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Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
It might shock you, but I haven't been to that many fashion shows, and I'd never done a commissioned piece for a fashion house.
Arrogance generally is a bad thing, but with a band, somehow you have to have this gang mentality or this certain degree of arrogance to push forward an idea that's new enough that people aren't comfortable with it at first.
Each time you present a tour, you're faced with these questions of, 'How do you want to present visual information? How do you want to take the music that we're making on stage and visualize that?'
Obviously, there are moments that you look back at and cringe - things in the past involving violence or disrespect to women or disrespect to other people that are so far away from what I want to put out there now. But it's actually a privilege to be able to change and be making records that reflect that change.
It's what happens when you've been in the game a long time. We had to grow up in a very public way.
A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.
When something needs to get done and it doesn't get done, I take it personally. And that's just how you have to be.
Take a deep breath. When the game comes, no matter what happens, you can always keep your cool. I'm a bit of a hot head, a bit of a spaz, so it really helps me calm myself down during the game.
You name me a Super Bowl that had a pacifistic defense, and I'll give you my paycheck. I'm serious. There aren't any.
Look at the old Packers - those guys were mean. Reggie White would say, 'Here comes Jesus,' and then he'd club you into next week.
The second guy always gets caught, and that's why you have to initiate it instead of retaliating.
As a parent, you just want to really make sure your kids understand what you are trying to say as much as their maturity level will allow them to.
When we're on the football field, it's me vs. him. Maybe it's me vs. two of them. Maybe it's me vs. three of them. It's a fight. And you have to take that fighter's mentality out there.
You can have information and ease of use and have artistic integrity at the same time. The art of being a good Web designer is getting yourself into that middle ground and treating it as a final destination instead of as a compromise.
It's all about people. It's about networking and being nice to people and not burning any bridges. Your book is going to impress, but in the end it is people that are going to hire you.
No disrespect to people that don't use music theory or don't know it. It does help to be able to figure out what key a song is in, even though with your scales you can figure it out so you can set your Auto-Tune right. So many songs with Auto-Tune are off or have the wrong note playing on the 808. And they pass it off as being hood.
If you're a wildlife filmmaker and you're going out into the field to film animals, especially behavior, it helps to have a fundamental background on who these animals are, how they work and, you know, a bit about their behaviors.
If you're going to make a lot of films about a particular group of animals, you might as well pick one that's fairly common. And octopus are: they live in all the oceans. They also live deep. And I can't say octopus are responsible for my really strong interest in getting in subs and going deep, but whatever the case, I like that.
If you ever really want to get away from it all and see something that you have never seen, and have an excellent chance of seeing something no one has ever seen, get in a sub. You climb in, seal the hatch, turn on a little oxygen, turn on the scrubber, which removes the CO2 in the air you breathe, and they chuck you overboard. Down you go.
One of the most important things that I have learned in my 57 years is that life is all about choices. On every journey you take, you face choices. At every fork in the road, you make a choice. And it is those decisions that shape our lives.
Well, you know, my wife and I have eight children. We have now 19 grandchildren.
To be elected president, you have to do more than tear down your opponents. You have to give the American people a reason to vote for you - a reason to hope - a reason to believe that under your leadership, America will be better.
I found, in the Senate, you can have significant impact whether you're in the minority party or the majority party, and a lot of it goes back to... that you really have to be able to count to 60.
You have to give people a reason to believe that, under your leadership, America will be better. Rick Santorum has done that.
I'm an optimistic agnostic. I think the second we die, within a matter of seconds, everybody else arrives, and that's the party, and you live your hell on earth.
I think that's the most important thing you can do to be a real person - is to be honest with yourself.
Basically, my problem was attributed to stress more than anything. I don't know what that does and I guess doctors can tell you that there's chemicals that build up in your system when you go through a lot of stress and constant stress.
Eating properly is great. I mean you cut the fat down, cut the cholesterol out, but still you got to get your rest and you got to have some form of exercise.
