Thelma Schoonmaker Quotes

Most Famous Thelma Schoonmaker Quotes of All Time!

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'Raging Bull' was staggering to work on. I was well aware of how lucky I was to be in this extraordinary situation. That film is very unique. It stands on its own. It's just burned into the screen.

I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of...

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It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage.

When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye.

As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life!

We do documentaries on the history of cinema in between our feature films.

The studio was very nervous about 'Raging Bull.'

My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.

I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford.

It's part of your job always as an editor: you always have to drop stuff.

In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully.

I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you.

Boxing is insane and, in my opinion, should be banned.

Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming.

It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't.

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