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Obviously if somebody scores 17 goals, you're not going to argue with him if he wants to take penalties.
I'm not really much of a fan of Drake. I don't know why; I'm not really keen on it. His songs just make you think about your ex! I'm more about upbeat songs! His songs are more sad most of the time!
How many soaps does P&G make? In a sense, they're all the same. Can you tell me the difference between trading soybeans, cotton and rubber? They're all soaps to us.
Shorting saved my butt in 2008... Shorting kept me in the game. It generates cash when the market's crashing. And that's what you want when the market's crashing - cash.
My advice to most people is don't short stocks. It's a very, very difficult business. And you can really get clobbered.
The exact details of how you practice value investing will vary investor to investor, but the fundamental principle of scouring the world, looking for dollar bills that you can buy for 50 cents or at some big discount - that is universal to value investing.
I'd say the general outline of a sound investment approach is, first of all, you have to decide are you going to try to be an investor yourself? The answer for most people is probably they shouldn't try. You should put your money in index funds and not try to be a stock picker.
There's an assumption that women don't start companies that earn more than X amount of dollars, or that have more than X amount of users, and Bumble is now really growing into one of the main players if you look at all the mainstream social-media platforms.
Books such as 'The Rules' and 'He's Just Not That Into You' need to go out of the window.
How does a queen bee behave? However she wants to. But please don't wait for someone to hold the door open for you when your own arms work perfectly fine - do it yourself.
Don't be afraid to let someone go if it's not working. You're not a bad boss. You're not a bad CEO.
You have to accept people for who they are. You can guide. You can give people chances. But you cannot hold on to people in fear that you are bad because you can't keep everyone you've hired.
Anyone can replicate a product. There are lots of brilliant minds out there that know how to code, but there's unique DNA to a brand. You cannot have a brand without people. That is the most important asset you will ever have.
When you understand what you see, you will no longer be children. You will know that life is pain, that each of us hangs always upon the cross of himself. And when you know that this is true of every man, woman and child on earth, you will be wiser.
My children, as long as you live, the shadow of the Hiss Case will brush you. In every pair of eyes that rests on you, you will see pass, like a cloud passing behind a woods in winter, the memory of your father - dissembled in friendly eyes, lurking in unfriendly eyes.
When you are kind to someone in trouble, you hope they'll remember and be kind to someone else. And it'll become like a wildfire.
I am the American Dream. I am the epitome of what the American Dream basically said. It said you could come from anywhere and be anything you want in this country. That's exactly what I've done.
It's being willing to walk away that gives you strength and power - if you're willing to accept the consequences of doing what you want to do.
Things happen to you out of luck, and if you get to stick around it's because you're talented.
You know, be an actor because you love to act. Don't be an actor because you think you're going to get famous, because that's luck.
For many people my software is something that you install and forget. I like to keep it that way.
Apart from the most obvious cases, like the Oriental Bittersweet vine, escaped from private gardens and smothering the mountains one acre at a time, the most painful proof of man's destruction is not what you can see right in front of you; it's what you will never see again.
When you get a group of kids together, especially boys, the psychology of those kids requires that they find a weak kid or a sensitive kid or a soft kid.
To understand a field, you look at its arts. Arts can be cautionary as well as inspiring.
I don't think there's anything inherently wrong with a bank being big. In fact, there are some good arguments about universality of geography that in theory, if you have all your eggs in one little community, and some big employer goes out, that could be your downfall.
You cannot just keep borrowing more and more and keep spending more and more without eventually having a day of reckoning.
If you want to do something to destroy consumer spending, just eat away at the middle class because the other problem we have is the structural problem of middle class America.
The problem with regional trade agreements is you get picked apart by the first country. Then you negotiate with the second country. You get picked apart. And you go with the third one. You get picked apart again.
If you add up all the promises any politician makes, the math doesn't work. Hillary Clinton's math doesn't work; Donald's math probably doesn't work. I think you have to listen to their campaign pitches more as symbolic, more as metaphors.
The fact that you're successful doesn't mean that you can't relate to working people.
I did some pretty embarrassing modeling, like catalogs and QVC. I know there's probably a stereotype where all pretty girls think they're unattractive, but modeling is the worst thing for your self-esteem, because you're never pretty enough, you're never thin enough.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
Being known doesn't get you anywhere; it just makes the bar and the expectations higher, especially if the venue wants to charge a certain ticket price because you're known. So people are like, 'I paid $60 to see you, and you're on TV'.
