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I will never do another TV series. It couldn't top I Love Lucy, and I'd be foolish to try. In this business, you have to know when to get off.
I'm not sure that I want to be without some lack of confidence. If you are too sure of yourself, you don't grow. You may feel confident in some things, but other fields come up as a challenge. And if you don't anticipate trouble, you will be in trouble.
I don't think you should write a book until you tell the absolute truth. You can't do that until you're 85, and I don't want to live that long. I've always prided myself on knowing when to get off, and I hope it works out that way.
You must lose yourself if you want to be successful in animation and be the character.
The tendency is to think if you are a professional woman, it's because you've turned your back on the traditional side. The tendency is not to recognize that we can excel as professionals without giving up our identity of being mother, wife and homemaker.
You should put time into learning your craft. It seems like people want success so quickly, way before they're ready.
If you come into success too soon, you'll burn out and be finished before you know it. If you let the maturation process happen naturally, you'll be happier with yourself in the end.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
I'm not just a doormat. I'm not just being stepped on all over the place. If you look at the bulk of my material, it's about trying to find some strength through that.
I'm fascinated by the whole concept of snake handling. When you read about the Pentecostal snake handlers, what strikes you the most is their commitment.
I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.
I certainly had my God-can-you-just-take-me-now-I've-just-had-it-I'm-checking-out-let-me-off-the-train-I'm-done kind of thing. But, you know, I would never actually do it. I just can't imagine what it would take to do that.
Many, whose hearts are conquered by acute spite, roll out balanced tales from their own heart, which do not balance when you weigh words against deeds.
Consider, when you are enraged at any one, what you would probably think if he should die during the dispute.
What difference does it make how much you have? What you do not have amounts to much more.
Shall I tell you what the real evil is? To cringe to the things that are called evils, to surrender to them our freedom, in defiance of which we ought to face any suffering.
Walking is pretty easy. You just have to be confident, like not caring. And honestly, people think about their walk too much, so they try to do something really interesting, but the designers hate it.
If you have a cool personality, the photographer will want to work with you because he or she will have more fun on set.
I want to save up money. This is probably long-term, but I for sure want to get into real estate and flip houses and start doing stuff like that. So I'm saving money. And, you know, being a kid at the same time. I want people to know I'm literally just a 16-year-old punk who's trying to hang out with some homies on the weekends.
I like a girl with a good personality that I can have fun with. If I am taking you out on a date, let's eat burgers and cheese fries.
It's a dream for any player, having the opportunity to play in the Premier League. Everybody knows it's the most competitive league in the world. It's really great to follow it, as you can't predict who is going to win the trophy.
You always have competition and great players who can play. The winner in that case is Paris Saint-Germain. With great players, even if a player is unavailable, another can come in and make the difference.
I'm a big John Steinbeck fan. Cormac McCarthy. I've always loved the stories of regular people. Mark Twain, too. When you look back at some of the epic writers of our country's history, very rarely do you find upper-class royalty. We seem to delve into the struggle of life and the labor of life much more frequently.
If you had known me in middle school, I was definitely not what someone would think of as Brad Pitt. That was not me. I was kind of a dork.
If you talk to anyone who's done a stair fall, there's not one stair fall, no matter how many pads you have on or how protected you are, where you don't hurt something really bad.
I hate the amount of communication, the obligation that you have just by owning a phone.
Do you remember those AM radio kits you get as a kid, and you build your own AM radio? Well, I never actually built one. But I did get them as a gift, for, like, 3 Christmases in a row, and I hated them.
I'm not a big fan of guitar face: you know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye, and it's really humiliating.
Every time I work with real Southern actors... we immediately go into white trash, and we just get along really well within one night, you know.
Man, the '80s were pretty wacky. You had some stuff that was just so rad and some stuff that was just so wrong.
My dad's nickname was MacGyver when we were kids. He'd hijack my projects all the time. When I got older, he would not do it as much... but he would just end up hijacking the whole thing. You should see the look in his eyes when he gets to create stuff.
If some guy said this to me, I wouldn't listen either, but one-rep max-outs are the dumbest things you can do to yourself.
If you've been trained to listen to mistakes your whole life, you forget to listen to opportunities.
Painting is sometimes like those recipes where you do all manner of elaborate things to a duck, and then end up putting it on one side and only using the skin.
The longer you look at an object, the more abstract it becomes, and, ironically, the more real.
You ask why I'm fascinated by the human figure? As a human animal, I am interested in some of my fellow animals: in their minds and bodies.
Do you imagine Sergio Leone with a philosophy? Come on! He was a primitive of movies, a great director on set.
Do you know how long it took me to write 'For a Few Dollars More'? Nine days.
Theatre has so many competitors, it's no longer enough to see and hear a play. You want to be able to touch and smell it, too.
If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.
You know sometimes you're in a position of risk and you feel that you can turn good or bad.
After six, seven films, I started to get a little tired. Shooting takes a lot out of you.
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
That is why it is so important not only to have excellent treatment but also to try to get back the immune defense, because there you have a natural defense that takes place everywhere.
Since most of the transmission is sexual transmission, you have a regional or local response to the virus.