Here's what I tell anybody and this is what I believe. The greatest gift we have is the gift of life. We understand that. That comes from our Creator. We're given a body. Now you may not like it, but you can maximize that body the best it can be maximized.
I always tell people I want to live to be 150 and they say why would you want to do that. I say, well there's a few people I haven't made mad yet, I want to get them.
You would be surprised of films that people just don't see. You know what I mean? I'm always working and I'm a film buff but I'm an old school film buff.
You know, my life's changed now. I'm starting to experience what people are really supposed to do. You supposed to be married. You're supposed to have a family, kids, treat your wife right.
They have what you call a black night where they have black people come in for just one night only to watch comedy, and you get all your local drug dealers, thugs, prostitutes, all of them come in, sit down, and listen to you tell jokes. They the hardest people to make laugh.
I learned that you don't have to be all over the place, that you can be subtle and you can say what you say. The words that you put together can be just as hilarious as falling all over the place or doing something.
I think it's appropriate for the international community in situations like this to intervene in Kosovo. I am in favor of an intervention. On some level, you have to say that at least somebody is doing something.
Although the war in which you fought took place more than half-a-century ago, your courage, your sacrifice and your patriotism reaches through the decades and inspires us today.
Theatre tends to be more metaphorical and intense, as you're locked in one room and focused on one thing. Television can hop around, and you need to invest in its naturalistic reality more. But I love writing both, precisely because they're so different.
I am not entirely off grid. I send a lot of email. But the way Facebook constantly alters its privacy settings to bamboozle you into giving more away is just underhand.
The days of print media are numbered. Some papers will be around for a few years, but everyone knows news is going online. Then you have to ask, who pays for it? How do you deliver it? Is there any money for proper investigative reporting?
One question you ask as a writer or any kind of artist when you start making something is, 'Does this have reason to exist in the world?' And you're reassured when you get little confirmations that people are pleased it did exist - whether they buy a ticket, whether it gets good reviews, whether it transfers.
Quite a few plays I have written have an implicit critique of capitalism in that, if you follow it through to its end, what happens to the people who are left behind?
I don't tend to write articles and blogs because, I think, if you went into the theatre knowing that this is the writer's view on x, y, and z, it's just game over for the play.
You go to a protest, and you've got all these different groups saying things you don't necessarily agree with. If I went to a protest, my placard would have to be very long, explaining the ins and outs of my position.
What I've found is if you get the right characters in the right story and put them in the right setting - and let them go - they tend to do all the exploring of the issues for you. Because people are interesting and political and funny and sad.
That's the moment you look for as a writer, when the characters start telling you what they are doing rather than you telling them.
I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.
In order to become a master, you need to emulate. If you're going to be as big as Warhol has become in art, then you have to have younger generations who are exploring your work and trying to understand it like a language.
I've done a lot of dramedies in my career. You know, I started as a standup comic, and then the movies that I was doing, like 'Up Side of Anger' were kind of like - they're hard. They're hard to sell; they're hard to get made, you know.
I just kind of went from being a standup, one-man band, to then kind of breezing back and working with other people. And now I'm just trying to be a legitimate guy who pays the rent, you know.
I have a spot on the horizon that I'm trying to hit: To write and direct adult dramedies. First of all, there's really not a big market for them. Second of all, it's like cracking a diamond. You've got to do it right.
That's the thing about Michael Moore, when you read his stuff, he's so sure he's right about everything; even when he's wrong, he's entertaining.
As a writer, it's very difficult to just hand your script over to someone else, especially if you have to watch them hurt it, and that's when I decided I would direct my own work.
You've got to feel a little nervous when you first meet Spielberg. The guy's an apparition.
It's not a great feeling for a film to suffer financially, but you can't sit and mope about it. You just have to just move on to next project - I try to always be working on a new project when my last one hits the theaters.
When you're a comedian, you're another race. You're friends with all these comedians who are white, black and brown. It's us against the world.
