Cinema Quotes
Most Famous Cinema Quotes of All Time!
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We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.
And Twin Peaks, the Film is the craziest film in the history of cinema. I have no idea what happened, I have no idea what I saw, all I know is that I left the theater floating six feet above the ground.
I really believe the form of the film must be in the scenario; cinema is not just added value to the scripting. I believe in it as a totality.
The cinema, as literature, as all the plastic arts, do not exist outside of a critical system that allows us to study them.
Cinema for me only has meaning when it has a relationship with what I see outside on the street.
Cinema explains American society. It's like a Western, with good guys and bad guys, where the weak don't have a place.
Indian cinema has completed 100 years. How many new stories can you bring every time? It's not possible.
I think that the first film I saw in the theater was 'The AristoCats.' I was like, 'Oh my God, this is brilliant!' That's when I knew I wanted to work in cinema. I was four or five.
Cinema reflects culture and there is no harm in adapting technology, but not at the cost of losing your originality.
Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.
A visit to a cinema is a little outing in itself. It breaks the monotony of an afternoon or evening; it gives a change from the surroundings of home, however pleasant.
The cinema is an institution nowadays, with its roots sunk deep in the hearts of the millions of people who find enjoyment and entertainment in going to the pictures.
The first time I met Janhvi on the sets, I took her to watch 'La La Land,' because she hadn't seen it. Soon, we started bonding over cinema - both of us are film buffs - and we realised we share a natural equation.
I am extremely eclectic in choosing my films as an audience, and as a direct result of that, I love exploring, I love cinema, and I love learning from different experiences.
I haven't studied acting formally, so my 'university' was watching a lot cinema.
When I was 16, I watched a lot of world cinema. I borrowed a lot of my personality from cinema. It has been one of my biggest teachers.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
I think the novel is at one end of the art-entertainment continuum - the play in the middle - while TV and cinema veer a bit more towards entertainment.
Cinema is changing every week, and multiplex audiences are demanding every week.
Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind of cinema.
Without community events like NewFest, I don't think we'd have a queer cinema in America.
Music Box has proven itself in a few short years to be a cutting edge distributor with a sophisticated understanding of both the market and cinema.
The Beverly Cinema in L.A. screens old, artsy movies for half the price of regular theaters. It has an old-school vibe to it. It's cheap, and the selection of movies is always interesting and different. Very romantic!
So, if falling crime rates coincide with the rise of violent video games and increasing violence on TV and at the cinema, should we conclude that media violence is causing the drop in crime rates?
So much European cinema has open arms to stories carried by women in their 40s, 50s, and 60s. And America is a little behind in that.
My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV.
A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation.
People look to cinema to spread the word and to tell these wonderful, outrageous stories or true-to-life documentaries.
The influence of cinema on all contemporary writers is undeniable. Because film is such a powerful and popular art form, we prose writers think cinematically.
Professional cinema image-taking should integrate, serve, interest, and enhance the story. I judge cinematography not just for a story well told but for what the story is.
When I was a child, the temptation to sin was always a romantic option. This romantic option led me to the cinema, a place where sin was welcome.
I came to the cinema industry to become a director from the inspiration of Guru Dutt and Shantaram.
I think it's very refreshing to see women in cinema having strength and their own independent storyline.
'Up the Junction' really made me understand the power of cinema to create a vivid sense of a community. When I went on to make 'Bhaji on the Beach,' it was this sense I tried to recreate.
Sacramento is where I grew up, so I felt like it had not been given its proper due in cinema.
Independent cinema is more thoughtful, delicate. While Western blockbusters can have their own kind of delicateness, it's not delicate enough. You have to be ready to compromise to enter that field. I will do so only if it's worth it.
I could almost say it is my religion. I guess that sounds pretentious, but I want to live and breathe cinema.
French cinema allows women to look... a certain way and be talented at the same time.
The definition of political cinema is one I don't agree with, because every film, every show, is typically political in nature. Political cinema is simply the brainchild of bad journalists.
In the film industry, all the money is focused on television and the stupidity of American cinema.
Horror will always be there, it always comes back, it's a familiar genre that some people, not everyone - it's sort of the cinema anchovies. You either like it or you don't.
Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.
Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.
When you're so passionate about cinema, the idea to direct your own film is really appealing.
I don't think Bollywood is only mindless cinema, but a lot of films they churn out are not films that I completely enjoy watching.
I absolutely loathe adverts. I won't go into the cinema until 20 minutes after the film is due to start because there are so many.
Hollywood is a town; it's not a medium. And cinema is a medium you can practice anywhere.
During the war, I saw many films that made me fall in love with the cinema.
If I have some free time, I leave Paris with some books about the cinema. If I'm not filming, I'm watching films.
Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
As beautiful as cinema is, it's a massive part of the problem of why we look at ourselves in the way we do.
The public has lost the habit of movie-going because the cinema no longer possesses the charm, the hypnotic charisma, the authority it once commanded. The image it once held for us all - that of a dream we dreamt with our eyes open - has disappeared.
My sister Zoya and I have been exposed to the best of cinema of all kinds - Chinese, Japanese, Italian, etc.
Cinema, I always felt, is a very powerful mass medium to translate ideas in an engaging way.
Even within escapist cinema, if you find a good story to tell, it will do well.
Cinema, art and culture should definitely be shared. These things transcend borders.
I think American cinema, particularly, has become so disposable. It's not even cinema, It's just moviemaking.
For the whole history of cinema, we've been experiencing movies and television through a two-dimensional, letterboxed window. But once you can start programming entertainment for all the different senses, it becomes a wholly different medium.
To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.
Who would ever have thought that Robert Ludlum would have become the father of modern action cinema?
I love the Museum of the Moving Image, and I like the idea of bringing artifacts of the cinema into a museum.
People have always wondered if I'm trying to push the envelope when it comes to my cinema - they keep questioning the visual graphics and the controversial content.
There's no certain type of cinema, but there's a certain type of promise every film comes with. The agenda is to keep an eye on quality and live up to that promise.
I'm a big fan of British cinema; I think we make some unbelievably brilliant films, but they can quite often have a dark feel.
Yes, I'm a 'Twi-hard.' I became obsessed. Absolutely obsessed. I didn't watch television, I didn't go to the cinema. My friends would ring and say: 'What are you doing?' And I would say: 'I've just got to finish this chapter.'
Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
Hindi cinema hasn't moved at all in terms of roles for actresses beyond 18 years.
I grew up watching cinema in my country that wasn't telling stories about us, and we had to find a way to connect, and our references, our role models had nothing to do with us. And I'm so glad that it's changing.
I've grown up around cinema. Michael Kamen was a very, very close friend of mine, sort of my godfather. So I know how much work goes into it. You have to know what you're doing.
My dream is to become a director. I want to direct a Hindi film. I have two scripts ready. One of them is a fantasy-adventure, while the other is a thriller. I've assisted my brother Selvaraghavan, who's a well-known director in Tamil cinema. I've also made short films.
I don't mind acting in Hindi films, but the script has to suit me. It has to be a boy-next-door role because that's the image I have in Tamil cinema.
I prefer being called director Aishwarya Dhanush's husband. She and I share our passion for cinema, but at home, we hardly talk about it. Instead, we share other interests.
'Close Encounters of the Third Kind.' Big, big, big smash for me. My birth of the love of cinema was born with 'Close Encounters' and '2001.' Those sci-fi movies I saw when I was a little kid.
Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
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