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Suddenly Star Wars came out while we were on hiatus, and we looked like the old Buck Rogers series, where they had cigarette smoke blowing out the back of the rocket ship.
It would be like the films I've seen where wardens would decide to be in a jail cell for a week, to get a sense of what it would be like to be a prisoner.
As parents, we're human beings, too, but sometimes we're not as understanding as we'd like to be.
I like to do an interview when the other person isn't expecting it. I find it's more spontaneous.
I never write a book unless I can't help it. Something has to bother me, like a mosquito, until I have to do something to relieve the itch.
I like classical music of the late 19th and early 20th centuries, and I adore Bach above all.
My tastes in music tend to favor anything my kids don't like, out of natural antipathy amplified by a sort of malicious glee.
I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.
The umbrella of jazz is so big and so wide . If you don't like saxophone, try a vocalist, if you don't like vocalists, try guitar.
I drive an old Camaro that I got when I was 16. And I've been known to do stupid things with my time, like Friendster.
Some projects feel like the stars are aligning for them from the very beginning.
Of everything with 'The Room' that came out of it, I feel like being able to write, and tap back into that passion, was something I'm really thankful for.
I think whether you're old or young, we're all trying to do the same thing, and it's random who we click with. Ideally, you'd want to collaborate with a Christopher Nolan or somebody like that, starting out, and build those friendships.
I like the legend behind him. James Dean symbolizes the young actor's dream. He struggled to get into Hollywood. He shot to fame at the age of 24 but only got to star in three films. It's kind of a fantasy of what could have been.
I think when you make a genre or horror movie, you need a budget. When you skimp on blood and special effects and all that, it automatically looks cheesy. But a movie like 'The Room' is psychologically bad, which goes a lot deeper than just technically bad.
I loved working on 'Thomas & Friends.' That's an iconic show, and that thing is, like, a billion-dollar property. But content-wise, yep, if you're not into steam trains and preschool storytelling, it can get a little wearing after years of it.
I play every show like it's my last. Fortunately, that's never turned out to be the case.
I would like to acquire a document autographed by John Witherspoon, who signed the Declaration of Independence and is one of my American heroes.
Folks have a common misconception that Mississippi is strictly a rural, outdoors state. While we are famous for our hunting, sport fishing and year-round golf, we also have leading manufacturers like Peavey Electronics and Viking Range Corp.
Mathematics cannot handle physical quantities like density that literally go to infinity.
To us large creatures, space-time is like the sea seen from an ocean liner, smooth and serene. Up close, though, on tiny scales, it's waves and bubbles. At extremely fine scales, pockets and bubbles of space-time can form at random, sputtering into being, then dissolving.
Like immense time-binding discussions, genres allow ideas to be developed and traded, and for variations to be spun down through decades.
Like the ocean, land plants hold about three times as much carbon as the atmosphere. While oceans take many centuries to exchange this mass with the air, flora take only a few years.
Before computers, you'd start designing using shapes of cubes. Now I can start with something like a handkerchief, an object that doesn't have strong inside and outside boundaries or much closed volume.
A very big percentage of small-scale construction is plastic. But it's some horrible beige plastic made to look like wood.
I know I don't throw very hard anymore, but I'd like to think I can still hurt a guy who's not looking.
I daydream just like everybody else. I just do it with my body facing the field, so everybody thinks I'm paying attention.
I kind of thought I would only work exclusively in the world of naturalistic comedy drama, but there is this side of me that also loves Hollywood, and I wanted to see what that felt like.
I'd like to think I have a strange affinity for the embarrassing. Not sure what that says about me. But I like the awkward, uncomfortable comedy.
When I first saw 'Fast Times at Ridgemont High,' I thought: That's what my life is like. That's my day-to-day.
I don't like high concept movies very much, and the kind of scripts that I would occasionally get offered tended to be really high concept comedies or romantic comedies. I just don't like it. I like much more realistic movies with actual psychology and behavior in them.
I didn't really watch 'Dallas,' so I wasn't as wowed by the idea of Patrick Duffy as Swedes were 'cause he's, like, the most famous guy in all of Sweden.
I feel like the longer I hold out - I feel like as soon I move to L.A., I just become one of a million.
I think there are certain questions that get asked in comics over and over again, and people want definitive answers, but I feel like there shouldn't be definitive answers.
Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something.
I do a lot of things like running hills and larger amounts of reps in the gym.
I'm actually in my 22-year-old son Jason's band, After Midnight Project. The music is like Coldplay-ish rock.
How old was Noah when he built the ark? 600. He wasn't, like, cashing Social Security checks; he wasn't hanging out - he was working. So, I think we have an obligation to work.
Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.
The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.
It's hard to distinguish when I was actually struggling from when I only felt like I was struggling - which was pretty much always.