I don't work with a lot of pressure, you know? I don't think, 'Oh, this one has gotta work or I'm finished.' I just kind of get onto the next one.
If you're asked something on a movie set and you say 'I don't know,' you lose confidence in every department. What you need to say is 'I'll have that for you in five minutes.'
It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.
Just because you have checks in the checkbook doesn't mean that you have money in the bank, and Washington has failed to understand that.
Our whole society controls how much you can drink, how many pills you can buy; we have controls we accept on everything else in this society - except guns. Those things are all acceptable to us. But with guns, most people will not even discuss restrictions.
You can not be afraid when you get to this level to teach. I don't care what level you're at, if you don't teach, you're worthless.
You give them recommendations. You throw different angles at them where, hopefully, they can get something out of it.
If a girl you're on a date with expresses ideals similar to those expressed by social justice bullies, end the date.
The frustration of Washington is you have to concentrate on just a few areas to really make a difference, and then so much of the power is at the top, at the committee chairman level.
I think we need to go to a system... where we have tough enforcement. Where if you're here illegally, you're going to be deported.
People ask me, 'What do you think about Trump?' Honestly, I don't care for him much.
As an actor, you just want to continue to work on things that you like. You can be in this business a long time and consistently working and just be totally artistically unfulfilled.
As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it.
When you're acting, it's all about you and the person in front of you, and I think in life we forget to apply the same technique, and we get caught up in the panic of what we're trying to do - how overwhelmingly daunting the task of trying to become an actor is.
As an actor, you're trying to capture the nuances of real life, but voice work is almost over-acting.
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
To be honest with you, most of the times I have fought, there has been a reason.
We're not only hockey players. A lot of guys have families and girlfriends. You can't just think about hockey 24-7.
As you prepare for the many things that fall brings, such as school, harvest and winter, it is important to be prepared for the unthinkable. Supplies and a plan will significantly reduce panic and chaos in the event of an emergency.
And looking at the landslides, you saw how Gore beat Bush so substantially in California.
And I remember looking at Gray Davis and, you know, Gray is the consummate political operative.
I think you need a really strong businessperson running the state, a person who's used to turning negatives into positives, which is what happens in business.
We cannot even predict what kinds of emergent properties would appear when animals begin interacting as part of a brain-net. In theory, you could imagine that a combination of brains could provide solutions that individual brains cannot achieve by themselves.
I think the word 'soul' - it depends on what you define by 'soul.' If you're defining it as a mystical aura that is outside the body, I cannot measure that. If you're talking about soul as human nature, the rank of spectrum of behaviors and reactions that we know humans produce under certain circumstances, that is measurable.
I have no military application in my research. You know, we are all involved into rehabilitation medicine.
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
I think it's my job to fight. The studio makes you question your idea, and you have to prove it.
Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go.
Once you have a blueprint down, you start talking to all the other heads of department to see if and how they can help to execute what you've imagined, and so things change and evolve. And then you have to make it work within the budget and time frame, so things change even more.
Each creative choice you make has 'x' many impacts on budgetary choices, which in turn have 'y' many impacts on your subsequent creative choices. They feed each other.
I have a tendency to feel a bit embarrassed when approached, but it's such a thrill to know that you did something that people enjoyed so much. It's an even bigger thrill when they talk to you about ideas that you worked so hard to get in there, and they single them out as reasons they enjoyed it so much.
When you live in the Philippines or a country like that, you develop something of a very thick skin because you're confronted every day with all of the problems all around you.
I was actually born and raised in Puerto Rico. I moved to the States when I was 19. I was very impressed early on by being around people who spoke my language and ate the same food and listened to the same music, dressed the same. But then you look around and, you know, you're not in Puerto Rico.
And, in fact, you can find that the lack of basic resources, material resources, contributes to unhappiness, but the increase in material resources do not increase happiness.
And it has become a kind of a truism in the study of creativity that you can't be creating anything with less than 10 years of technical knowledge immersion in a particular field.
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