Always Quotes
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My mother always cultivated my imagination from the time I was very little.
Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
I was always really geeky about design and buildings. Always into architecture as a kid.
I've always known I wanted to be in design somehow. It was going to be architecture, but I would've had to quit acting for it. I realized with horology, I could learn at my own pace.
As an actor, it's very rare that you get a choice in a matter. But you're always looking for something that has some gravitas.
I was always made to work at a very early age. I finished school at 4 P.M. and by 5 P.M. I was working. It was seven days a week.
I feel like I always describe myself as a late bloomer. My first album, in my mind, was that I had a few songs I needed to take from incomplete demos to working with someone else and finishing them.
Ties were always my thing. When I was 18, on Sunday, when everyone was taking off for a casual day, I'd wear a suit to go have brunch.
Organized Christianity has always represented immortality as a sort of common heritage; but I never could see why spiritual life should not be conditioned on the same terms as all life, i. e., correspondence with environment.
Learning has always been made much of, but forgetting has always been deprecated; therefore pedantry has pretty well established itself throughout the modern world at the expense of culture.
The question of who is right and who is wrong has seemed to me always too small to be worth a moment's thought, while the question of what is right and what is wrong has seemed all-important.
The juke joint, the honky tonk, and the ballroom also represent one more thing, anthropologically speaking: a ceremonial context for the male-with-female-duet dance flirtation and embrace, upon which the zoological survival of the human species has always been predicated.
I have always held firmly to the thought that each one of us can do a little to bring some portion of misery to an end.
Pro wrestling has always been my passion. I always wanted to be a pro wrestler.
I have been blessed when it comes to winning the titles, as I have won it all, and I am always in the scheme of things.
Kauai is kind of my place where I go to get centered. It's always my place to come back and feel normal again.
The thing I always default to is that I'll always be here to write songs.
I was always such a people-watcher. I would sit on street corners alone and watch people and make up stories about them in my head. Then, all of a sudden, I was the one being watched.
My own approach has always been to push intense emotions down and attempt to deal with them later.
I've always wanted to act and I can't think of anything else I'd want to do, honestly.
That's always the actor's worst nightmare: that what they're working on is going to be the last thing they'll ever work on. No lie. So I was very excited to land 'Girlfriends' Guide' immediately.
Being an actor is lot like being a dancer: you always have to go back to the bar and either work or take classes. Otherwise, you'll get rusty.
Since I was a kid, I've always been skinny and frail framed. I felt powerless as a child, but I always saw so much power in femininity and female sexuality.
RuPaul has a very playful outlook on the world. He always looks on the bright side.
I'm from Erie, Pennsylvania. We're just naturally really nice, I think. In a show like 'RuPaul's Drag Race,' that isn't always good.
I always used to dress up in little girls' clothes when I was really young. Then I realized that boys weren't supposed to do that, and I got really shy. I didn't do it for many years.
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
I have always been driven. I have always believed in what I believe very deeply.
If you play 100-odd Test matches, there's going to be little periods when you don't score runs, and I've always managed to turn it around.
I suppose you could say I was always having to defend my style of captaincy. I did get a lot of criticism - some of it justified, other times as part of a tactic.
You're always under pressure, that's what life is about. That is what playing international cricket or being a professional sportsman is.
I'm always a little bit cautious around invented terminology because so much science fiction is off-putting to the uninitiated. You open up the first page, and it's full of all these made-up words.
I am playing in a playground that's already been played in. I am always aware that a lot of the furniture in science fiction is second hand.
I always like Iain Banks science fiction stuff and William Gibson's cyberpunk stuff from the 1980s.
I watched 'Who' with a mixture of affection and exasperation through the eighties, always ready to cheer on the Doctor but seldom feeling that the series was playing to its strengths. Some of the adventures, revisited on DVD, turn out to be better than I remembered - others just as infuriating.
I've always been attracted to Pertwee's portrayal of the Doctor as dashing man-of-science, charming, sceptical, and rational.