I've been making fun of Donald Trump - we all have - for 10 years, and just bringing up his name... I mean, even if you're supportive of Donald Trump, there's still a lot to make fun of.
In my business, you have so many things going at once - TV shows, projects, movies - and sometimes, things never actually come to fruition.
I wrote a 'Lenny Letter' on a whim, and it felt indulgent, but people came up to me with tears in their eyes saying, 'Thank you.' There's so much shame about mental illness in our country and so many stereotypes about women being 'crazy' or 'psycho.'
One of the big conversations I'm trying to have onstage right now is that to be pro-woman, you don't have to be anti-man. Saying all men suck makes you look like an idiot. And it's not helpful.
In the entertainment industry, there is this fear of getting older, because we have high definition television now, and you can see things that the human eye can't even pick up. But the good thing about standup is that the older you get, the funnier you get.
I am excited to show people how, when you get older, you get deeper, you get more raw, you get more honest, and you stop pretending to be the person you think people want you to be. I stopped worrying about what people wanted me to say and just sort of dug deep into my personal arsenal of my mistakes and shameful thoughts.
My mother taught me that when you stand in the truth and someone tells a lie about you, don't fight it.
I finally faced the fact that it isn't a crime not having friends. Being alone means you have fewer problems.
God gave me a voice to sing with, and when you have that, what other gimmick is there?
I've got some good saints out there - that's right - that pray for me constantly. You've gotta have that! You do.
I've been trying to keep the private life private. Not being savvy or trained on how to do good interviews like a politician, I thought it was wiser to follow my mother's advice: If you have nothing good to say, don't say anything at all.
I've reduced a lot of the stress in my life. I've gotten rid of a lot of things. The light was turned on and a lot of the cockroaches started spinning. I swept them out the door. And sometimes you just have to throw things out because they carry a certain energy.
I grew up in the Bronx. The Bronx teaches you to survive. It's like, 'Bring it on!'
No one can train you to be famous. How do you deal with the loss of anonymity, the loss of privacy? You have to be disciplined.
My sign is Leo. A Leo has to walk with pride. When he takes a step, he has to put his foot down. You walk into a room and you want people to know your presence, without you doing anything.
I don't see myself as extremely handsome. I just figure I can charm you into liking me.
The first time I jumped from a plane, I screamed like a woman. I was two miles up and you could hear me clear as day. Now I love it.
I love being a dad, it keeps me fit and inspired and children are so funny. They always supply you with acting material!
Good singing is learning how to transmit learning musical information with your voice in a way that everybody can relate to. But as a woman you just get a lot of criticism because everyone sees you like a raw lump of clay that needs some help.
Everybody is constantly putting themselves under a microscope in terms of their productivity and their financial success and this whole idea of 'Picture Me Better,' like picture me, you know, who I'm supposed to be versus, you know, just accepting who we all are.
Oddly, in a sense, I still have more confidence as a director than my ability as a writer. Somehow, directing is just really easy. It's just about being really honest about how you feel about what you're seeing.
One of the downsides of money is if there's no money, there are very few real jerks who are attached to your project. And if there is money, you do attract some very difficult, unhelpful people.
When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
Making a show is such a long process. You go through a TV production house that will commission scripts, and if they like what you've written, they take it to a network and sell it to them. It has always felt very far away from something that's actually real.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
You have to constantly work on your script if it needs it. You don't accept, 'Oh, I did a draft and...' No, it's your responsibility to work on the script as much as possible and make it better and better.
If you're sort of interested in politics but sort of upset about contemporary politics, it's kind of wonderful to read about periods who were very eloquent and admirable - generally. People are articulating ideas you can sympathize with or understand both sides of. Or at least feel like one side is saying the right things.
There's so much of this thing now, where you're supposed to do all the work before you get the commission. I think it's really good to try to resist that. If you just have a week to come up with a pitch for something, your ideas aren't going to be very good. Get your income from somewhere else, and keep your writing not tied into these contracts.
That's why I hate the outlines and treatments, because all you get are cliches. If you put things down on paper as your plan, it's very hard to get those ideas out of your head and do something better.
I was in Paris for nine years, starting in '98. One of the great things when I was first there were these wonderful CD collections, selling for almost nothing. For ten euros, you'd get three CDs of all the Gershwin songs.
