Youtube Quotes
Most Famous Youtube Quotes of All Time!
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When I saw that Google bought YouTube for $1.65 billion, I was dumbfounded! Why would Google get into bed with thieves? They've built a huge audience on the backs of copyright holders - and then they say I have to monitor them?
We filed suit against YouTube before the Google purchase. At the time I went after YouTube, I thought it was a small company ripping off our copyrights.
I've been super impressed with what BuzzFeed has done on Facebook with inspiring list posts and on Twitter with political scoops, but YouTube is a giant social platform that has its own quirks and oddities and will require some new approaches.
The thing that has always struck me is that there has always been a bit of a hole at YouTube when it comes to authenticity, human emotion, fun and play.
Countries like France should not be naive. We don't have a French YouTube or Amazon or Netflix.
YouTube is a problem. It has very big traffic, but it refuses to contribute to the weight of that traffic.
I'm trying to break away from doing covers or from being considered only as a YouTube star. I'm a singer, songwriter, sound engineer, and producer.
Some people would say, 'Nah, he's just a YouTube kid.' But I sing, play instruments; I can mix, master, and engineer - all those stuff.
Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.
It's very hard to just have a pure form like a Hulu or a YouTube to be successful in China because our view is, users come to a platform; they really don't care whether it is professional or whether it's a user-generated, or it's premium, you see. They want to come to a big database to be able to find the content they want.
If Youku had adopted YouTube's business model, we just would not be here. We would not exist.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
I watched pretty much every coming out video on YouTube that has ever been posted; I watched it in between 14 and a half and 15. Those coming out videos, and those people on YouTube, those brave, brave, brave people on YouTube, without them, I don't know where I'd be.
I cry at absolutely anything. 'Lethal Weapon,' the fight scene at the end - you can see it on YouTube.
I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.
We are all amateur attention economists, hoarding and bartering our moments - or watching them slip away down the cracks of a thousand YouTube clips.
That's the beauty of YouTube. You can take whatever you want and create a video from your home and put it up, and you're just sharing it with your friends.
I make YouTube viral videos all the time, and I made a video called 'Beauty and the Beat,' And as a strange, wacky coincidence, Justin Bieber dropped the song 'Beauty and a Beat.'
In the beginning, YouTube content wasn't up to the same standard as traditional media. Now, people are using it as a launchpad.
The best thing about a platform like YouTube is that it helps musicians all around the world to reach such a vast audience.
With YouTube streaming and Twitch and all that, you can just hop on on any given night and play videogames and have people come watch you. And even if you've only got 400 people watching your stream, that's more people than would see my comedy if I went to UCB.
I used to put like, 'Yo Gotti type beats,' 'Future type beats' on YouTube. And uhh, I started getting paid off YouTube. Like YouTube started giving me Google AdSense checks.
Wal-Mart is like a physical version of YouTube. You can find anything you want on YouTube. It let me access millions of people online who maybe wouldn't have tried yoga. Wal-Mart carries a similar heavy weight in its ability to reach people.
This is an age where you could put anything on YouTube; people can make films on their own.
Normally, my digital peregrinations take me to destinations like Facebook, YouTube, and boingboing.net.
The entertainment world, television, movies, social media, YouTube stuff, we're so bombarded with so much imagery and such a great sense of inhumanity, and there is a coarseness, a coarsening of interaction.
I'm the perfect kind of personality for making YouTube videos. I deal in short attention span theater. I do wild things.
The general reactions were that the video was either not going to load, or be painfully slow to load, or would require a plug-in users didn't have. YouTube changed that, because it just works.
If you're going to implement video, do it as well as YouTube does it or don't do it at all.
I wish I had perfect pitch, but I don't, and thanks to the miracle of YouTube, a bad night lives forever!
We noticed that the most popular videos at YouTube showed people making things.
On my YouTube channel, I put up 3-4 videos a week, and I spend a lot of money to maintain that content. When I travel, I travel with a videographer and a photographer no matter what.
I've been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.
I was one of the first artists to have a YouTube account, if not the first. I joined two months after the site launched.
Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.
When I wasn't working, I was learning how to use production software on YouTube and making music.
I'd wanted to be a director since I was five and had been making videos since I was a kid. Then YouTube came around during high school. I was making videos, and it was just a place to put them, like storage.
