Drama Quotes
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I've done comedy, and I've done drama. I've sort of been a journeyman in my career so far.
For the things that I've been involved in, most of it has really been - it's been a mixture of action and then drama.
A drama critic is a person who surprises the playwright by informing him what he meant.
There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.
Going from drama to just straight-up comedy with Tommy Davidson and Jamie Foxx - what a blast.
When I left drama school, saying you were going to the RSC made you a laughing stock.
There's a lot of drama that goes into just buying a house, let alone renovating a house.
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
As I got older, I auditioned for drama school and shocked myself by getting in.
As for writing about temptation, there's no drama without temptation, and no novel without drama.
Ancient societies had anthropomorphic gods: a huge pantheon expanding into centuries of dynastic drama; fathers and sons, martyred heroes, star-crossed lovers, the deaths of kings - stories that taught us of the danger of hubris and the primacy of humility.
My roles don't centre around drugs at all! Shadiness is different - it's drama. We're making movies! You've gotta have conflict.
'Survivor' was, to me, an absolute reaction that the audience was having to the sort of staid nature of narrative drama on television.
I've been fortunate because I got the gift to do comedy and drama. When you can do both, you get twice as many parts as anyone else.
I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.
Sciences were not my favourite subjects at school. I preferred English, drama, music, and history.
I grew up in Oldham and moved to Manchester and London. I didn't go to drama school. I just did a B-Tech.
Taboo' certainly isn't a commentary on other types of period drama. It's just a different way of tackling one.
The rush into scripted video by tech giants is going to accelerate an evolution of entertainment that's already underway. We're already moving away from the idea that drama is a 60-minute exercise with four bathroom breaks.
It's usually human drama that carries with it issues of race or class that attracts me. That was certainly the case with 'No Crossover.'
Unless you're Jack Lemmon or Cary Grant, there are few guys who can do comedy and drama.
As soon as I see period costume, I turn off. It's like hearing drama on Radio 4.
Conflict is drama, and how people deal with conflict shows you the kind of people they are.
I didn't quite fit in in any particular, specific way. I was a gay teenager who was into drama.
Life serves up satire. Unfortunately. Or fortunately. I don't know. You have to reel it in to drama.
We don't have drama in public schools in France. I had never taking an acting class.
Badlapur' is a drama, a character-driven story. It is not so much about plot.
To be honest, I didn't even know what the Drama Desk Awards were until I was nominated.
If I were to do a drama again, I would really like to work on a fatal melodrama, like a love that can't be.
Fleabag' is its own genre. It isn't comedy. It isn't drama. It isn't even tragi-comedy.
I went to drama school and it didn't prepare me for the ruthlessness of the industry at all, or the reality of it.
Women and minorities have excelled beautifully in comedy, but very few women are the lead in a drama.
In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top.
I have been out of drama school for 13 years, so there are 13 years' worth of graduates behind me.
My parents thought if they put me in drama classes, I might come out of my shell. It worked, and I've acted ever since.
I was just lucky enough to grow up in a time when they actually had drama departments in schools.
Our great national drama was a westward expansion that conquered a native population rather than coexisting with it.
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.
I want to act in films and TV drama, so that's where I'm aiming to be, and I'm not going to let anything distract me or turn my head until I get there.
I've come to regard the superior end of HBO drama as, above all, novelistic.
Musical chairs or Russian roulette? Sometimes there's as much tense drama in the casting of a Hollywood movie as there is in the finished product.
I think if I had come out of drama school and been an instant Hollywood superstar, I would be taking long, leisurely holidays.
There is a little bit of snobbery with casting, and unless you're a really successful comedian like Ruth Jones, you don't get to be in the drama side of things.
I'm not consciously avoiding doing a lot of period drama, but I don't really seek it out either.
I was kicked out of drama school in 1976, aged 18, for vandalising the headmistress's tyres, after being there for less than a year.
I was a huge movie watcher, but I really loved 'Kenan & Kel,' 'Rugrats,' 'Doug,' & 'Catdog.' I was also into drama films, though, and I really loved 'Poetic Justice' and 'Set it Off.'
'Agnivarsha' is not a costume drama like Shashi Kapoor's 'Utsav' or Sanjay Leela Bhansali's 'Devdas.' This one has no elaborate jewellery and clothes. It is sparse and stark.
I love romantic films and love drama. Any film that has romance or romantic element is my comfort.
My first film, 'Leader,' created a lot of political drama. Its release was pushed back twice.
With the opening of the second decade of the twentieth century it seemed that the stage was set for the last act in an unquestioned evolutionary drama.
I definitely don't want to do drama. I'm not looking to branch out into that world.
I've been very fortunate that I've worked since I left drama school in 1976.
In drama school, I learned I wasn't as good as I thought I was. But I loved stage combat, and I knew that would pay the bills.
I think the context of an hour-long drama gives breathing space that you don't get in a film.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
As a young actor, I would be invited to the CBC radio drama department to do voices for different characters, and I found that I could do quite a few of them. I wasn't a visual presence, and I found it easier to construct a voice from the written page.
In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self-respect.
My first year of university, I ran around and signed up for these clubs, and I noticed they were all drama clubs: really lame, artsy things.
I started out more interested in drama, but comedy just came naturally to me, and it's become what I'm most known for, even though my sensibilities still lean towards the dramatic for the most part.
3D is obviously not as suited to drama and romantic comedies. But for what I do, I felt that 3D was a very, very appropriate technology.
I'd like to do something dramatic or a different kind of role, but I tend not to separate comedy and drama all that much.
People are frustrated with all of the drama around the Clinton family and the history of the Clinton family.
I'd always suspected my face wouldn't fit in drama departments. And it never did!
Baseball ultimately is a drama without a script. It's the original reality TV.
We have been deformed by educational and religious institutions that treat us as members of an audience instead of actors in a drama, so we become adults who treat democracy as a spectator sport.
Taking a role in a drama series takes a lot of energy, as new episode must be made every week.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
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