Since 2010, Hillary Clinton's State Department, with the aid of Brazil, France, and Canada and in league with the Clinton Foundation and other 'philanthropists,' put into place something like a never-ending coup, an everlasting intervention.
Experiences are like hoarded gold. Whenever I dole out a piece of my private suffering, that is when I get letters from all over the world.
I like taking a character at the most intense moments of their lives and exploring all that in full and then moving on.
It is probably the case that some regulation of financing will make crises less likely, and I would say higher capital requirements are an almost fail-safe way to make banks safer. But there are a lot of other things that may not be doing that, and so we need to be careful about sort of, like, rushing to one conclusion or another.
Sia is like no one else I've ever worked with. She comes completely from this non-logical but very emotional place. I could be wrong, but she doesn't really seem to analyse what she's writing. She doesn't really revise it, but goes with that first thing that comes out.
I like to write from scratch most of the time, but I like to have a backup plan just in case.
It's really cool to hear your stuff in things like TV shows. It's a pretty cool feeling to hear what you did in the studio and then to hear it in places like that. It's definitely surreal.
I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.
I would like to involve myself in some black music. I would like to do some blues and some gospel music. I want to try stuff from other genres and try to widen my musical base.
Things like 'Lucky Man' were never written to even be a record, let alone a hit record.
Every man in the back of their minds would like to own a bar or a racehorse.
There's probably a half-dozen movie actors I really like. But a lot of them just aren't that interesting.
I am just like 99% of my friends in France, who say on their resume they can speak fluent English. In reality, they can't even count up to three.
'Flash' has a family drama element, 'Arrow' has a epic saga/crime element, 'Supergirl' has a young-woman-in-the-city and a workplace element, and 'Legends' is like the Dirty Dozen teaming up.
I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.
I do as much outdoor stuff as I can. What I've done is I bought a house in the middle of Hollywood, but I live in the forest. I literally live in an area that looks kind of like where I camped as a kid, but in the middle of Hollywood. It's called Laurel Canyon.
I'm like a slow starter. Everything I've done has built, or has taken a while.
Whenever the boss has 'fun' activities, there's got to be a parable or a lesson. Employees feel like they're supposed to be taking notes.
I have no desire to work my adrenal glands any harder than necessary. I like lazing around; it's pretty important to my well-being. But I also get bored, so that's when my culture-vulturing kicks in.
I'm 6ft 8in, so I feel like I've got full body thrombosis about five hours in if I'm flying in economy.
Comedy brings out this rage in people: they get furious when they don't like something. I have some lovely hardcore fans.
I wasn't a happy teacher, but I also wasn't an absolute psychopath like the teachers I portray on screen.
Pop science goes flying off in all kinds of fashionable directions, and it often drags a lot of SF writers with it. I've been led astray like that myself at times.
What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.
I developed the Clock Theory to help me time records; you know, spin the record back two revolutions or whatever and then play the break, spin the other one back two, play, like that.
It's aggressive, and I like the way Arsenal play football. It's not like other countries, but it's very, very nice here.
I'm going to give my best and not worry about transfer fees or anything like that.
A club like Arsenal, it's normal that expectations are high. This club must compete for titles, and that's what we want to do.
It's not like I played my first football match in England. For me, football is pretty much the same everywhere; the ball is round, but maybe tactically, things are different than at other clubs I've played for.
When I think about a mid-table club like Everton spending £150 million during the summer, I am lost for words.
A cookbook is not like being an author. It's writing down recipes; it's not writing.
I'm challenged to races. Never a stranger. I've had a good friend of mine who, to be honest, is tiny and, like, should have assumed that I could have beat him, that I'm faster than him, and then crew members, two different crew members. I'm 3 and 0.
It's hard for me to believe that a shy, bespectacled college graduate like Brad Meltzer who's a novelist and a father is a really setting out to be weirdly misogynistic.
I guess my inspiration is this - I like to pretend that every story that ever happened to 'Batman' was real and is part of this one guy's life.
I like to joke that I already married a 26-year-old and divorced a 29-year-old, so I wasn't going to do that again when I got remarried.
I don't like knowing what the next song is because that's what I'd think about during the number we're playing.
I feel that shows like 'Ted' and 'The IT Crowd' are very much more enjoyable watching with friends around a telly.
Writing 'Father Ted' with Arthur Mathews was like being hooked up to a drip full of endorphins.
I like shows where the female characters are as funny as the male characters, not just commenting on how funny the male characters are.
I'm often asked for advice on how to go about making comedy shows like the begrudgingly accepted 'IT Crowd'.
I'm trying to communicate here. I'm a communicator, I like to communicate, and if a million people buy it then we've touched a million people, if only 10 people buy it, then we've only touched 10, and that's important, because I'm satisfied with only 10. But, I love a million.
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