I've always been skeptical of the idea that sentience is going to be an exclusively human attribute.
Our clothes are not always beautiful on the hanger, but put them on, and they fit like bathing suits.
Nothing is ever enough for me. I'm always thinking what is wrong, what needs to be fixed.
I always think, if I were an editor, and I was invited to a show, and I would have to wait for 45 minutes in the dark or in the cold or in the heat, maybe I would like to have a fresh drink or a piece of chocolate.
We can always find something to be thankful for, and there may be reasons why we ought to be thankful for even those dispensations which appear dark and frowning.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.
One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.
I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that... I've always done 'less is more.'
My audience has lots of people between 20 and 35, but there are always a few 60-year-olds, and it makes me happier than if everyone was 22.
You know what I've always wanted to do? I've always wanted to put a lung in a suitcase and send it through an airport security check. In effect, the guard would be looking at an X-ray of a lung.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative; I loved the writing. I loved the making of it. Because, I guess, I never had the giant blockbuster, I never got that sort of ease for the next one.
We always deceive ourselves twice about the people we love - first to their advantage, then to their disadvantage.
As far as I remember, even younger than eight, I have always been guided by reason. Not cold reason, but that which leads to the truth, to the real, and to sane Justice.
It's always been my formula to get the next picture set up before anyone's seen the last one.
It's not always about 'Can you do the job?' It's about 'Can you fit in with the team?'
You know, being a test pilot isn't always the healthiest business in the world.
The decisions I've made have not always been the most popular, but when I look back, I want to know I've played for good football teams.
It's interesting - Pluto's almost a brand unto itself. It's the farthest. It's the most diminutive of the classical planets. It's been maligned by astronomers. It's always the one with all the question marks in the back of the textbook in the table. I think children identify with it because it's smaller, kind of cute.
I have always been an honest trader. I come from a school of traders where there was honour in the deal. No contracts, just a handshake and that's it, done. That's the way I prefer to do business but it's not always possible these days, sadly.
On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.
I had been trying to make movies, but they were really hard to get made. TV wound up, by surprise, a much more fulfilling place to work. That said, I've always been drawn to make movies.
But of course it's always gonna be Suicide, our fingerprints, ya know? You can't ever get rid of that.
I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
I always said I was never gonna be an entertainer, Suicide was never supposed to be entertainment.
I've always been very attentive to detail. It's a characteristic that drives some people crazy. But on the other hand, when people around me are sloppy, that drives me crazy.
If you study the writings of the mystics, you will always find things in them that appear to be paradoxes, as in Zen, particularly.
The moralist is the person who tells people that they ought to be unselfish, when they still feel like egos, and his efforts are always and invariably futile.
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
And humor has always been a weapon. You want to get even on somebody? You want to attack somebody? Make fun of them.
I just never saw my mother in any other room but the kitchen. There were always pots going.
And the thing that I always tried to do with important singers when I met them was to sit down and record everything they knew, give them a first real run-through of their art.
I was always a composer since I was a kid, but the BMI Workshop is where the networking really all stems from. So many writers and influences and ways of communicating all sprang out of the time I was a member of that workshop.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
I always wanted to have a villain song for Hades in 'Hercules,' but I couldn't figure out how we would have Hades sing.
I always felt great about what I wrote for 'Newsies,' but 'Newsies' was a total flop.
If you're writing for yourself as an artist, you are always pulling on your own experiences.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
I've always juggled a lot of projects because at least half the projects you do get shelved. So you have to do a lot of things in order for things to move forward.
I was always proud of the score to 'Newsies.' The movie is good, but it was under-budgeted.
I'll always work with my collaborator in the room so I have a reaction on a note-by-note basis. I know in my gut when something works for me, and I'll fight for it, but I'm a very easy re-writer.
I think there's always been a traditionally apocalyptic side to British science fiction, from H.G. Wells onwards. I mean, most of Wells' stories are potentially apocalyptic in some sense or another.
Technology is always a two-edged sword. It will bring in many benefits, but also many disasters.
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