YouTube has a stigma about only kids watching it. That's true. It is mostly kids and teenagers who watch it. But I've never made videos for teenagers. They should not be watching my videos.
On YouTube, you know, if you say something, you know, that triggers somebody, it becomes a whole controversy, a whole thing - and all the comments and everybody's upset, whereas a book, there's no comment section. There's no - there's nowhere for the audience to, you know, get mad at you for saying something.
I can't even tell you how many 8, 9, 10 year old kids have come up to me and said, 'You are my favorite wrestler, and I've seen you on 'the network' or on YouTube.'
We have entered a time when a writer's first idea is his best idea, when the first thing a reporter hears is the first thing that she reports. We live in a time now when we have seen major television networks take video off of YouTube and broadcast it to millions of Americans without verifying whether the video had been fabricated or not.
What we'd like to think of YouTube as is a part of Google with very overlapping goals and values. We're a fundamental part of the advertising business for Google.
YouTube has proven it can flourish in a model where there is more autonomy, and in that way I think it is an example and a potential model for other areas of the business.
We want to get to a point where anything you can think of finding that is video related is searchable or recommended to you on YouTube.
Imagine you can tell YouTube you have an hour to watch TV, and it would give you programming based around what you have watched in the past, what your friends watched and recommended, what your favourite celebrities tweeted about, and on one piece of input from you about what mood you are in.
I think the next set of media companies are going to be created on the web and that YouTube is going to be a big part of that.
I don't think I would be here in an interview if YouTube wasn't in existence, if social media hadn't been developed, or if these platforms for artists to promote and develop their own careers hadn't become available.
I had to do a Northern England accent once, and I didn't have much time, so I went and pored through YouTube. There are all sorts of resources out there. The Internet has made that much more affordable. Don't break your neck to spend your money.
As soon as I starting making YouTube videos, I received so much positive feedback from the online community and a demand for more content. As time went on, my filming schedule became more consistent, and it made sense to hire some help and upgrade my equipment.
When I first started YouTube, I was using an old computer that I had had in high school that stayed with me through college that was on its last leg. The boot-up was, like, 25 minutes.
I moved to L.A. I wasn't really sure what I wanted to do, but I really like the entertainment industry. I started to make videos on YouTube to get more comfortable being in front of the camera. The first video I filmed was with my sister.
My fan base is really, really young. They're the youngest demographic that you can track on YouTube: 13- to 17-year-old females. But the fan mail that I get in my P.O. box, they're all from moms and from kids who are two years old, three years old, four years old.
I looked on YouTube for sleep deprivation and there were videos of people experimenting with staying awake for a while. You saw all the different stages.
Because YouTube is focused on a lot of different types of content at the same time, it has many opportunities, and the hardest thing is to figure out which ones you shouldn't do, and focus on the ones you should.
My influences are a wide variety: from Dave Chappelle stand-up comedy specials on YouTube, to watching chick-flick comedy movies, to scrolling through stuff people say on the Internet.
I'm inspired by a lot of things. I came from Indonesia. I grew up watching a lot of YouTube videos and was inspired by all these other things. I just love making music. I don't think I'm trying to profit off anything. I just like creating stuff.
I'm sure there's some awful video of me singing when I was, like, 13 or 15 at my old school that my dad didn't take down off YouTube.
Whether it's Baidu or Chinese versions of YouTube or Sina or Sohu, Chinese Internet sites are getting daily directives from the government telling them what kinds of content they cannot allow on their site and what they need to delete.
I don't really use YouTube that much. I am a very Internet-oriented person, but I'm more of a Twitter freak - I'm always on Twitter. Or chatting with friends.
I not only hope that YouTube channels compete with television shows for viewers and revenue, I hope they develop a bitter rivalry which could only be settled by an elaborate medieval tournament where the two entities fight to the death in a steel cage.
During my long study sessions in the library, I found myself watching YouTube videos during study breaks.
We found the appetite for 'Frontline' has only grown as the digital landscape has exploded. The appetite for the reporting we do on our digital platforms to the short films we're doing for our Facebook and YouTube channels. And we're still producing these remarkable long-form films.
