Tana French Quotes

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The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

I thought I could never write a proper book; I'd never done it before. But I thought I could write a sequence. Then I had a chapter. The next thing I knew I was turning acting down.

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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.

When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.

Ireland is such a young society. The British were the ruling class up until they left about a hundred years ago, and we've been trying to work out what our class hierarchy is ever since.

I've got this theory that human beings are innately religious; we have a belief system. It doesn't have to be a theist form, necessarily. But we need a belief system, some framework on which to hang our behavior.

I love writing. I feel ridiculously lucky that this is what I get to do all day.

With acting, you have to depend on somebody else to decide if you are allowed to work. You can spend weeks and months when you are not acting at all.

I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.

Both back when I was acting and now that I'm writing, I've always wanted the same thing out of my career: to be able to get up in the morning and do what I love doing.

I'm still very much in the apprentice stage of writing. I read somewhere that you need to write a million words before you know what you're doing - so I'm headed that way, but I'm nowhere near there.

If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine; you only need to get it right once.

If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being...

My night stand is permanently jammed with books I want to read.

Donna Tartt blows me away - that impeccable writing, so rich you could eat it and so luminous that it lights up the whole room, and the way she brings her characters to life so completely and in such fine...

I'm a big admirer of Daniel Woodrell for his beautiful, precise, sparse prose - I don't do succinct well, so I'm in awe of writers who do.

In TV writing, Armando Iannucci's satire 'The Thick of It' is brilliant - equal parts hysterically funny, terrifyingly believable, and Oh-my-God-I-can't-believe-he-actually-said-that - and it's got the most satisfyingly creative insults ever.

I'd always been fascinated by archaeology; it was my original career plan as a kid.

I'm slightly in awe of writers, such as Sophie Hannah, who follow outlines.

With 'Broken Harbour,' a third of the way through, I worked it out and had to go back and bloody rewrite.

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