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It doesn't change whether it's Georgia, Clemson or Florida or Tennessee. You have to fight out there on the recruiting trail every day. And recruiting's a lot like shaving: If you don't do it every day, you start looking like a bum.
We talk to our players all the time, 'Just control what you can control.' It's no different in life.
The biggest thing for me is to be accessible. When a high school coach comes on our campus, they can sit in every position meeting they want to sit in. They can come to every practice. And the comments I've gotten from our high school coaches is how accessible we are to them. That's what you need to do to build those relationships.
When you talk in terms of a rivalry game, it's always important for our guys to understand the history of the rivalry and the history of the game.
Standing up for what you believe in, to me, is freedom of speech. And that's a right that every American citizen has and what makes this country great.
The SEC is a line-of-scrimmage league. You'd better be good up front, or you're going to have some long days.
It's nice to be able to backtrack and not be embarrassed by the music you used to listen to.
Too much emphasis is put on American roots music when people try and place me. You know, I grew up listening to punk.
I make the songs and part of making them is singing them. But what you hear is not me. It's the song. It's through me.
I don't like the idea of being surrounded by hidden things; people you can't see in buildings and cars.
When I was a kid, my parents never let me use race as an excuse. They'd say, 'When you walk into a room and it's all white, those kids have to work to stand out, not you.'
When you come into the industry as an outsider, you need to have an entrepreneurial spirit to succeed. In Hollywood, it's very clear that you either play by the rules or make up your own. And I wanted to do it my way.
I love things where I can be physical and I so love high stakes, and you usually don't get that unless you're doing a play or an action movie.
The thing I get a lot is, 'You've got a very recognisable face.' I'm never quite sure what to make of it.
Kissing scenes are never romantic or sexy. They're actually super technical, like, 'Move your head; you're blocking her light,' or, 'Stop looking like an idiot when you kiss her.'
I think we have a responsibility to shape the zeitgeist with the movies we put out there. Because 'After Earth' isn't going to do it. 'The Expendables 3' isn't going to do it. You could make one million amazing films for the amount of money they spend on those films. I get frustrated.
There's no other industry in the world where you could spend $100m as frivolously as they do in the film industry. Think about how much good you could do with $100m... it can be spent in 20 minutes on a movie.
There's such a thing, if you're a finance man, as hitting the figures you need to hit. But there's no equivalent in acting. It's a creative field. It's subjective. That's what I love about it.
Live in such a way that you would not be ashamed to sell your parrot to the town gossip.
If you want to be successful, it's just this simple. Know what you are doing. Love what you are doing. And believe in what you are doing.
There's no trick to being a humorist when you have the whole government working for you.
There is nothing so stupid as the educated man if you get him off the thing he was educated in.
If the other fellow sells cheaper than you, it is called dumping. 'Course, if you sell cheaper than him, that's mass production.
In Hollywood you can see things at night that are fast enough to be in the Olympics in the day time.
The more that learn to read the less learn how to make a living. That's one thing about a little education. It spoils you for actual work. The more you know the more you think somebody owes you a living.
I think that, just in general, my number one priority is to just go out of your way to stay yourself and put yourself out there in a positive way. It's so easy, and you can connect with a lot of your friends.
Humor has historically been tied to the mores of the day. The Yellow Kid was predicated on what people thought was funny about the immigrant Irish. When you're different in a society, you're funny.
I want to point out to adults that there is a world of good material available to you now in comic form - in this medium - and learn to give it your support because the more you support it, the better the material will be as it comes out.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
All you have in comedy, in general, is just going with your instincts. You can only hope that other people think that what you think is funny is funny. I don't have an answer but I just try to plough straight ahead.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
The funny guy doesn't get the girl until later in life. High school, college, everyone still wants the brooding, dangerous guy you shouldn't have.
I know the nature of comedy, and you never know what will happen with the next movie or whether people will find it funny.
I grew up in an entertainment family, and so I saw how susceptible you are to the ups and downs of this business.
In the fourth grade, I learned how to fake walking into a door. You know, you hit it with your hand and snap your head back. The girls loved it.
It's good to please the network, but you really just have to tell the stories you want to tell, and if you try to please other people, it ends up starting to water stuff down. Those decisions we have to make are hard, but we usually just err on the side of 'What would we want to see?'
Mine's the fun amount of OCD. The party amount! Just enough to give you a little teeny bit of character, but you can still leave the house.
I just love the people I work with so much, you know. It's an embarrassment of riches to get to work with Kristen Schaal and Mel Rodriguez and Mary Steenburgen and Boris Kodjoe and Cleopatra Coleman and January Jones, but then to get to bring Jason Sudeikis into the mix, you know, we're like brothers from all that time we spent together.
You're certainly aware of your strengths and limitations, but I'd say I probably err on the side of trying to go too far and then get disappointed with myself and how it turns out.
I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.
Obviously, if you get a chance to be in Alexander Payne's movie, you're going to go for it, or you'd be a crazy person.
When you make something that you're really proud of, and it doesn't do well, you can live with it. The hard part is when you make something that you have to compromise on and it doesn't do well.
You have to contort your body in a certain way to hit a low note. When you're on film, you can't. So you do, in a sense, get to hide behind your voice, which is nice.
It's fun to see a lot of the crowd become embarrassed. You're kind of watching them almost wanting to not watch the screen, but they have to because it's so compelling!
