Always Quotes
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I'm a lucky guy because I always play for a big club, and big clubs always try to win titles, and I love that.
I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.
I've always loved the electric guitar: to hold it and work it and hear what it does is unreal.
I always loved smokestack industry, and I love towns or cities that have grown up around factories.
I've loved music always, and my music fire was lit by Elvis Presley, really, and all that was happening back then.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
In any aircraft you fly, you always think about what can go wrong, and you plan for it in advance. You always have back-up plans.
I always feel like a script is a recipe, and then you bring the elements into the recipe, and you cook with it.
All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.
As an actor, I'm always so excited about those things that I get to stretch my legs and really get to do something that's hard to do.
Music will always be there. I own a piano. I have it in my apartment. I play it every day, and I have a lot of musician friends who I play with.
Ya know, I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
Coming from an action background, I always approach the action sequences in any script as kind of placeholders.
It will be hard work. It's always hard work, and hard work from everybody within the team - technical director, mechanics, drivers, engineers - everyone in the team.
Some other people are very lucky and always get in to the very best teams at the very best times and therefore go out and score lots of championship points and be in with a chance of the championship.
I'm from Ohio, and I wasn't one of those kids who grew up making movies or whatever, but I always wanted to write. I was probably in high school when I realized the things I was writing weren't books; they were movies, they were visual.
Philosophically, Dubois may have had no problem with a great African American institution. On the other hand, he always believed ultimately in the co-mingling of groups and the interplay of talents and in the collaboration of groups.
One of my best friends is named David Leventhal, and it has always been a constant source of amusement to see how the similarity and differences play out in our lives.
There's always a great deal of business to be transacted in one's office. There are always visitors it seems to me, an unending stream of them, who come with letters of recommendation, or come actually on substantive business.
I went to art high school and thought I'd be a painter. Unfortunately I didn't finish high school, but that's always been part of my work.
I never want people to be repulsed with my pictures; I always want to attract people.
Just as Renaissance artists provided narratives for the era they lived in, so do I. I'm always looking beyond the surface. I've done that ever since I first picked up a camera.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
I'm always interested in talented or odd people, and my whole life I've written about geniuses who society has treated badly and they strike back - or not.
Don't you always feel bad when they take away one of the spoons? It's like you ordered wrong.
I would always fall down the big main staircase in our house. My favorite thing in the world was to pretend to be horribly killed at the top of it, and to fall dramatically down to the bottom of it.
The American experiment has always depended on a measure of tolerance and good sense.
Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.
Necessarily, I'm always involved in casting, as any playwright is, because the whole process of putting on a play is a collaborative, organic effort on the part of a bunch of people trying to think alike.
I grew up playing war. We threw dirt and rocks at each other. We'd lead attacks. We'd break up into squads. It became a neighborhood thing for a while, our neighborhood against the other neighborhood. There was always a war breaking out somewhere.
John Sullivan's scripts were always very funny, and cast and crew got on well.
I always wanted to fly. When I was in theatre, I used to go up on Dunstable Downs on my day off to watch the gliders, to get away from it all.
The how-to-do-it always comes to the person who believes he can do it.
I have always maintained you should be able to bench press and deadlift at least twice your body weight.
I played hockey in the winter, and then I would play golf in the summer. But I always knew I'd be a golfer.
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.
But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean you're using it for constructing, makes you think about it, the place did as well.
Always live in the ugliest house on the street - then you don't have to look at it.
I've always drawn, for example, and I did consider when I was younger, it was either do I become an actor or do I become an animator cartoonist at that point. Do I work at Disneyworld or something and do animated cells or something?
I've always called myself a journalist who happens to draw. If I wasn't drawing cartoons, I'd be writing stories.
I almost literally wake up in the morning starting to think of my next idea. It's almost always driven by what's in the news. The hard part, really, is getting from knowing what I want to say to figuring out how to say it in an image. I'm still not entirely sure how to explain how that happens... Suddenly, something just works.
Part of the point of SETI has always been a search for answers about our own cosmic potential and destiny. If 'they' are out there, it means that there may be hope for us.
I was always into science fiction as a kid. I loved science and tinkering with things.
I loathe the word 'celebrity,' and I hope I'm not a diva. Whenever I see diva-ish behaviour, I just leave the room; I find it appalling. You should always try to be civil to people.
I was always the classroom clown, and the teachers allowed me a certain latitude. The assemblies were good, and the headmaster used to tell little stories; I loved the idea of communal storytelling.
A cultural shift is not always an ideological one - or at least not always the one you imagine. Our norms are always evolving.
I grew up in Chicago, and there was always snow. In Los Angeles there never was, so we would always import snow!
With Barack, there's an emotional need to succeed, to win, to obtain victory. He always believes that he's the smartest person in the room.
I had always been fascinated by the whole idea that Australia was this different ecology and that when rabbits and prickly pears and other things from Europe were introduced into Australia, they ran amok.
I grew up around writers, and there was always a romance to them. They were charming. They would tell their stories of what they were working on, over the table.
Heroes have always served as a reflection of their times, a template of who we are and what we want to be.
I was not very good at newspaper reporting. I'm just not quick enough, and I always tend to tell things as stories.
To be honest, I used to always procrastinate when I write. I mean, I love writing, but I hate it.
I think a lot of Jews make Israel the centerpiece of their Judaism. It becomes the centerpiece of their Jewish existence and of their faith. I have always felt that that's not for me.
Theatre is a bastard form. I'm always proud of that. That's what makes it taste of life.
The forest has always been a place, in fairy tales and in Shakespeare, where you go and discover who you are. You get stripped of everything you thought you were, some type of ordeal takes place, and you come out stronger.
I always try and do my best and put out the best and find the best in me, as well. But I'm not thinking about it beforehand.
There's plenty of people who can sing OK that make terrific records, and I love them from afar. But when I make a record, I need great voices. That's always my mandate.
I'm more into beats than rhymes. I'm a huge fan of anything touched by the Neptunes. Dancing is kind of my thing. I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
Dancing is kind of my thing. I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
I will always be a proud defender of the Jewish people and of the State of Israel.
There are definitely confines within the style of Disturbed that we needed to stay true to, but we've always pushed that envelope. We always continued to develop with each successive record.
There's everybody in the world who is always trying, time and time again, to proclaim the death of rock, or hard rock and heavy metal. Not if I have anything to do with it, not if we have anything to do with it.
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