Thelma Schoonmaker Quotes

Most Famous Thelma Schoonmaker Quotes of All Time!

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I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not...

I love being around great artists, and I've been around a few of them.

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The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students...

Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv.

My job is so wonderful.

I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun.

Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it.

I always thought that's the wonderful thing about filmmaking: people see things differently.

I don't think enough directors know enough about editing.

I don't think you can be a great director without knowing a lot about editing.

I have the best job in the world.

That's the great thing about filmmaking: Things happen you don't know are going to happen at the end.

Ballet dancers really know how to enter a room.

All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me...

Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly.

I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never -...

There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film.

In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come...

Everybody would like us to make 'Goodfellas' over and over and over again.

With digital editing, I now can make many, many versions of a scene.

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