Cinema Quotes
Most Famous Cinema Quotes of All Time!
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I love watching a good, freaky horror movie. I love it. It's one of my favorite things to do, to go and see at the cinema. Just to tune out and be freaked out.
I was raised by strong women, and the role models I had in music and cinema were strong, too - liberated and provocative.
Cinema is visually powerful, it is a complete experience, reaches a different audience. It's something I really like. I like movies.
The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
I did an HBO movie called 'Cinema Verite' where I played Candy Darling. That was really, really cool because I got to meet James Gandolfini and Diane Lane and Thomas Dekker.
And my generation in Brazil was influenced by Cinema Novo. So we're echoing what's been done way in the past.
I had no interest in cinema until I was 24 years old. My friends had posters of their favourite stars in their houses, but I was far from a film buff - very detached from films.
Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
My style of cinema is different and I always look at my films as the audience would.
Everybody in the two Telugu states, especially the residents of Vijayawada, love both cinema and politics. And 'NOTA' is a cinema with a political subject.
I did not have any inclination towards cinema. The atmosphere at home was not filmy, and we would never discuss anything related to films.
I don't categorise cinema at all. If I am doing this, that means I am limiting myself.
The younger generation of filmmakers is concerned about our roots, rather than making films with characters plucked out of the cloud or some English DVD. Actually since 2000, Tamil cinema is going through some positive changes.
Salman bhai is amazing, and he is one of the greats of our cinema, and I don't think I should be compared to Salman Khan.
I am doing the remake of 'Bai Chali Sasariye,' which was my debut in the Rajasthani film industry. It became a major critical and commercial hit in the history of Rajasthani cinema.
2019 is proving to be a golden year of Malayalam cinema... As an actor, I have always classified films as either good ones or bad ones... I had five films that released this year in the cinemas and our audiences liked every one of them.
When we are part of mainstream cinema, we want our movies to be seen by maximum viewers.
The most important question in American cinema, I've learned, is 'When is lunch?'
Basically, I was a very serious film fan. I watched a lot of cinema and contemporary and European film.
American cinema tends to express a patriotic relationship to national identity on a regular basis.
It's shocking to say, but the cinema is quite a while away from me, and I haven't got a car yet.
The most delightful aspect about the language of cinema is that it speaks to each of us in different ways - it is a purely subjective experience.
Premium, non-network television is occupying a space that art cinema used to enjoy. 'Homeland,' 'Breaking Bad' - 15 to 20 years ago, they would have been independent cinema stories.
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.
We do documentaries on the history of cinema in between our feature films.
Camphor Cinema is nothing but an extension of family - courteous, kind, joyous and focused. It is like a close-knit family working hard for a celebration.
One of the nicest things I ever read about our show was that a critic felt 'Boardwalk Empire' could be the beginning of the blur between television and cinema, because the production values are so high and the storytelling is so compelling.
It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
I don't want to act in a preachy movie just because that is more sensible. I don't watch that kind of cinema.
Some kids go walking in the mountains, but I just went to the cinema. So when I told my parents I wanted to be an actor, even though this wasn't normal for Arab kids or anyone in the town, they were sort of expecting it and were very supportive.
There is nothing wrong with commercial cinema if it is made well. In fact, if you ask me, the Hindi film industry has also produced some truly outstanding works over the years.
Dibakar and Shekhar have the vision that we would associate with European cinema. They leave their actors on their own to give a personal narration on the screen.
My children are as at home in the Port Elgin library as I used to be, and they've sat in the cinema seats where I sat with their aunt every Saturday afternoon, watching the matinee movies.
After all, what is cinema? It is an interaction, a discussion that throws up questions and provides some solutions. The solutions might look simple, impractical or too fictionalised. But one must realise that viewers empathise with certain characters because they strike a chord with the viewers' needs and frame of mind.
In Mumbai, it's almost like Hollywood. They can appeal to different segments and still be successful. There are multiplex audiences to whom you can showcase any lifestyle. But in Tamil cinema, we need to satisfy everybody, whether urban or rural.
When people leave the theatre, they should remember a line, a character, a sequence or emotion. With entertainment, I want to give meaningful cinema.
