It's so different in the different states, it is sometimes like being in a different country.
We wanted to be like Radiohead. When they started experimenting with electronic music, it gave us the idea that it might be a cool idea to do.
I'm really easy to please and not high-maintenance at all. I like that chill, not stressed-out kind of lifestyle.
I do miss my hair because I used to do so much stuff with it, but I do like different levels of short. I had a super short pixie before, and I loved it.
I am very disciplined with my skin - I tone and I moisturize my skin twice a day. I also exfoliate, and I try to get a facial, like, once every two months.
I'm never not nervous before going onstage. Like... what if I fall on my face?
What do I know about college football? I look like Orville Redenbacher. I have no business talking about college football.
Online is ridiculous. Places like Ohio State bring people here together, and students teach each other.
When my opera Plump Jack was performed in 1989, my first piano teacher sent me something that I'd composed when I was four. I remember I played it, and it still sounded like me. I'm the same composer I was then.
I know that we're being inexorably taken over by the Americans. Without a doubt. I don't mean invaded or anything like that, just taken over. By degrees.
Every time you wanted to do something, you'd hope it would score. You'd keep trying and trying, and all of the sudden, something would come right out of left field, like 'The Wreck of the Edmund Fitzgerald.' No one had any idea about that one.
I'm just going to crumble like a wreck. I'll go home, become an alcoholic and maybe! jump of a bridge.
The argument about zoning and the presidency of Nigeria is like the philosophical argument of the egg or the hen. Who is older through the evolutionary process, who came first?
I like the way the Telugu industry treats an artiste, they show a lot of respect.
Do not be afraid that joy will make the pain worse; it is needed like the air we breathe.
You should hold the top hand on the stick like you would hold a hammer when you're driving a nail. You have the most leverage, and you won't get your wrist broken.
I like to think that I'm a family man first and a professional athlete second.
Well, I got to have a project. I'm not a blue-sky guy at all. I'd never let anybody like me loose in a company.
I was a mechanic in the Navy. And mechanics in the Navy are like mechanics in airlines. You may have more stripes than I do, but you don't know how to fix the airplane.
We tax air passengers like cigarettes and alcohol - we impose sin taxes on travellers.
It's difficult to have everybody like everything you do. I don't know anybody that's perfect and doesn't have a zit somewhere.
Now having said that, I realize that releasing a film in the real world is like trying to get General Motors to release a handmade car.
What I like about theater is its team work. Theater is also all-time creativity.
I don't know why you use a fancy French word like detente when there's a good English phrase for it - cold war.
A body smiles, like, 72 times a day. Where does that smile go? That's what I want to know.
In the '70s and the '80s, what wrestlers were doing back then, yes, they're taking bumps, and they're busting up their bodies and things like that, but now, we got these cages: they're falling off.
We got tables they're going through constantly, chair shots, all this, very dangerous maneuvers where you can possibly break your neck or something like that.
I've had stuff pulled for me on big shows and stuff like that. You can get frustrated all you want, but the show must go on, and there are reasons for it.
You talk to the boss about your ideas and things like that, and all he can say is yes or no. I mean, you don't open your mouth, you don't give him your ideas, you're not really trying.
The backstage stuff is not for everybody. I'm very hands on; I like to train and teach young guys now because there's so many of them. There are certain ways to do things, to get crowd reactions and sell your emotions and sell stories.
The novelist must look on humanity without partiality or prejudice. His sympathy, like that of the historian, must be unbounded, and untainted by sect or party.
Exile is like death. You cannot understand it until it happens to you.
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