How Quotes
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I'd really love to get back into commercials, actually. I love how quick and breezy they are. And honestly, they pay really well.
I'm going to scream this from the mountain top, there's no such thing as 'a curry.' There's six kazillion different kinds of curry. When someone asks how to make chicken curry, I have to ask 'Which one?'
I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
When we make the show, we are always talking about how the show is really in between what we make and what the viewer thinks of it.
We couldn't pitch the show without having created one, at least one 20 to 25 minute version of 'Broad City.' We wouldn't know how to describe it.
I was such a strong-willed child, my parents weren't sure how to deal with me.
In the course of my stay there, I also showed how one could analyse the experimental kinetic curves for the reaction of haemoglobin with carbon dioxide or oxygen by simulations in the computer, and so fit the rate constants.
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
How you deal with adversity says a lot about the kind of players you've got and the kind of team we've got.
Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
I'm crazy about 'Breaking Bad,' but I wouldn't know how to write an episode of it.
I absolutely know how to sit in front of a computer screen, that's for sure.
Our experience on 'Avatar' heavily influenced how we approached 'The Dragon Prince' and how we built our team.
The animators working with these 3D models, they're artists, right? They're great at what they do. They're artful in how they move characters about.
Once I went to bed in Orlando and I woke up in Atlanta. I have no idea how that happened.
I found my sound through exploring. I was in the studio yelling, going low, trying things, and that's how I found that I have a lot of sounds.
And this is one of the major questions of our lives: how we keep boundaries, what permission we have to cross boundaries, and how we do so.
I had a lot of ideas on how comics worked and pretty early on I had this idea that it would be fun to explain them in comics form.
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