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With what all these people are saying, do you think that anybody wants to be around me? They all think that I did this on purpose? That I knew that I was positive, for so many years? I feel now that I'm going to be attacked if anybody sees me or if I go to the office.
I've never thought of acting as rocket science - you put on the costume, get your hair cut, and that's it, really.
Apparently, if you live until 75, you'll have spent 25 years in bed, so it makes sense to have a decent mattress.
I just like that dynamic in relationships in movies where they're kind of lovers as rivals, you know?
One of my life philosophies is that you have a choice to make when you're doing something creative. You can be cheesy... or you can be lame.
That Happily Ever After is a great way to tell stories when you're young but eventually it loses its meaning because it's just not true.
As a footballer, you always want to get better personally. And if you get better personally, you make the team better.
The Champions League is always special. I believe every player, every fan, every coach wants this trophy. It is unbelievable, and it is one of the greatest achievements you can have in football.
I'm being called 'Messi with gloves?' I think he's had a great level over many years. You shouldn't compare yourself with that.
You can be as good as you want with your feet, but when you're making mistakes, the opinions will change immediately.
If you don't have the best player in the world in the team, it would be strange if you didn't notice the difference.
If you think two steps ahead, you forget what's important in the now.
If you start thinking about eventualities, you lose your focus, and you can soon forget about it.
Sometimes you have faced no shots during 90 minutes, and in minute 91, there is a shot. You always need to be focused, concentrated, and this is what makes you tired, being so focused.
The career of a writer is comparable to that of a woman of easy virtue. You write first for pleasure, later for the pleasure of others and finally for money.
If you do two versions of a film, they should be identical. With the same frames and settings.
The individual - man as a man, man as a brain, if you like - interests me more than what he makes because I've noticed that most artists only repeat themselves.
When you make a painting, even abstract, there is always a sort of necessary filling-in.
The danger is in pleasing an immediate public: the immediate public that comes around you and takes you in and accepts you and gives you success and everything. Instead of that, you should wait for fifty years or a hundred years for your true public. That is the only public that interests me.
Painting is a language of its own. You cannot interpret one form of expression with another form of expression.
My position is the lack of a position, but, of course, you can't even talk about it; the minute you talk, you spoil the whole game.
I happen to have been born a Cartesian. The French education is based on a sequence of strict logic. You carry it with you.
Tradition is the great misleader because it's too easy to follow what has already been done - even though you may think you're giving it a kick. I was really trying to invent, instead of merely expressing myself.
What art is, in reality, is this missing link, not the links which exist. It's not what you see that is art; art is the gap.
I don't go digital. I was never good with technology. I didn't have a cellphone until I moved to New York. My gallery was like, 'What? How are we supposed to contact you?'
It's incredible how many emotions you feel when crossing the finish line and seeing that you are No. 1.
If you want to be among the greatest skiers, you have to win in Kitzbuehel at least once.
'Dragon Age' needs to have big story moments. It is a game about character first, and the party is an absolutely central part of that. I want to keep pursuing interactivity with the world: taking crowds to the next level or having things catch fire because you indiscriminately cast a fireball into a wheat field.
If you want an MMO, there are plenty out there. The difference with a single player game is that in the same way you lose yourself in a good novel, you can lose yourself in a single player story. You see it in all these games, where you can fill your house with turnips or decorate your armour with a dragon skull.
We built 'Jade Empire,' then we built 'Mass Effect,' then we built 'Dragon Age.' With those last two, when you're dealing with two big ideas that are on their third iterations, you develop some strategies for managing your lore, or you drown!
I don't think anybody's too big to fail. I think the - I think if what you've got is sort of a large number of institutions who are going to fail, then that ends up affecting the system.
Leverage is great when it works, and when it doesn't work, it creates a lot of issues. So I think if you limit the amount of leverage that people can borrow, or that banks can borrow, I think you'll find that you'll have a lot less issues going forward.
There are also always those burnt, hard kernels at the bottom that don't pop. You know why they don't pop? They don't pop because they have integrity.
Have you ever had one of those moments when you look up and realize that you're one of those people you see on the train talking to themselves?
In the sixties and seventies you could probably name all the great comics. It was still special.
As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.
When you actually meet the devil and he offers you a deal most artists eventually negotiate.
Show business is one of the few businesses that the devil will actually agree to own just a portion of your soul because he knows if you have a performer's ego you were probably working for him all along.
Of course I always knew 'We Will Rock You' and 'We Are The Champions' and all those. But my real introduction to Queen the band and knowing who they were was the movie 'Wayne's World' like a lot of people in my generation.
Because you basically won a close re-election, your first task is to unify the city. And it's done not with words but with actions, by reaching out, to the supporters of your opponent as well as to reassure your own supporters.
People kind of tend to mystify design and architecture by suggesting you need to train.
Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.
You know some people say that you make watches or perfume bottles, it's all different things.
Number one, you can sell before you buy. I call it reverse e-commerce. You take a picture, you list it for sale, you sell it, you collect the revenue, then you go buy it and send it to the customer.
The purpose of driving traffic to your online business is to get customers. Once a prospect lands on your site, you still have to convert that prospect into a buyer.
Good website practice and optimizing for conversion usually makes for good search engine optimization. These work together to ensure you drive quality traffic and can persuade that traffic to help you meet your business goals.
You might call me a tech intermediary. I know how to talk to the people in Silicon Valley and then take that information and explain it to everyone else.
Vertical search engines that match your business, service or products with a target market offer you a higher conversion rate than traditional search engines. Because they have already qualified their interest by coming to a search engine with a specific focus, searchers will be more receptive to targeted advertising.