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
Having a kid is hard to explain, but when you talk to another parent, you have mutual understanding of what that does to you as a person.
I've been through some adversity where I didn't have football. Having it back gives you an appreciation for every snap you can take. I'm just blessed to have that opportunity.
'Rhye' clearly plays with notions of sexual identity, and it has made a concerted effort to keep its own identity mysterious. Its love songs are gender-neutral, the members have declined to appear in their own videos, and you'd be hard-pressed to find a photo of the duo that doesn't cast them in shadows.
Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.
Yeah, you know, within the context of TV families, these are pretty unsavory characters.
When it sort of finally sets in that you're not going to be doing that anymore... it's disappointing.
No, Arrested Development was such an amazing experience in every way, and you know it was very unique in that it was a show that received a lot of critical acclaim, and yet we didn't ever achieve the ratings that we wanted.
Look, I get it; you come home, you work hard, and you turn on your TV... You kind of want to escape a little bit and be taken away by something. Our show required you to pay attention, and if that's not what you wanted to do, then it wasn't going to be for you, and that's OK.
It doesn't look great if you cancel the reigning Best Comedy Program, you know, you're gonna take a hit from a... from sort of a public relations standpoint.
Because I think a lot of people felt like, ultimately - and this isn't the first time I've said this, so I'll bore you again with it - but ultimately it was... I think it felt like homework a bit for people.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
'Mustanging' was like trout fishing. It is always the big ones that get away. When you did get a bunch of them into a corral, you found they did not look half so large and handsome as when they were first sighted on the prairie.
When you write something it has to hit the level that you accept as being good.
Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
Being yourself is the most important element for me, because, if you're trying to be something you're not, the audience will pick up on that.
In acting, you have to know that you are worth something. I knew I had some talent somewhere.
It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.
Being exposed to the diversity of music I was as a kid made me the actor I am today. As an actor, you have to adapt and do so many different things.
In terms of the class structure that you see so much in European portraiture, I don't think one feels that in America in the 21st century. But we have these other kinds of social structures now, like celebrity, who establish new hierarchies.
It may be true that you can't fool all the people all the time, but you can fool enough of them to rule a large country.
If I had known it I would have told my son, I'd rather shoot you than let you join the SS. But I didn't know.
When you have an advantage, you are obliged to attack; otherwise you are endangered to lose the advantage.
Quite frankly, I think political correctness is the worst form of censorship. You're not allowed to speak your mind unless you're black, or unless you're a terrorist, or unless you're an Arab or a minority people. Then you can say what you like. But if you are like a lot of us you are not supposed to say certain things.
There is no quick way of making money. People come to you with tips for the races or offer the latest Ponzi scheme, but I can see them coming a mile off. I just go with the adage that if it sounds too good to be true it probably is.
They say if you drink Zambezi water with your mother's milk, you are always a slave of Africa, and I am.
Cape Town's beaches are superb and while the water on the Atlantic side is damn cold, it's very pleasant on the other side. Bring your golf clubs if you play - Cape Town has some fabulous golf courses.
I work on my novels wherever I have a PC, and I have four or five places around the world where I do have a PC. These days you can just slip a little flash drive into your top pocket, fly for 12 hours, come to another place, plug it into a computer and you are away again.
You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.
Write for yourself, not for a perceived audience. If you do, you'll mostly fall flat on your face, because it's impossible to judge what people want. And you have to read. That's how you learn what is good writing and what is bad. Then the main thing is application. It's hard work.
My dearly beloved if I am to die today and never see the sweet face of you I want you to know that I am no great man and am lucky to have such a woman as you.
I have never insulted man or woman in my life, but if you knew what a wholesome regard I have for damn liars and rascals, they would be liable to keep out of my way.
There has been two awful fights in town this week. You don't know anything about such fighting at home as I speak of; this is no place for women and children, yet, although they all say it is so quiet here... if a man fights in Kansas and gets whipped, he never says anything more about it. If he does, he will get whipped for his trouble.
What I know about poker, you can fit into a thimble with room left over, but I'm learning.
Well, we all are what we are, I guess you might say by an accident of birth.
When you arrive in Hiroshima you can look around and for 25 and perhaps 30 square miles you can see hardly a building. It gives you an empty feeling in the stomach to see such man-made devastation.
Do you know what would hold me together on a battlefield? The sense that I was perpetuating the language in which Keats and the rest of them wrote!
I would advise you to write, my dear friend, because with your active nature, solitude is simply intolerable to you, and after some time your solitude would become perhaps attractive if you were to people it with creatures of your own fancy.
People think your life's different because you've got money, you've got fame, so they don't treat you the same.
If you watch me play, you'll see how often I get kicked. I don't go off the pitch and cut myself to act like I've been kicked.
At the pace I'm running, trying to get the ball, the slightest touch could trip me over. You don't have to literally push me over. That's what people don't understand. But unless you're able to run that fast, you'll never understand.
Fans give me abuse all the time. Nearly every team does that. If I wasn't a good player, you wouldn't feel like you need to boo me the whole game. So do that if it makes you feel better, but it does spur me on. It's like, 'You expect something from me; that's why you're doing this,' so I don't mind it. They can boo me all day long, really.
Going through games, making silly mistakes, you'll need the manager to tell each individual what they are doing wrong.
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