Army life was rough. Would you believe it, they actually wanted me to pitch three times a week.
Hell, if I didn't drink drink or smoke, I'd win twenty games every year. It's easy when you don't drink or smoke or horse around.
Sooner or later the arm goes bad. It has to... Sooner or later you have to start pitching in pain.
You kind of took it for granted around the Yankees that there was always going to be baseball in October.
You would be amazed how many important outs you can get by working the count down to where the hitter is sure you're going to throw to his weakness, and then throw to his power instead.
Some people asked me if I would be interested in managing the A's. I said a definite no thank you. At night, that place is a graveyard with lights.
The rules are changed now, there's not any way to build a team today. It's just how much money you want to spend. You could be the world champions and somebody else makes a key acquisition or two and you're through.
What counts aren't the number of double plays, but the ones you should have had and missed.
If you have ambition, you might not achieve anything, but without ambition, you are almost certain not to achieve anything.
I thought cryptography was a technique that did not require your trusting other people-that if you encrypted your files, you would have the control to make the choice as to whether you would surrender your files.
If you are designing cryptosystems, you've got to think about long-term applications. You've got to try to figure out how to build something that is secure against technology in the next century that you cannot even imagine.
Intellectual work is essentially a lonely process, and if you can find a way of doing something so that you're in company without being disturbed, that, for me, is the critical thing. I often get to feel isolated so often if I'm sitting either where there aren't people or isn't a view.
Cloud computing means you are doing your computing on somebody else's computer. Looking ahead a little, I firmly believe cloud - previously called grid computing - will become very widespread. It's much cheaper than buying your own computing infrastructure, or maybe you don't have the power to do what you want on your own computer.
I think that the people who are trying to shut down WikiLeaks are going to have to accept this as a fact of reality that cryptography allows you to do this kind of thing.
If you depend on a secret for your security, what do you do when the secret is discovered? If it is easy to change, like a cryptographic key, you do so. If it's hard to change, like a cryptographic system or an operating system, you're stuck. You will be vulnerable until you invest the time and money to design another system.
It's simply unrealistic to depend on secrecy for security in computer software. You may be able to keep the exact workings of the program out of general circulation, but can you prevent the code from being reverse-engineered by serious opponents? Probably not. The secret to strong security: less reliance on secrets.
Without strong encryption, you will be spied on systematically by lots of people.
We have experienced an utter explosion in investigative techniques. Walk the streets, look at the cameras! They are now recognising people automatically from photos; we have DNA fingerprinting, infrascan photos that can identify you from the veins in your face.
People are leaving trails everywhere they go; automated web crawlers tell you an awful lot about their social activities. The flow of information in fundamentally unobtrusive ways into social control organisations has risen dramatically.
The interesting thing about fiction from a writer's standpoint is that the characters come to life within you. And yet who are they and where are they? They seem to have as much or more vitality and complexity as the people around you.
Sometimes the funnier you are, the more vulnerable and scared you are underneath it all. So I think, for me, comedy was always a defense. It was a weapon so that you can't hurt me.
For me, my body image struggle started very young. All that I heard from my mother, my aunts, and my mom's friends was, 'I gotta lose five pounds.' At 5 years old, I learned a size 2 is not thin enough. It was, 'Don't eat carbs! Don't eat sugar! Drink Diet Coke! You always diet!' So that was engrained in my brain at a very early age.
I learned to take the first job that you have in the business that you want to get into. It doesn't matter what that job is, you get your foot in the door.
A lot of life is dealing with your curse, dealing with the cards you were given that aren't so nice. Does it make you into a monster, or can you temper it in some way, or accept it and go in some other direction?
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
Whenever I go to have a meeting at Universal, the security guard just leaps to his feet and comes over, bumps my hand, and says, 'Thank you! Thank you - I love your films!'
I've experienced a great deal of, you know, ostracism from the making of films.
The thing of sitting in an audience and going into a dream-like state with several hundred other people that are sharing exactly what you're feeling is a profound event.
How can you have 'Scream' without Ghostface? It's like 'Friday the 13th' without Jason.
The 'Scream' series is unique in that it's an ongoing murder mystery, even though it's a different killer, so if you know who that killer is, then half of the fun of the movie is gone.
I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.
When you do a film like 'My Soul to Take,' and people think it sucks, that hurts. We put a lot of work into it, and it's a good film, but you go on.
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Today's Shayari
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