Search engine marketing and search engine optimization are critically important to online businesses. You can spend every penny you have on a website, but it will all be for nothing if nobody knows your site is there.
Opportunities present themselves every day - to everyone. You just have to be alert and ready to act.
You've got Marvel films, sequels, franchise movies, so much noise out there. You're trying to brand your entertainment. The musical is its own brand.
The further you get up the corporate ladder, the farther you get from the actual filmmaking process.
I do remember feeling, 'I don't ever want to feel impotent in terms of what I can control in a business in which you can have very little control.' And that motivated me to go to law school - that, and my parents saying, 'Go to law school before you do anything.'
TV has the unique opportunity to take musicals, live events, so it has that feeling and excitement and spontaneity, but still has a camera between you and what you are watching.
In any adaptation, the challenge is to take the essence of the original source of the material, be faithful to it to a point, but to also recognize that you're telling a story in a very different medium. It has to exist on its own, and it has to offer something unique to that experience.
You're trying too hard to find a correlation here. You don't know these people, you don't know what they intended. You try to compile statistics and correlate them to a result that amounts to nothing more than speculation.
If you apprentice yourself to the smartest people who will take you seriously, you will learn at every step. You'll learn their special language. You'll see what real people do. Your interests might surprise you. They will evolve. And you'll be well-positioned to take advantage of whatever opportunity life throws your way.
At a startup, it's hard enough to get a single thing right, much less a whole bunch of things. Especially if the things you are trying to do are not only dissimilar but actively impede each other.
You pick what your customers want, not what your entrenched business model may require you to do.
Pitching a concept well is certainly important, but ultimately you have to build it.
As software began to be sold to people who would never consider themselves technical, it suddenly became clear that you needed people who spoke their language.
Diversity is not a skin thing, necessarily. Diversity is you have people around the table who have different backgrounds and different experiences and think differently.
I'm this big believer that culture is not what you say, it's what you do. Who cares about your PowerPoint and about what you've carved into your cornerstone? If it's not being modeled, it won't be readable.
I am the luckiest guy you will ever meet. The most fortunate guy you'll ever meet.
Influence, people think about it as someone you like but influence is also what you're revolted by. In fact, often it's what you're running away from.
You can't run a business based on sympathies; otherwise our business would be hampered.
It is much more convenient not to be a public company. As a private company you don't have to give information to the public. Secrecy is an important factor of success in the commodity business.
I basically see two reasons for a going public: Glencore gets access to more money. It is a way of funding your business and to finance growth. Plus: You have more liquid shares. It is easier to leave the company and redeem your shares. The 'going public' may also be an exit strategy for the top management.
You see so many different personalities and mind-sets in the world of sports, just like you do with actors.
Team sports, there's always some kind of sacrifice happening... A team, if we lose, if Michael Jordan has a bad night, you hang it on him a little bit... but if you lose as a tennis player, you have no one to blame but yourself, and that's a different beast.
Be strong and follow your own convictions. You can't assume there is a lot of time to do what you like. This is what David Bowie is afraid of: that he will die before he gets a chance to make a real strong contribution.
There is so little time for us all, I need to be able to say what I want quickly and to as many people as possible. Time passes so slowly if you are unaware of it and so quickly if you are aware of it.
There is something I feel when I animate something; you can never really understand the character you're animating unless you've had the opportunity to turn it around. Once you've done that, you know it is a three-dimensional object.
I love people that, in the face of falling off a cliff, still want to fight about something that happened five minutes ago, going, 'Now, you know I'm right about that,' even though they're facing imminent doom.
I can't imagine doing anything without being an improviser. I can't imagine trying to write or act or direct without what improvising offers you.
If you print money like in Zimbabwe... the purchasing power of money goes down, and the standards of living go down, and eventually, you have a civil war.
When you print money, the money does not flow evenly into the economic system. It stays essentially in the financial service industry and among people that have access to these funds, mostly well-to-do people. It does not go to the worker.
In the economy of the cuckoo people that populate central banks, everything is possible. What you have is gigantic bubbles, the NASDAQ in 2000, then the housing bubble and then commodities in 2008 when oil went from $78 to $147 before plunging to $32 within six months.
I've had every haircut you could possibly imagine: mullet, tail, dreadlocks, afro, crew cut. It's always been an expression of who I am.
I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
'Quantum of Solace' was a bit of a different circumstance than a lot of my other films because you're stepping into a franchise, and also in that particular film, we're dealing with a script from the writer's strike, which was difficult to handle because there was never time to really develop a finished script.
The interesting thing is that when you start out, people have no judgment and they see you young and fresh as a filmmaker - and because you have no experience yet, you're much more naive and think anything is possible.
The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.
There's a lot of downtime where you're filling your car up with gas, you're driving to work, you're stuck in traffic - it's Los Angeles, and so much of it is a car lifestyle.
I came up professionally as a lawyer, and when you're a lawyer, writing a 50-page brief in one night is just another day at the office. You learn to make choices really quickly, and you learn how to get thoughts down very quickly.
It's always really hard to kill off someone who you just really enjoy working with, writing for, and seeing on the screen.
On 'Arrow,' we have Ray Palmer and Roy Harper, and if you call Roy 'Ray' and Ray 'Roy,' you have to put money into the jar.
With comics, there's no budget. There's a budget in terms of you have to pay an artist and a colorist and all that, but you can do anything you want to do.
All of the stuff I can't afford to do on a TV budget, I just put into the comic book because you're really only limited in a comic by your artist's imagination.
I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.
In terms of having a business, I wanted to let it go beyond what my personal taste is. Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear.
It doesn't matter that the way of life shown by Hollywood was phony. It helped you hope.
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