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All of our records seem to capture a certain period of time for us.

Interview With a Vampire' is one of my favorite movies of all time. 'Queen of the Damned,' not so much one of my favorite movies, but it's one of the best soundtracks of all time.

I listen to classic rock for the most part.

I like Journey, Bad Company, Soundgarden and Aerosmith.

I have my own thing that I do really well, but it's not singing. It's more of a screaming-type thing.

Rob Zombie was White Zombie and I was Static-X. I wrote and produced everything.

I'm sure I acted differently after I got married, I know I did. But... people get married and things change. It doesn't mean that the band has to break up.

I've always written by myself. I've never been in a situation where the whole band sat in a room and wrote a song. I don't work that way.

I'm always working on multiple songs at a time.

I don't like to do any editing on guitars. I think the more editing you do, it just takes away from the feel of the performance.

I'm the opposite of a gearhead. I like simplicity. I use what works, and the only time I change it is when I have to.

I did my solo thing for a while and got that out of my system.

But anytime at a metal show, fans are going to be going crazy.

We had an incident back in 2001 where our drummer threw out a drumstick into the crowd and it hit someone in the eye and they were going to sue us. You just always have to be really careful with that kind of stuff.

I know the Lamb of God guys. They're way mellow.

Over the years my voice has been destroyed from excessive touring... and I love it.

I've been a huge Megadeth fan for years.

The song 'Assassins Of Youth'... 'Assassins of youths' is what they used to call drugs in the old days when they first started the anti-drug campaign. And it's kind of an anti-drug record.

My wife and I sold our house in L.A. and we moved out to the high desert in California, by Joshua Tree, and we're out in the middle of nowhere.

It's just been really hard, 'cause I had a really hard year in 2012 where I had to have triple hernia surgery, and I was out of commission for a year; I couldn't walk, I couldn't sing, I couldn't do anything with work. So it was kind of a rough year.

I don't know how these bands did it back in the '70s when they would crank out two records a year and tour at the same time, which is incredible to me. I have so much respect for all those bands working so hard like that.

Actually I love asparagus.

Well, for me the canning factory was minimum wage, which at the time I believe was $3.40 or something. I was just happy to have a job.

My hobby is old 4x4's, you know, old Blazers and Broncos and stuff.

During the day I'll work on music. I have a sampler and a drum machine out with me and I write new songs while we're on the road.

To listen to my first record, it doesn't sound like me.

Static-X had a great run. We did everything we wanted to do and everyone wanted to do their own thing for a while.

All of my records have their own vibe, depending on what was going on in my life.

I always enjoyed writing music; things pop into my head every day.

My passion outside of music is that I am a total gear head. My wife and I own six vehicles, three of which are off-road.

Pighammer' is what I envisioned the first Static-X record to be; trancier, a bigger electronic vibe with more keyboards.

Pighammer' is my pure vision of what I want to do, but at the same time, if you like Static-X, you will love 'Pighammer.'

I just do not understand all of these guys that get married and then want to go spend all of their time with their buddies.

You know, people hate me or love me and I just don't even bother paying attention to it anymore.

Here's what it comes down to: I've been making records and touring for over 10 years now. I'm very successful living it, doing it... I'm with an absolutely beautiful wife that's half my age.

Anyone who likes Static-X will definitely like my solo record.

Don't even get me started about how much I hate the Internet, 'cause I'll rant for hours about this.

I wish someone would give me some money for doing nothing.

The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?

There would be no Static-X if I didn't write all the songs.

I'm getting older and I guess I was pushing myself too hard; we were doing six shows in a row and all that kind of thing.

I've wanted to do a solo album since 2000 when I was writing songs for the 'Machine' record.

Even in those early years of Static-X, there was a pattern emerging where I would spend all my free time writing songs for Static-X and the other guys in the band spent their free time working on their other projects.

After the 2009 'Cult Of Static' touring cycle ended, I felt that, as a band, Static-X had accomplished everything we set out to accomplish, and now I could finally take the time to do my own thing and make a record that is completely my vision without compromising for anyone or anything.

Don't get me wrong: I love the great times I had with Static-X, but sometimes the writing/recording process was frustrating for me.

For singers and drummers, you've really gotta have your chops together just to do a rehearsal.

I think it'd be fun to tour with Kiss just because Kiss is the reason I got into playing in a band.

Chromamatic' is actually about changing the strings on my guitar and tuning my guitar.

The band that I always wanted to tour with was Pantera, and we got to tour with them twice.

Metal never dies. Sometimes it's not on the radio and sometimes it's not at the forefront, but heavy rock or metal, or whatever the hell you want to call it, has always been around and will always be around.

Metal fans are the most hard-core, loyal fans.

I have some drinks at night but that's it.

You know, Kiss can always go on as long as Gene and Paul want it to go on. Static-X is the same way. We're the two founding guys and the two vocalists and the driving force of the band. We can go on as long as we want, as long as the two of us are together. If I ever lost Tony, I'm sure I'd start something else.

Pretty much every other question I get from fans is about my hair and beard.

I'd stay on tour for the rest of my life if I could. It's awesome.

Static-X has never been a band where the four guys get into a room together and jam and write songs and all that kind of stuff.

Here's the way Static-X has always worked: I write all the songs by myself - totally and completely by myself - I give demos to the other guys, and then they add their parts to it, and then we argue about stuff and compromise and it turns out being Static-X.

This 'Pighammer' record is supposed to be a side project. And it just so happens that at the same time I'm recording this record, our contract was up with Warner Bros., so it's time for Static-X to re-sign.

I actually re-signed with Warner Bros. on my own. They've been really good to us and all the people over there are great; they love me and I love them. So I'm just sticking with them.

Nothing in life is free, you always pay in the end.

I had a dream I was onstage naked and I forgot how to play the songs.

I can't afford another Camaro.

The studio can be quite tedious.

My mom is about 60 years old and she loves our music because she can bounce around to it.

I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'

I feel like my whole life I've been searching for what I want to do, searching for my identity as a musician and a songwriter, and my band's identity.

I hate it when bands keep making the same record over and over, so we're pushing ourselves to try new things and experiment in our writing approach.

I'm very picky about who we tour with.

I like playing Michigan.

For some reason, I don't spend enough time getting to see my family because I'm always touring or working or whatnot.

It's been a long time since I lived in Michigan, but I did grow up there for 18 to 20 years of my life. It does feel my home state.

I can play whatever I want and play whatever the fans want to hear. I don't have to be like a salesperson up there talking about my CD through the whole show.

We can't seem to put out an album without any drama.

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