Drama Quotes
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I used to want to be in 'Downton' because I had never been in a period drama, but then I did 'The Suspicions of Mr Whicher' and had to wear one of those frocks and... I didn't feel very comfortable.
I tried twice to get into drama school and didn't, so I worked my way up through the fringe.
After having played serious drama for so long, I needed to scratch the itch of versatility.
I agree that some of my performances in America, apart from having drama and excitement, have been a little under my estimation for performance.
I actually came out of drama school and went into two years of working in film and television, which was a happy accident.
I always try to create conflict and drama in my books; it's the engine of the novel.
Then I became interested in drama, and almost by accident, I drifted into film.
I remember watching 'The Wire,' because I absolutely adored 'The Wire,' and there were so many secret layers within that drama, and it was just fantastic.
During my many hours on the Acela, I have taken to watching 'The West Wing,' Aaron Sorkin's drama of an idealised White House.
I started in theatre; the first bit of drama I did was amateur dramatics, up until I was 19. Then the TV and film opportunities came along, but now I was just ready to come back.
I didn't want o do metal work and get my hands all nicked up and be around guys. So I took drama because there were a lot of girls.
I like drama. My first movie that I did, 'Soul Survivors', was a drama, and I'm just drawn to that; that's sort of my forte.
I wrote an ITV drama in the 1960s, a satire on management theory that starred Leonard Rossiter. I'm also a poet and have had work in the 'Spectator.'
After 'NewsRadio,' I did say to my agent, 'If I get another TV show, I'd want to do a drama.' Then I got offered the part on 'ER,' and I was on that show for eight years.
Comedy is one of my favorites, but I also want to get into drama and sci-fi.
There are other ways to create tension and drama than to have somebody stabbed through the back with a sword.
With sci-fi you get these kind of stories in historical drama, and it's just so fabulous.
If you're on a network show, it's either some wacky sitcom or a drama where you're servicing a procedure.
I have always been attracted to the bleaker aspects of life. I love drama.
My favorite kind of book is a domestic drama that's grounded in reality yet slightly unhinged.
I studied philosophy at Columbia, then dropped out to do drama at the Lee Strasberg Institute.
Alden Ehrenreich is a drama nerd, and Alice Englert is indie girl. They're so cool in the way that our characters are cool.
I would tell anyone who wanted to be an actor not to bother with drama school.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
The profession I have keeps dragging me into drama and taking me away from baking, flowering and gardening.
Throughout my career, I've never really been a guy who created drama or wanted to deal with drama.
'Humans' seems to have gone down really well in the U.S. That doesn't happen for British TV drama - unless we're talking 'Downton Abbey.'
For me, it was a choice between band and drama - and I hated the band teacher.
I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.
Boarding school in Tring was a bit of a bubble that burst when I went to Hackney to go to drama school.
My first paid role was my first job out of drama school, which was 'Just William.' It was a BBC TV show. I played Ethel.
Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?
I never thought I would write about Chicago, and I definitely never thought I would write a drama.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I watch a lot of television. The stuff that they're putting on television, series like 'The Americans' and 'Game of Thrones,' it's so superior to most of the films that are coming out of Hollywood in terms of drama, certainly in terms of what we're interested in.
I would love to do some straight drama. A lot of times it's not up to the actor, it's up to the producer. It's up to the powers that be.
I'd love to be in a period drama, though my dream role is to be in a film with Ray Winstone and Tom Hardy.
I stopped modeling so I could go to drama school at the William Esper Studio. It's Meisner.
I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.
What makes Ireland inclined toward the drama is that it's a great country for conversation.
Violence in drama is an external contextualization of internal conflicts.
Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.
I like superheroes. I like the drama of it, the stirring, larger-than-life aspect.
I wasn't originally taking drama, but the drama teacher asked me to audition for Bye, Bye Birdie. I did and got the lead role. Initially I was kind of scared, but once I did it I got bitten by the bug and loved it.
I was a drama major also so it's cool to cuss for meaning, but for no apparent reason, no.
I've just made a cancer drama, called 'Now Is Good,' directed by Ol Parker and starring Dakota Fanning. We filmed in Brighton and it's about a girl dying of leukemia, although it's not as depressing as it sounds.
In a fight, you don't need much context for drama. You watch a fight, and that's it.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
'Shameless' is going to shake up television. Any drama is good drama. Bring it.
When really you've gone to drama school and rep and then you've come to London and gone to auditions and you've worked, solidly, for years. But that all gets forgotten.
Because 'Call The Midwife' is a gentle drama, not a documentary, it's not appropriate to portray Sister Monica Joan's condition in all its brutal reality.
I enjoy both comedy and drama, and have had memorable experiences in both film and T.V.
When people ask what I write about, that's what I tell them: 'The drama of human relationships.' I'm not even close to running out of material.
Dramas for me are where it's at, but a great drama, a great character-driven drama, there's very few of them that get made; there's very few of them that actually make it to theaters. There's just very few of them.
Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.
I definitely try to mix humour into anything I do, even if it is into a drama.
There was a girl in fifth grade that I had a crush on that joined drama club, so I joined the drama club because I'm not an idiot, and I was gonna hang with her.
Being No. 1 on any call sheet is difficult. Being No. 1 on an episodic, hour-long drama is really hard.
Neurologists say that our brains are programmed much more for stories than for abstract ideas. Tales with a little drama are remembered far longer than any slide crammed with analytics.
Comedy has to do with holding and releasing tension; it's very technical. It's more technical than drama.
'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
Beware the ends of the earth and the exotic: the drama is on your doorstep wherever the slums; are, wherever there is malnutrition, wherever there is exploitation and cruelty.
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