Instead of watching DVDs at home, I prefer going to the cinema to get the experience.
Today films are made to cater to commercial markets created by multiplexes, not for those who enjoy good cinema.
In politics, when you wake up, you can make out who belongs to which party. In cinema, you cannot make out who belongs where. Everybody looks like your friend.
As far as cinema is concerned, I want to do something huge. I want to be recognised everywhere I go.
My influences come from real life. I'm not interested in cinema for cinema's sake. I'm interested in life - what one does and how one interacts.
How can the country that created electricity, the light bulb, modern cinema as we know it, and the Oscar Meyer Weenie Whistle not be purely awesome?
By the nature of cinema and how it literalizes what we envision, movies can have difficulty replicating that connection we make with a classic book.
I loved movies as a teenager and saw as much American cinema as I could, but I hated the English films of the early '60s and had absolutely no point of identification with them.
I think the cinematography in 'Mr. Robot' is some of the best I've ever seen, honestly. Not even as being part of the show but as somebody who enjoys cinema and movies in film and TV.
Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.
When I was ten, I had a weird cinema party where I invited everyone from my street to come. I pretended I was an usher and tried to sell them all popcorn.
When I started working in Mumbai, I was interested in working in the indie and niche spaces, as they do make really good cinema, driven by good stories. But then, I decided to explore everything possible.
I was never attracted to being a very proficient singer or player. I suppose I was interested in creating a vision; in the same way I was very drawn to tension within cinema.
I suppose I was interested in creating a vision; in the same way, I was very drawn to tension within cinema. Hitchcock was my other early obsession - 'Psycho' and its score. So there was the sense of trying to create an atmosphere: how a sound resonates and makes an effect.
I was looking to be a part of commercial cinema and that was when I signed 'Jodi.'
I've learnt so much since I joined cinema. I just want to take it as a positive experience.
Being a Bengali, I have kept in touch with the cinema of my mother tongue.
I want to highlight this, that to make meaningful cinema, we really need an enabling environment and freedom to express.
Lots of musicians from non-filmi backgrounds and from independent bands are making it to mainstream cinema. Even the music directors are experimenting with different genres.
Cinema in India is like brushing your teeth in the morning. You can't escape it.
If you can't believe a little in what you see on the screen, it's not worth wasting your time on cinema.
I never expected my sons to make a career out of cinema. If they are honest and dedicated in their profession, no doubt success would follow them.
I wanted to be a poet. I wrote from ages 15 to 22, but I left it because I discovered, and fell in love with, cinema.
Karzzz is my way' of paying homage to the mesmerising cinema of '80s, to Subhash Ghai's revered cult film 'Karz.'
Dead End' will see one of the most successful complex cross country funding and I'm sure it will firm up India's position in the global cinema market.
I have always believed that cinema has no language and 'Dead End' has proved it so.
Compare with a country like China, India has very few cinema screens, as we have real estate problems.
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
I am interested in independent cinema and theatre, and they don't make news.
I look at scripts, and sometimes I apply theory to them. For 'Antiviral,' for example, I was reading Laura Mulvey's 'Visual Pleasure and Narrative Cinema,' and it was all about the psychological process by which we fetishize the female image. It's all about scopophilia.
I'm very interested in cinema that explores emotional journeys and where you can use everything at your disposal cinematically to locate you inside someone's head and their emotional landscape.
I don't think international cinema is ready to embrace mainstream Indian cinema unconditionally. Even Mira Nair's 'Monsoon Wedding' didn't get to the Oscars after being nominated for the Golden Globe Awards.
I was criticised for making 'Devdas' so ostentatious. But stark and realistic cinema isn't the only real cinema in this country.
I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
Cinema should always be in touch with the soil of the country. My films celebrate the heartland of India.
When people say I have become a celebrity, I remind them of fame's flip side. For instance, if I want to watch a movie in a cinema, I have to enter through a side exit just before the film begins and leave by the same exit before the credits roll.
I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
To be very frank, I never got very good offers from Hindi cinema until 'Eega.' Now, I'm flooded with offers.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.
I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.
I would personally not run down any cinema just because I am not capable of making it. Anurag Kashyap makes a certain kind of cinema; I make a different kind. But when we meet, we are friendly.
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