Google owns YouTube, and recently, I drew a comic about an idea for a YouTube feature - which they actually took seriously and implemented. So I'm thinking that maybe we'll have a future where Google is 'xkcd.'
When someone praises me for some speech uploaded on YouTube, I politely tell them I've been acting for many years.
I’ve got a few things on YouTube and the most I’ve ever had is about 8,000 clicks over five years.
Well, my husband is supportive of my work, like advocating for dialogue between cultures on YouTube.
I just made my album. I did my best. And I uploaded the video just to 'YouTube.' That was all.
Thanks to many great K-pop singers, the groundwork has been laid for more Korean songs to be readily accessible to an overseas audience via channels like YouTube.
If I say, 'Hey, I'm Psy.' 'Psy?' 'The guy from the video on YouTube?' 'Oh.' I hate that. I've got to be more popular than the video. So I need to keep promoting myself.
I was not familiar with the Internet thing. Honestly, you know with all kinds of Internet media, I was not that familiar. I was not that kind of guy. Accidentally, 'Gangnam Style' happened, and you have YouTube and all other sorts of stuff like Facebook and Twitter and so on. So after that, I learned and learned.
Joshua Kirk, the YouTube kid with the glasses who looks directly into the camera - I really love his album reviews. He’s been doing it for years.
The thing that has made YouTube so successful is that you can relate to the people you're watching to a much higher degree than to the people you see on TV.
I'm so central to YouTube now, and that puts me in the spotlight and raises a lot of questions like, 'Why is he so big?'
The one I have the most angst towards would be YouTube. We had an opportunity to invest, and I just got nervous about the media industry's response to the unlicensed content on the site.
It's funny to think of Dave Chappelle's show and how popular it was and he was before YouTube. I would imagine 'Chappelle's Show' would be even more giant if there was a chance to put his stuff online and pass it around.
If you're 15 and you tell someone a secret, they can put it up on Facebook. If you make a mistake, someone films it on their mobile and puts it up on YouTube. When you're 15, you deserve privacy.
I put on YouTube one single and, in 20 hours, have five million, six million people.
I'm going to continue posting on my YouTube, which is youtube.com/nolansotillo. So I mean, if I get signed and come out with an album, it would be just another... that is a goal of mine.
The 'Neon Demon' is very much designed to be like a YouTube movie. It's designed to be chopped up. You can cut it up into seven or eight pieces and they're, like, vignettes.
China may censor YouTube. China may censor Twitter. They won't be able to censor Bitcoin. There's no central authority. There's no one you can go to and say, 'We're going to turn Bitcoin off.'
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
I don't know why, but there's something about YouTube that just makes it so awesome. You can go on there and find anything. There are actually really talented people on YouTube.
We have more tools at hand, literally, to make life easier and more productive than ever. We have Google, Wikipedia, iPads, iPhones, iTunes, YouTube, Netflix, and 600 cable channels. We can shop, pay bills, order food, and get nearly everything delivered, all of it with the touch of a finger on a device in the palm of our hand.
The 'World Wide Web', as people quaintly called the Internet in 1996, was more or less made up of text. There was no YouTube. There was no Facebook. There was, however, Usenet, a loose and difficult-to-navigate assortment of message boards.
Big Shaq stems from my YouTube series 'Somewhere in London.' I just wanted to create something that was multi-character and multi-dimensional.
You have Google, we have Baidu. You have Twitter, we have Weibo. You have Facebook, we have Renren. You have YouTube, we have Youku and Tudou. The Chinese government blocked every single international Web 2.0 service, and we Chinese copycat every one.
I like to see a video through a computer or through a phone to make sure it looks good at its worst. I hate when you perfect something for the ideal way of consuming things, and then when you see it on YouTube, it looks like crap.
Before YouTube, I was playing in restaurants and doing open mics - every once in a while, I'd throw an original in there. And then YouTube kind of just opened doors for me, so once I felt like I had an audience to share music with, I began to share my original music.
With my YouTube videos, I used to edit a lot of my own videos, so I've gotten used to seeing myself on camera.
Under the 1998 Digital Millennium Copyright Act, Tumblr, YouTube, Reddit, WordPress, and Facebook aren't responsible for the copyright infringement of each of their millions of users, so long as they take down specific posts, videos, or images when notified by copyright holders. But copyright holders thought that wasn't good enough.
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