Always Quotes
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My mom would get up every day at 4 A.M. and worked two jobs. I always felt I was the poorest kid on the block. I had a chip on my shoulder about being broke.
In every fight the strategy is to baptize and take their soul - that's always the strategy.
I didn't get a lot of questions asked earlier in my career, I guess. But I've always been the same guy, more or less.
I always say, 'To have a big dream requires the same effort as having a small dream. Dream big!'
In day-to-day life, you have stimulus to behave unethically, but in the long term, it always pays off to be ethical.
I always wanted to work on Broadway. That's something I always wanted to do.
I've always played with a high intensity anyway. That's how I've always been.
I've always been athletic - did the 100 metres and 1500 m at school, cross-country races - and did well in them.
You are always having to prove something in football whether you are flying or not.
A goalkeeper's mistakes are always crucial ones - or get talked about a lot.
I know if I have played well or badly. I always ask my dad, and he tells me straight.
There is always a case as a goalkeeper, if you make an error, it will lead to a goal.
The pitch is always going to be the same lines, same goal height. It's just a game of football.
I always work hard on and off the pitch for the Saturday's game, and it's all about performing on a Saturday; that's why I work my socks off during the week.
Family things are always tough, and they're always tough to address, let alone on a TV show.
Under Armour is new, aggressive, slick, classic but athletic - kind of how I always wanted to be perceived.
I have a lot of confidence in my game. I love to play with confidence, be aggressive, and that's just how I've always done it.
Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticised ourselves.
Yeah, touring can get rough some times and draining, but I always have to pinch myself and realize that I'm doing what I love.
I do, have done and always will believe that I am very capable of performing and thriving at any level of the sport.
I've always thought about it. I've considered it when I was young. I was like, 'Listen, I'm going to fight. I want to be a star. I'm going to fight.'
I've always used music for my acting, and I do have a kind of a very personal play list that I create.
As a kid, I always wanted to be lots of things. I was a Walter Mitty type. I wanted to be in the French Foreign Legion, a detective, a doctor, a test pilot with a scarf, a fisherman who hauled in a tremendous marlin after a 12-hour fight.
I've always loved shows that combine both approaches - that have a mythology and a set of characters, whose stories develop and change, and where the relationships evolve and fracture.
It's always gratifying to hear that people are excited by something that you've been excited to make.
Oddly enough, I'm not religious but I'm also very fond of St Peter's in Rome. When I'm there, I always know there's a good meal not far away.
I'll read a book every now and then, but unlike most of my friends I don't always have one on the go.
When little kids come up to me, I'm a fully-grown adult, and that's always weird to me.
People are feeling and sensing a return of anti-Semitism - even in Europe, which, seventy years after the Holocaust, is a very scary thing. I think they are feeling that Israel is very isolated and doesn't always get what they see as fair treatment in the European media.
I just always had this feeling inside me of always being nervous and afraid of situations.
I always look at 'Monty Python and the Holy Grail.' They talked about how they wrote this movie with horses, and then they realized that horses are super-expensive and time-consuming. 'Why don't we just change it to coconuts?' That's part of my process.
It's rare that movies can sort of capture the tone of life; movies always feel like they have to be one thing or another.
I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
If you battle monsters, you don't always become a monster. But you aren't entirely human anymore, either.
Trout plus bacon is one of civilization's greatest formulas; it always equals pleasure.
The rich flavors of duck meat have always attracted sweet, fruit-based sauces.
I've always been better at informing the audience through images than through words, but I took on a script that was so dialogue-intensive, that the words had to do all the informing.
It has always been clear that The Washington Post is a company that is set up for the purpose of protecting the long-term interests of its assets and held together as a holding company.
I've always been a sci-fi/fantasy guy. My book reports in school, whenever you didn't have to do it on Shakespeare, I did it on, like, Piers Anthony and Raymond Feist.
I always thought I was going to be an artist. All I ever did was draw. I only ever turned to writing because I couldn't find somebody to write the kind of stuff I wanted to do. That just spiraled out of control.
When it comes to chemistry with actors, I always feel chemistry is not something that comes and goes. You either have it or you don't.
It's very surreal. It seems like everywhere I go, people always talk about 'Indiana Jones,' and I realized over the years it has made a huge impact on their childhoods... I feel very fortunate to be a part of this.
I always loved acting, but when you get older and you're going through adolescence, the roles are limited.
There will always be a certain element of extremists on either side, left or right, who no mainstream news outlet is going to satisfy.
I've always followed my enthusiasm. Whether the pictures have turned out good or not is one thing - but I've always had a lot of enthusiasm for the project at hand.
I've always thought that we, as human beings, would be naive and arrogant to pretend that we're the only life form in the galaxy.
You have to realize that when I started to work on 'Aladdin', Disney Theatrical wasn't in existence. I suppose I had always hoped that 'Aladdin' would be somewhere on the runway.
I always think the villains in all of the Disney movies are almost operatic in scale.
I've always used poetry to explain myself to myself. These things just sat in my psyche and then came out.
What the beautiful-writing writers are most attached to is almost always superfluous.
With new fast bowlers on the international circuit few and far between, it's always good to see someone new coming through.
I've always liked police-blotter kind of writing, or the writing of a policeman, right to the point and hardboiled. That's how I see at least the prose elements of scriptwriting.
The British have given me good support for the last 8 years and have always believed in me.
Coffee on an airplane always smells bad. Whenever it is served, suddenly the whole cabin stinks of it.
There's almost always a point in a book where something happens that triggers the rest of the plot.
Why do people always gesture with their hands when they talk on the phone?
Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do.
But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.
Don't sit and wish for some ideal; the grass is not always greener with the big house and cars and artwork.
My friends and I have always been trying to make movies, at every moment. We've tried so many different angles and approaches. But when it happens, it happens, and you just run with it.
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
I always wanted to be a scientist, I always thought I'd be a scientist, that was the narrative I was carrying around. I worked in a neuroscience lab as an undergraduate and then after, almost five years in total, but I realized I just wasn't good at science. I didn't have the discipline for it.
I was always interested in films and thought that was the path I should go down, but I didn't start pursuing acting until I was 17.
I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
I chose to be this guy. It's who I want to be, and it's always been me - just keepin' it country.
As a songwriter, we're looking for a good story, and we're always looking to push the limits.
I always want to have the traditional country soul while meeting the new standards of country music.
Obviously, I like to write stories that are page-turners. But I always try my very, very hardest to be as factually true as possible.
Oh, yeah, I've always thought of covering some of my influences like Billy Joel, Elton John, Stevie Wonder.
I just lived it and did my own thing without looking over my shoulder. I think I'm very lucky, considering when I started everything, and the fact that I have a masters in music, and I've always worked in music, and that's what I wanted to do.
I've been to Canada, and I've always gotten the impression that I could take the country over in about two days.
I've always liked Atlanta. And not just for the strip clubs, but the shopping and the food.
What I love about Vegas is that we have the mountains and the Strip. There is always something to do.
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