Psychological factors are critical in supporting immune function. If you suppress this psychological support by telling someone he's condemned to die, your words alone will have condemned him.
My proposal now is to test a vaccine first on people who have been infected, and if you show some efficacy at this level, you might be able to go further to study uninfected people in a population with a high rate of infection.
It's very difficult in our society. You cannot impose certain behavioral changes. Education can do it at the right time, probably by high school. After that it is too late.
Another interesting field, which is my own, is cofactors, not only to the disease but also to transmission. I am still puzzled by the fact that you get more sexual transmission in some ethnic populations. One way to answer this is to look for genetic factors.
AIDS does not inevitably lead to death, especially if you suppress the co-factors that support the disease. It is very important to tell this to people who are infected.
I don't like post-modernism. It's cynical, and takes no discipline - you just copy. It doesn't allow a film to be open to reality.
As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.
Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.
If you're thinking clearly and are content about where your life is - to where you can just think about the present, think about the now - that's what you need to do to hit good golf shots. I know there are a lot of distractions, but when you're thinking clearly, you're more free. You've got to have that freedom on the golf course.
You know, when you're trying to get better at golf, you're always measuring your game up against other people to see what you've got to do to get better and to see if you can compete with them.
If you have to change something about you to be in a part, I don't think it's easy to do. You should just pick the part where you can just be yourself.
My worst habit is probably awkward laughing. I always awkward laugh, like when you're talking to someone and no one is saying anything, so I'll do an awkward laugh. I wish I didn't do that.
I love working with crews. Filming the 'Fred' movie, for example, was a blast. You get to be around so many creative, talented people all day, so it's a blast.
When you are a really iconic character, everyone thinks that's all you can do. It's nice to show people that I'm not a one-trick pony.
I think with the 'Fred' videos online, I prefer doing it by myself. I mean it's YouTube. You want to have all the creative control because that's the only place in the world where you get that.
It's nice to know you're working on something that will mean something to kids.
Ultimately, I think what I want from my career is to be able to create work for myself, and there's only so much you can do as an actor in a movie.
I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
The great thing about scenes that involve nervous breakdowns - in the little experience I have doing them - is that there's no way to craft it. You just have to do it, and it sort of crafts itself in just being incredibly messy.
The more you learn to love yourself, the better actor you will be. That's always going to be my training. Every part is, 'How can I learn to love myself more?'
In fashion, you're privileged because you're consistently working with a vanguard of youth.
I always say to students, 'You're never going to have all the skills, but you have to have a skill.'
What is good work? You just know it when you see it. You just can't explain it.
We always want more, more, more. You see good work; you want it better. We push, push, push.
I have very tidy cupboards. I do like a cupboard to look nice when you open it, with the labels facing forward.
Everything is not on a plate for you at Saint Martins - it's about personality, about working out how to do it.
In the past, you'd have one magazine, it would arrive monthly, and that was your magazine. You'd devour it; you'd absorb all the knowledge in it; you'd read it over and over again.
I've always believed that you have to have the skills before you destroy the skills. If you want to be crude, be crude, but don't be crude because you don't know how to do it, because you're not perfect at drawing and pattern-cutting.
I try to stop my students doing random things on the Internet or putting work online. It doesn't get them jobs. This concept of being noticed, I don't know what it brings you.
There's lots of bad things about teaching, but the really good thing is that you get to be around young people - irritating as they are.
As you probably know, this woman I like to call my mother went on tour for her 'MDNA' album. As a summer job, I decided to work in the wardrobe department. All of my friends were getting summer jobs, and I wanted one, too. Mine was a little unconventional but still a great experience and a lot of fun.
When you have an attorney giving you advice, it would be nice to know what their financial relationship is to the advice.
You can't expect that because you find a story and report it out that your newspaper and broadcasting company is going to want to publish and broadcast it - and you're going to be a hero.
You can have all the information you want in the world. If you don't have the people raising questions and looking beneath the surface, and people being paid to do this, you're not going to find the answers.
I tell my students that if you have enough preparation, you can handle the big interviews. You won't be intimidated.
You're starting to see programs literally completely supported - all the data usage supported by a company. So our friends at AwesomenessTV are doing a series set on a cruise ship called 'Royal Crush' completely subsidized by Royal Caribbean cruises because they're trying to have teens see that cruises can be cool.
The key for us is to have assets that are easy for people to get to and they want to use. So Go90 right out of the gate will have certain things that are exclusive to Verizon, but you can download it if you're a Sprint customer or T-Mobile customer, and they're doing that. Things like the AwesomenessTV - exclusive content.
If you look at the first generation of wireless, it really lasted about 15 years before we went to the second generation. When we implemented the fourth generation, which allowed us to do all the smartphones and the videos, the time between that and going to the fifth generation is going to be four years.
Latency is very important when you think about autonomous cars and things like that - 5G will really change the game, and I think will be another spike of growth in the wireless industry.
We're extremely excited about the assets that Yahoo has in the areas of Sports and Finance and Email and News. You match those up with AOL, and we've just made an exponential leap in capabilities here.
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